ACCEPT

:''For other meanings, see Accept (disambiguation).''
'Accept' was a German heavy metal band from the town of Solingen, originally assembled in the early 1970s by Udo Dirkschneider. The band has played an important role in the development of speed metal and European power metal.

Contents
Biography
Early years
Mainstream success
Post-Dirkschneider period
Reunion with Dirkschneider and the final years
Hiatus, reunion(s) and the future
Trivia
Classic line-up
Discography
Studio albums
Live albums
EPs
Billboard positions
References

Biography


Early years

For many years after its founding, Accept suffered constant changes to its line-up and was essentially kept on an amateur level, making sporadic appearances in festival concerts. Their professional career began in 1976, when they were invited to play at one of the first rock 'n roll festivals from Germany — Rock am Rhein. After the festival took place, the band received a recording deal and entered a professional studio for the first time, in order to record the self-titled ''Accept'', an album which despite the band's efforts did not achieve much success.
The first stable line-up of Accept was composed by vocalist Udo Dirkschneider, guitarists Wolf Hoffmann and Gerhard Wahl, bassist Peter Baltes and drummer Frank Friedrich. Friedrich and Wahl quit the band after the release of ''Accept'', since they did not intend to pursue a professional career in music. They were replaced by Stefan Kaufmann and Jörg Fischer, and with this line-up the band proceeded to record ''I'm a Rebel'' in 1980. This was the album which brought media attention to the band, which was subsequently invited to make its first televised show.
Three important events took place in 1981. First, the album ''Breaker'' was released. Second, a contract with manager Gaby Hauke was signed, an agreement which lasted for the whole of the band's career. Third, Accept joined Judas Priest's world tour and obtained a fair amount of success, making the band known outside of Europe.
The next album — ''Restless and Wild'' — was released in 1982, but did not have the presence of Jörg Fischer, who quit the band a short time before the recording took place. All of the guitars for this album were recorded by Wolf Hoffmann. ''Restless and Wild'' saw an evolution in the band's sound, which incorporated several characteristics of the genre which would later be called speed metal. An extensive tour followed, and guitarist Herman Frank (ex-Sinner) was hired so that the songs could be performed on stage.
Mainstream success

Accept became successful with their next release, ''Balls to the Wall'' (1983), which would prove to be something different from what they had previously recorded. The album was of a conceptual nature, and included songs which spoke about themes such as politics, sexuality and different kinds of human relationships. For example the title track "Balls to the Wall" refers to slaves revolting against oppressing masters. "Fight It Back" is about the social misfit, fighting against conformity. The lyrics for the songs were credited to Accept + a certain "Deaffy", which was later revealed to be their manager Gaby Hauke under a pseudonym. She proceeded to compose the lyrics of all of their songs from that album on, without ever officially claiming authorship of the songs.
During a show in their hometown in the year of 1983, the band ran into Jörg Fischer by chance. On Hauke's insistence, Fischer was made part of the band once more. A world tour which would only end in 1984 — at the historical Monsters of Rock festival — followed.
''Metal Heart'' came next, in 1985, soon followed by the live album Kaizoku-Ban. Russian Roulette continued the series of albums, being produced by Scorpions producer Dieter Dierks and released in 1986.
However, as time passed, differences began to surface. Peter Baltes, Wolf Hoffmann and Gaby Hauke expressed a growing interest in the USA, and spent more time in overseas countries than in Germany, which meant they were constantly away from the rest of the band. The distance between them grew, and it was eventually decided that Accept would enter an hiatus and that Udo Dirkschneider would, in the meantime, pursue a solo career. The other members of the band worked together with Udo on the technical side of his first solo album, entitled Animal House, and it was released under the name of U.D.O. in Europe and America.
Post-Dirkschneider period

After a period of inactivity, Peter, Wolf and Stefan set to work once more as a band with the help of vocalist David Reece; Udo's solo career was working out well and guitarist Jörg Fischer had once more left Accept. After a few demos, the band felt secure enough with this new line-up and released Eat the Heat, the first Accept album without Udo.
A short warm up tour in the USA was followed by a European tour with the support of rhythm guitarist Jim Stacey followed the release of the album. The tour, however, came to a sudden halt when Stefan Kaufmann sustained a serious injury to his back. He was replaced by drummer Ken Mary for the remainder of the tour. By the tour's end, Hoffmann, Baltes and Hauke had decided that Reece was an unstable personality and Kaufman was going to need a long break from the drums. They decided it was time to quit. By 1989, the band had ceased its activities.
Reunion with Dirkschneider and the final years

A live compilation entitled ''Staying a Life'' was released in 1990, and fans from around the globe demanded a reunion. During a visit to Germany, Udo met with the musicians from Accept and, after some discussion, it was decided that they would relaunch the classic line-up of the band.
''Objection Overruled'' was released in 1993. The band's reunion was a qualified success in Europe and the USA, where the band was working though Pavement Records. A world tour followed. Another album, entitled ''Death Row'', was released in 1994, but Kaufmann became unable to play once more due to his recurring back injury. The band invited Stefan Schwarzmann as a temporary replacement and commenced plans for their next tour.
The musicians, however, began to feel tired. The teenagers from the town of Solingen had grown up and were beginning to feel the toll of a life of constant touring. A sense of finality was in the air when the band entered studios to record ''Predator'' from 1996, this time with Michael Cartellone (from Damn Yankees) on the drums.
Hiatus, reunion(s) and the future

Accept's final tour for supporting ''Predator'' went through America, Europe and Asia, with their last concert coming in Tokyo, Japan, one of the world capitals of heavy metal. Since then, the band had disappeared for a while.
The future of Accept remains uncertain, as all members continue working on their own projects. However 2005 saw a short commemorative reunion tour with Accept's classic line-up. The final show was held on August 27, 2005, in Kavarna, Bulgaria - at the Monsters of Rock festival.
When asked whether Accept were planning on writing and recording new material, Dirkschneider replied:

Trivia


Their song "Balls to the Wall" was chosen number 38 in VH1's 40 'Greatest Metal Songs' and number 29 in VH1's '40 Most Awesomely Bad Metal Songs' [reference needed].
"Balls to the Wall" is featured in the PS2 game .

Classic line-up



Udo Dirkschneider - Vocals

Wolf Hoffmann - Guitar

Jörg Fischer - Guitar

Peter Baltes - Bass

Stefan Kaufmann - Drums

Discography


Studio albums


★ ''Accept'' (1979)

★ ''I'm a Rebel'' (1980)

★ ''Breaker'' (1981)

★ ''Restless and Wild'' (1982)

★ ''Balls to the Wall'' (1983)

★ ''Metal Heart'' (1985)

★ ''Russian Roulette'' (1986)

★ ''Eat the Heat'' (1989)

★ ''Objection Overruled'' (1993)

★ ''Death Row'' (1994)

★ ''Predator'' (1996)
Live albums


★ ''Kaizoku-Ban'' (Live, 1985)

★ ''Staying a Life'' (Live, 1990)

★ ''Live In Japan'' (Live, 1992)

★ ''All Areas - Worldwide'' (Live, 1997)

★ ''The Final Chapter'' (Live, 1998)
EPs


★ ''Rich & Famous'' (EP, 2002)

Billboard positions


:US charts

★ Balls To The Wall - 2/4/84 - #74

★ Metal Heart - 3/30/85 - #94

★ Russian Roulette - 5/17/86 - #114

★ Eat The Heat - 6/24/89 - #139

References





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