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EspañolAMERICAN ME
:''For the album, see American Me (album).''
'''American Me''' is a 1992 film directed by Edward James Olmos (his first film as director) and written by Floyd Mutrux and Desmond Nakano. Olmos also stars as the movie's main character.[1]
The motion picture was executive produced by Lou Adler, a well known record producer.
The film covers the life of Santana (Edward James Olmos), a Chicano youth who breaks the law and becomes part of the "legalistic machine" that includes the horrors of serving prison time at Folsom Prison for many years.
The film tells of most of Santana's life and how the "system," ''in toto,'' works against him, in and out of jail. When Santana is released from prison the question becomes: is there an escape?
As important, the film introduces audiences to California gang life, both on the street and in jail.
The film depicts thirty years of Chicano gang life in Los Angeles focused on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J. D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.
The character of Montoya Santana is modeled after Rodolfo Cadena, a ranking ''"Carnal"'' in the prison gang ''La Eme'', known popularly as the Mexican Mafia. Cadena unsuccessfully attempted to steer La Eme into Left-Wing activism before being stabbed to death by members of the rival Nuestra Familia. J.D. is based on Joe "Pegleg" Morgan, the Croatian-American godfather of the Mexican Mafia.
The real Mexican Mafia continues to revere Cadena and was enraged by the film, as the Cadena character is portrayed as having been gang raped and stabbed to death by his own followers. Eme godfather Joe "Pegleg" Morgan allegedly attempted to extort money from Olmos, the director and lead actor of the film. An Eme ''"Carnal"''-turned-informant raised the possibility of putting out a contract on him. Court documents show that Olmos was a victim in one extortion count contained in a 33-count federal indictment. Furthermore, a federal indictment accused "La Eme" of ordering the 1992 murder of Ana Lizarraga, an East Los Angeles gang counselor who worked as a technical advisor on ''American Me.''[2] According to news reports of the time, Lizarraga and another consultant on the film may have been targeted for murder by the Mexican Mafia due to the depiction of the fictional homosexual rape of one of the gang's founders, which allegedly violated the Mexican Mafia's sense of machismo.[3]
Because of the danger, Olmos sought a permit to carry a concealed firearm. This permit was granted.
Edward James Olmos, in neo-realist fashion, used actual prisoners as extras and bit players when he filmed at Folsom Prison.
Filming locations include: Folsom Prison, Represa, California; and East Los Angeles, California.
'Tagline:' ''In prison they are the law. On the streets they are the power.''
The film opened in wide release on March 13, 1992 (830 screens).
The opening weekend's gross was $3,378,100 and the total receipts for the run were $13,086,430. The film was in wide release for three weeks (seventeen days). In its widest release the film was featured in 830 theaters across the country.[4]
Film critics viewed the film favorably. ''Chicago Sun-Times' Roger Ebert liked the reality that came through in the film and that it rang true. He wrote in a review, "What I felt watching ''American Me,'' however, is that it is based on a true situation - on the reality that street gangs and prison, mixed with the drug sales that finance the process, work together to create a professional criminal class."[5]
Janet Maslin writes in ''The New York Times,'' "But Mr. Olmos's direction...is dark, slow and solemn, so much so that it diverts energy from the film's fundamental frankness. Violent as it is, ''American Me'' is seldom dramatic enough to bring its material to life."[6]
Marjorie Baumgarten, a film critic for ''The Austin Chronicle'' thinks the movie at times has a choppy feel that it keeps coming at her without centering on the important aspect of the film. She writes, "''American Me'' is crafted with heart and conviction and intelligence. It demands no less of its audience. It insists that there are no quick fixes, but that solutions are of the utmost urgency."[7]
★ Edward James Olmos as Montoya Santana
★ William Forsythe as J.D.
★ Pepe Serna as Mundo
★ Daniel A. Haro as Huero
★ Sal Lopez as Pedro Santana
★ Vira Montes as Esperanza Santana
★ Roberto Martín Márquez as Acha
★ Dyana Ortelli as Yolanda
★ Evelina Fernández as Julie
★ Joe Aubel as Tattoo Artist
★ Rob Garrett as Zoot Riot Bystander
★ Lance August as Young Sailor
★ Jacob Vargas as Paulito
★ Eric Close as Juvie Hall Attacker
★ Christian Klemash as Blond Kid in Yard
★ Brian Holechek as Juvie Officer
★ Rigoberto Jimenez as Big Happy
★ Cary-Hiroyuki Tagawa as El Japo
★ Robby Robinson as Drug Thief
★ Paul Bollen as Doc
Being that the film deals with a Latino sub-culture, the music included in the soundtrack was Latino oriented; late 1970s urban sounds and oldies from the 1950s.
The original music soundtrack was released on April 28, 1992 by Virgin Records.
The CD has ten tracks and includes songs performed by various artists including: Los Lobos, Santana, Ike & Tina Turner, Bobby Day, Kid Frost, War, and other performers.
★ Montoya Santana: You know, a long time ago, two best homeboys were thrown into juvie. They were scared, so they thought they had to do something to prove themselves. And they did what they had to do. They thought they were doing it to gain respect for their people, to show the world that no one could take their class from them. No one had to take it from us, ese. Whatever we had...we gave it away...Take care of yourself, ''Carnal''.
★ Julie: You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this rap down, who knows how to run drugs, who kills people!
★ Montoya Santana: I don't have to listen to this shit, alright? If you were a man, I'd...
:Julie: You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right!? You know when I met you, I was impressed. Yeah, you talked about La Raza and education and the revolution, but you know what man? You really don't care about any revolution, do you? You're nothing but a fucking dope dealer.
★ J. D.: Belonging felt good, but having respect, well that feels even better.
1. ''American Me'' at the Internet Movie Database.
2. ''Associated Press,'' October 24, 1996.
3. Lombardi, John. ''New York Magazine,'' "Scenes from a Bad Movie Marriage." January 12, 1998.
4. The Numbers box office data.
5. Ebert, Roger. ''Chicago Sun-Times,'' film review, March 13, 1992.
6. Maslin, Janet. ''The New York Times,'' film review, March 13, 1992.
7. Baumgarten, Marjorie. ''The Austin Chronicle,'' film review, March 20, 1992.
★ .
'''American Me''' is a 1992 film directed by Edward James Olmos (his first film as director) and written by Floyd Mutrux and Desmond Nakano. Olmos also stars as the movie's main character.[1]
The motion picture was executive produced by Lou Adler, a well known record producer.
The film covers the life of Santana (Edward James Olmos), a Chicano youth who breaks the law and becomes part of the "legalistic machine" that includes the horrors of serving prison time at Folsom Prison for many years.
| Contents |
| Plot |
| Background |
| Plot |
| Factual Basis |
| Mexican Mafia reaction |
| Casting |
| Filming locations |
| Exhibition |
| Critical reception |
| Cast and ratings |
| Soundtrack |
| Quotes |
| Footnotes |
| External links |
Plot
The film tells of most of Santana's life and how the "system," ''in toto,'' works against him, in and out of jail. When Santana is released from prison the question becomes: is there an escape?
As important, the film introduces audiences to California gang life, both on the street and in jail.
Background
Plot
The film depicts thirty years of Chicano gang life in Los Angeles focused on a teen named Santana who, with his friends Mundo and the Caucasian-but-acting-Hispanic J. D., form their own gang and are soon arrested for a break-in. Santana gets into trouble again and goes straight from reform school to prison, spending eighteen years there, and becoming leader of a powerful gang, both inside and outside the prison, while there. When he is finally released, he tries to make sense of the violence in his life, in a world much changed from when last he was in it.
Factual Basis
The character of Montoya Santana is modeled after Rodolfo Cadena, a ranking ''"Carnal"'' in the prison gang ''La Eme'', known popularly as the Mexican Mafia. Cadena unsuccessfully attempted to steer La Eme into Left-Wing activism before being stabbed to death by members of the rival Nuestra Familia. J.D. is based on Joe "Pegleg" Morgan, the Croatian-American godfather of the Mexican Mafia.
Mexican Mafia reaction
The real Mexican Mafia continues to revere Cadena and was enraged by the film, as the Cadena character is portrayed as having been gang raped and stabbed to death by his own followers. Eme godfather Joe "Pegleg" Morgan allegedly attempted to extort money from Olmos, the director and lead actor of the film. An Eme ''"Carnal"''-turned-informant raised the possibility of putting out a contract on him. Court documents show that Olmos was a victim in one extortion count contained in a 33-count federal indictment. Furthermore, a federal indictment accused "La Eme" of ordering the 1992 murder of Ana Lizarraga, an East Los Angeles gang counselor who worked as a technical advisor on ''American Me.''[2] According to news reports of the time, Lizarraga and another consultant on the film may have been targeted for murder by the Mexican Mafia due to the depiction of the fictional homosexual rape of one of the gang's founders, which allegedly violated the Mexican Mafia's sense of machismo.[3]
Because of the danger, Olmos sought a permit to carry a concealed firearm. This permit was granted.
Casting
Edward James Olmos, in neo-realist fashion, used actual prisoners as extras and bit players when he filmed at Folsom Prison.
Filming locations
Filming locations include: Folsom Prison, Represa, California; and East Los Angeles, California.
Exhibition
'Tagline:' ''In prison they are the law. On the streets they are the power.''
The film opened in wide release on March 13, 1992 (830 screens).
The opening weekend's gross was $3,378,100 and the total receipts for the run were $13,086,430. The film was in wide release for three weeks (seventeen days). In its widest release the film was featured in 830 theaters across the country.[4]
Critical reception
Film critics viewed the film favorably. ''Chicago Sun-Times' Roger Ebert liked the reality that came through in the film and that it rang true. He wrote in a review, "What I felt watching ''American Me,'' however, is that it is based on a true situation - on the reality that street gangs and prison, mixed with the drug sales that finance the process, work together to create a professional criminal class."[5]
Janet Maslin writes in ''The New York Times,'' "But Mr. Olmos's direction...is dark, slow and solemn, so much so that it diverts energy from the film's fundamental frankness. Violent as it is, ''American Me'' is seldom dramatic enough to bring its material to life."[6]
Marjorie Baumgarten, a film critic for ''The Austin Chronicle'' thinks the movie at times has a choppy feel that it keeps coming at her without centering on the important aspect of the film. She writes, "''American Me'' is crafted with heart and conviction and intelligence. It demands no less of its audience. It insists that there are no quick fixes, but that solutions are of the utmost urgency."[7]
Cast and ratings
★ Edward James Olmos as Montoya Santana
★ William Forsythe as J.D.
★ Pepe Serna as Mundo
★ Daniel A. Haro as Huero
★ Sal Lopez as Pedro Santana
★ Vira Montes as Esperanza Santana
★ Roberto Martín Márquez as Acha
★ Dyana Ortelli as Yolanda
★ Evelina Fernández as Julie
★ Joe Aubel as Tattoo Artist
★ Rob Garrett as Zoot Riot Bystander
★ Lance August as Young Sailor
★ Jacob Vargas as Paulito
★ Eric Close as Juvie Hall Attacker
★ Christian Klemash as Blond Kid in Yard
★ Brian Holechek as Juvie Officer
★ Rigoberto Jimenez as Big Happy
★ Cary-Hiroyuki Tagawa as El Japo
★ Robby Robinson as Drug Thief
★ Paul Bollen as Doc
Soundtrack
Soundtrack Cover
Being that the film deals with a Latino sub-culture, the music included in the soundtrack was Latino oriented; late 1970s urban sounds and oldies from the 1950s.
The original music soundtrack was released on April 28, 1992 by Virgin Records.
The CD has ten tracks and includes songs performed by various artists including: Los Lobos, Santana, Ike & Tina Turner, Bobby Day, Kid Frost, War, and other performers.
Quotes
★ Montoya Santana: You know, a long time ago, two best homeboys were thrown into juvie. They were scared, so they thought they had to do something to prove themselves. And they did what they had to do. They thought they were doing it to gain respect for their people, to show the world that no one could take their class from them. No one had to take it from us, ese. Whatever we had...we gave it away...Take care of yourself, ''Carnal''.
★ Julie: You're like two people. One is like a kid. Doesn't know how to dance, doesn't know how to make love. That's the one I cared about. But the other one, the other one I hate. The one who knows, the one who has this rap down, who knows how to run drugs, who kills people!
★ Montoya Santana: I don't have to listen to this shit, alright? If you were a man, I'd...
:Julie: You'd kill me! Oh no. No, you'd fuck me in the ass, right? Right!? You know when I met you, I was impressed. Yeah, you talked about La Raza and education and the revolution, but you know what man? You really don't care about any revolution, do you? You're nothing but a fucking dope dealer.
★ J. D.: Belonging felt good, but having respect, well that feels even better.
Footnotes
1. ''American Me'' at the Internet Movie Database.
2. ''Associated Press,'' October 24, 1996.
3. Lombardi, John. ''New York Magazine,'' "Scenes from a Bad Movie Marriage." January 12, 1998.
4. The Numbers box office data.
5. Ebert, Roger. ''Chicago Sun-Times,'' film review, March 13, 1992.
6. Maslin, Janet. ''The New York Times,'' film review, March 13, 1992.
7. Baumgarten, Marjorie. ''The Austin Chronicle,'' film review, March 20, 1992.
External links
★ .
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