'Ancient music' is
music that developed in literate
cultures, replacing
prehistoric music.
The development of
writing took place in different time periods in different geographic areas. A number of inscriptions (collectively termed "
Old European Script") appearing on portable artifacts recovered from the lower
Danube Valley dated to ca.
5000 BCE have been claimed as examples of early
linear writing; however, it is far from clear whether these marks constitute proto-writing at all. The first uncontested examples of a
writing system are attributed to the
Sumerian culture in
Mesopotamia, and date from around
4000 BCE. So this is when the era of ancient music began. In
Europe it ended in
476 CE , and was followed by the
Early music era of
European classical music. For
Arab music,
ancient history ended in
622 CE.
Samaveda, one of the four vedas describes music at length.
Anne Draffkorn Kilmer from the University of California at Berkeley published in 1986 her decipherment of cuneiform tablet from Nippur dated to about 2000 B.C., demonstrating that it represents fragmentary instructions for performing music and that the music was composed in harmonies of thirds, and that it was also written using a
diatonic scale (Kilmer 1986) The notation in that tablet was not as developed as the notation in the later cuneiform tablet dated to about 1250 B.C. (Kilmer 1965) Although the interpretation of the notation system is still controversial, it is clear that the notation indicates the names of strings on a lyre, the tuning of which is described in other tablets (West 1994). These tablets represent the earliest recorded melodies, though fragmentary, from anywhere in the world. (West 1994)
Ancient Greek musicians developed their own robust system of musical notation. The system was not widely used among Greek musicians, but nonetheless a modest corpus of notated music remains from
Ancient Greece and
Rome. The
epics of
Homer were originally sung with instrumental accompaniment, but no notated melodies from Homer are known. Several complete songs exist in ancient Greek musical notation. The
Seikilos epitaph is the oldest surviving complete musical composition from the Greek tradition or from any tradition. Three complete
hymns by
Mesomedes of
Crete (
2nd century CE) exist in manuscript. In addition, many fragments of Greek music are extant, including fragments from
tragedy, among them a
choral song by
Euripides for his ''
Orestes'' and an
instrumental intermezzo from
Sophocles' ''
Ajax''. Romans did not have their own system of musical notation, but a few Romans apparently learned the Greek system. A line from
Terence's ''
Hecyra'' was set to music and possibly notated by his
composer Flaccus.
It has always been known that some ancient music was not strictly monophonic. Some fragments of Greek music, such as the ''Orestes'' fragment, clearly call for more than one note to be sounded at the same time. Greek sources occasionally refer to the technique of playing more than one note at the same time. In addition, double pipes, such as used by the Greeks and Persians, and ancient bagpipes, as well as a review of ancient drawings on vases and walls, etc., and ancient writings (such as in Aristotle, ''Problems,'' Book XIX.12) which described musical techniques of the time, all indicate harmony existed. One pipe in the aulos pairs (double flutes) may have served as a
drone or "keynote," while the other played melodic passages. Kilmer's decipherment of the cuneiform tablets indicate that the simultaneous sounding of different pitches was practiced very early, perhaps by 2000 B.C.
The term "ancient music" may also refer to contemporary, but traditional or
folk, music which is considered to continue its "ancient" style and includes much
Persian music,
Asian music,
Jewish music,
Greek music,
Roman music, the
music of Mesopotamia, the
music of Egypt, and
Muslim music. See also:
authentic performance.
The Harps of Ur
In
1929 Leonard Woolley discovered pieces of at least three
harps while excavating in the ruins of the ancient city of
Ur located in what was
Ancient Mesopotamia and is contemporary
Iraq. Some fragments are in
Pennsylvania, some in the
British Museum in
London, and some in
Baghdad. They have been dated to
2,750 BCE. Various reconstructions have been attempted, but none were totally satisfactory. Depending on various definitions, they could be classed as
lyres rather than harps. The most famous is the bull-headed harp, held in Baghdad. It survived both
Iraqi wars, and attempts are being made to play a replica of it as part of a touring
orchestra.
Harps from Syria and Egypt
Assurbanipal (
705 -
681 BCE) was king of
Assyria. At his capital at
Nineveh is a
bas-relief showing the fall of the
Judean city of
Lachish. In the procession is the
Elamite court orchestra, containing seven lyre-players and possibly a
hammer-dulcimer player. The lyres appear to have seven strings. True harps are shown in
murals from the time
Ramesses III of
Egypt, about
1200 BCE. "The Tomb of the Harpists" contains a bas-relief with two blind musicians.
James Bruce described it in
1768 and it sometimes known as Bruce's Tomb.
Hurrian Music
Among the
Hurrian texts from
Ugarit are the oldest known instances of written music, dating from c.1800 BC. A reconstructed hymn is replayed at the
Urkesh webpage.
See also
★
History of music
★
Persian music
References
★ Kilmer, Anne Draffkorn, 'The Strings of Musical Instruments: their Names, Numbers, and Significance', ''Studies in Honor of Benno Landsberger = Assyriological Studies, xvi (1965), 261-8
★ Kilmer, Anne Draffkorn, ''Journal of Cuneiform Studies'', xxxviii (1986), 94-98
★ West, M. L., 'The Babylonian Musical Notation and the Hurrian Melodic Texts', Music & Letters, Vol. 75, No. 2. (May, 1994), pp. 161-179
External links
★
Nay-Nava the encyclopedia of persian music instruments
★
Reconstructed bone flutes, sound sample and playing instructions.
★
International Study Group on Music Archaeology
★
Musica Romana: Ensemble for ancient music
★
Ancient Greek music on original instruments : Daimonia Nymphe