ARCHITECTURE OF THE SPANISH RENAISSANCE
'Renaissance architecture' was that style of architecture which evolved firstly in Florence and then Rome and other parts of Italy as the result of Humanism and a revived interest in Classical architecture. It was part of the general movement known as the Renaissance which spread outwards from Italy and effected many aspects of scholarship and the arts. In Spain, the Renaissance began to be grafted to Gothic forms in the last decades of the 15th century.
The style started to spread made mainly by local architects: that is the cause of the creation of a specifically Spanish Renaissance, that brought the influence of South Italian architecture, sometimes from illuminated books and paintings, mixed with Gothic tradition and local idiosyncrasy. The new style is called Plateresque, because of the extremely decorated facades, that brought to the mind the decorative motifs of the intricately detailed work of silversmiths, the “Plateros”. Classical orders and candelabra motifs (''a candelieri'') combined freely into symmetrical wholes.
As decades passed, the Gothic influence disappeared and the research of an orthodox classicism reached high levels. Although Plateresco is a commonly used term to define most of the architectural production of the late XV and first half of XVI, some architects acquired a more sober personal style, like Diego Siloe and Rodrigo Gil de Hontañón. Examples include the facades of the University of Salamanca and of the Convent of San Marcos in León.
From the mid 16th century, under such architects as Pedro Machuca, Juan Bautista de Toledo and Juan de Herrera there was a closer adherence to the art of ancient Rome, sometimes anticipating Manierism, examples of which include the palace of Charles V in Granada and the Escorial.
★ El Escorial (by Juan Bautista de Toledo and Juan de Herrera)
★ University of Salamanca (unknown architect)
★ New Cathedral of Salamanca (by Juan de Álava and others)
★ Palace of Monterrey in Salamanca (by Rodrigo Gil de Hontañón)
★ Arzobispo Fonseca College in Salamanca (by Diego de Siloé, Juan de Álava and R. G. de Hontañón)
★ Convent of San Esteban in Salamanca, (by Juan de Álava and R. G. de Hontañón)
★ Palace of Guzmanes in León (by R. G. de Hontañón)
★ Hospital de la Santa Cruz in Toledo (by Enrique Egas and Alonso de Covarrubias)
★ Hospital Tavera, in Toledo (by Bartolomé Bustamante)
★ Hospital Real, in Granada (by Enrique Egas)
★ Palace of Charles V in Granada (by Pedro Machuca)
★ Cathedral of Granada (by Juan Gil de Hontañón, Enrigue Egas and Diego de Siloé)
★ Cathedral of Jaén (by Andrés de Vandelvira)
★ Cathedral of Baeza (by Vandelvira)
★ Town Hall in Sevilla (by Diego de Riaño)
★ University of Alcalá de Henares (by Rodrigo Gil de Hontañón and others)
★ Hostal de los Reyes Católicos of Santiago de Compostela (by Enrique Egas)
★ Spanish Renaissance
The facade of the Royal Monastery of El Escorial, in Madrid completed 1584, by Juan Bautista de Toledo and Juan de Herrera [1]
The style started to spread made mainly by local architects: that is the cause of the creation of a specifically Spanish Renaissance, that brought the influence of South Italian architecture, sometimes from illuminated books and paintings, mixed with Gothic tradition and local idiosyncrasy. The new style is called Plateresque, because of the extremely decorated facades, that brought to the mind the decorative motifs of the intricately detailed work of silversmiths, the “Plateros”. Classical orders and candelabra motifs (''a candelieri'') combined freely into symmetrical wholes.
As decades passed, the Gothic influence disappeared and the research of an orthodox classicism reached high levels. Although Plateresco is a commonly used term to define most of the architectural production of the late XV and first half of XVI, some architects acquired a more sober personal style, like Diego Siloe and Rodrigo Gil de Hontañón. Examples include the facades of the University of Salamanca and of the Convent of San Marcos in León.
From the mid 16th century, under such architects as Pedro Machuca, Juan Bautista de Toledo and Juan de Herrera there was a closer adherence to the art of ancient Rome, sometimes anticipating Manierism, examples of which include the palace of Charles V in Granada and the Escorial.
| Contents |
| List of notable structures |
| See also |
List of notable structures
★ El Escorial (by Juan Bautista de Toledo and Juan de Herrera)
★ University of Salamanca (unknown architect)
★ New Cathedral of Salamanca (by Juan de Álava and others)
★ Palace of Monterrey in Salamanca (by Rodrigo Gil de Hontañón)
★ Arzobispo Fonseca College in Salamanca (by Diego de Siloé, Juan de Álava and R. G. de Hontañón)
★ Convent of San Esteban in Salamanca, (by Juan de Álava and R. G. de Hontañón)
★ Palace of Guzmanes in León (by R. G. de Hontañón)
★ Hospital de la Santa Cruz in Toledo (by Enrique Egas and Alonso de Covarrubias)
★ Hospital Tavera, in Toledo (by Bartolomé Bustamante)
★ Hospital Real, in Granada (by Enrique Egas)
★ Palace of Charles V in Granada (by Pedro Machuca)
★ Cathedral of Granada (by Juan Gil de Hontañón, Enrigue Egas and Diego de Siloé)
★ Cathedral of Jaén (by Andrés de Vandelvira)
★ Cathedral of Baeza (by Vandelvira)
★ Town Hall in Sevilla (by Diego de Riaño)
★ University of Alcalá de Henares (by Rodrigo Gil de Hontañón and others)
★ Hostal de los Reyes Católicos of Santiago de Compostela (by Enrique Egas)
See also
★ Spanish Renaissance
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