MAENAD
(Redirected from Bacchantes)
_-_Bacchante_(1894).jpg)
In Greek mythology, 'Maenads' were female worshippers of Dionysus, the Greek god of mystery, wine, and intoxication, and the Roman god Bacchus. Their name literally translates as "raving ones". They were known as wild, insane women who could not be reasoned with. The mysteries of Dionysus inspired the women to ecstatic frenzy; they indulged in copious amounts of violence, bloodletting, sexual activity, self-intoxication, and mutilation. They were usually pictured as crowned with vine leaves, clothed in fawnskins and carrying the thyrsus, and dancing with wild abandon. The Maenads are the most significant members of the Thiasus, the retinue of Dionysus.
They also were characterised as entranced women, wandering through the forests and hills.[1] Also, they are described as ''mad women'' and nurses of Dionysus, wandering through the mountains. They went into the mountains at night and practised strange rites.[2] Compare also the description in Homer's Iliad, Book VI, beginning at line 130:
The Maenads were also known as 'Bassarids' (or 'Bacchae' or 'Bacchantes') in Roman mythology, after the penchant of the equivalent Roman god, Bacchus, to wear a fox-skin, a ''bassaris''.
The behavior of Maenads in stories is intended to explain and display the intoxicating effects of alcohol. In some cases, the alcohol causes bizarre behavior in people and cannot be justified or explained by any other reason except that of the intoxication.
In Euripides' play ''The Bacchae'', Theban Maenads murdered King Pentheus after he banned the worship of Dionysus. Dionysus, Pentheus' cousin, himself lured Pentheus to the woods, where the Maenads tore him apart. His corpse was mutilated by his own mother, Agave, who tore off his head, believing it to be that of a lion.
A group of Maenads also killed Orpheus.
A Maenad appears in the second stanza of Percy Bysshe Shelley's ''Ode to the West Wind'' (1819):
:...
:Angels of rain and lightning; there are spread
:On the blue surface of their airy surge,
:Like the bright hair uplifted from the head
:Of some fierce Maenad, ev'n from the dim verge
:Of the horizon to the zenith's height—
:...
'The Bassarids', to a libretto by W. H. Auden and Chester Kallman, is the most famous opera composed by Hans Werner Henze.
The maenads correspond to the Shikome in the Japanese myth of Izanami and Izanagi (which has a correspondence with the Orpheus myth).
In Greek Art the frolicking of Maenads and Dionysus is often a theme depicted on Greek kraters, that are used to mix water and wine. These scenes show the Maenads in their frenzy running in the forests often killing any animal they happen to come across.
See also Icarius, Butes, Dryas, and Minyades for other examples of Dionysus inflicting insanity upon women as a curse.
1. Greek Theatre Performance: An Introduction, , David, Wiles, Cambridge University Press, 2000,
2.
★ Background and Images for the Bacchae
Bacchante (William-Adolphe Bouguereau, 1894)
In Greek mythology, 'Maenads' were female worshippers of Dionysus, the Greek god of mystery, wine, and intoxication, and the Roman god Bacchus. Their name literally translates as "raving ones". They were known as wild, insane women who could not be reasoned with. The mysteries of Dionysus inspired the women to ecstatic frenzy; they indulged in copious amounts of violence, bloodletting, sexual activity, self-intoxication, and mutilation. They were usually pictured as crowned with vine leaves, clothed in fawnskins and carrying the thyrsus, and dancing with wild abandon. The Maenads are the most significant members of the Thiasus, the retinue of Dionysus.
They also were characterised as entranced women, wandering through the forests and hills.[1] Also, they are described as ''mad women'' and nurses of Dionysus, wandering through the mountains. They went into the mountains at night and practised strange rites.[2] Compare also the description in Homer's Iliad, Book VI, beginning at line 130:
" ... he that on a time drave down over the sacred mount of Nysa the nursing mothers of mad Dionysus; and they all let fall to the ground their wands ..."
The Maenads were also known as 'Bassarids' (or 'Bacchae' or 'Bacchantes') in Roman mythology, after the penchant of the equivalent Roman god, Bacchus, to wear a fox-skin, a ''bassaris''.
The behavior of Maenads in stories is intended to explain and display the intoxicating effects of alcohol. In some cases, the alcohol causes bizarre behavior in people and cannot be justified or explained by any other reason except that of the intoxication.
In Euripides' play ''The Bacchae'', Theban Maenads murdered King Pentheus after he banned the worship of Dionysus. Dionysus, Pentheus' cousin, himself lured Pentheus to the woods, where the Maenads tore him apart. His corpse was mutilated by his own mother, Agave, who tore off his head, believing it to be that of a lion.
A group of Maenads also killed Orpheus.
A Maenad appears in the second stanza of Percy Bysshe Shelley's ''Ode to the West Wind'' (1819):
:...
:Angels of rain and lightning; there are spread
:On the blue surface of their airy surge,
:Like the bright hair uplifted from the head
:Of some fierce Maenad, ev'n from the dim verge
:Of the horizon to the zenith's height—
:...
'The Bassarids', to a libretto by W. H. Auden and Chester Kallman, is the most famous opera composed by Hans Werner Henze.
The maenads correspond to the Shikome in the Japanese myth of Izanami and Izanagi (which has a correspondence with the Orpheus myth).
In Greek Art the frolicking of Maenads and Dionysus is often a theme depicted on Greek kraters, that are used to mix water and wine. These scenes show the Maenads in their frenzy running in the forests often killing any animal they happen to come across.
See also Icarius, Butes, Dryas, and Minyades for other examples of Dionysus inflicting insanity upon women as a curse.
| Contents |
| References |
| External links |
References
1. Greek Theatre Performance: An Introduction, , David, Wiles, Cambridge University Press, 2000,
2.
External links
★ Background and Images for the Bacchae
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