BARBARA COOK
'Barbara Cook' (born October 25 1927) is a Tony Award-winning American singer and actress who first came to prominence in the 1950s after creating roles in the Broadway musicals ''Candide'' and ''The Music Man'', among others. In the seventies, she began a second career that continues to this day as a cabaret and concert singer. Cook is widely recognized as one of the "premier interpreters" of musical theatre songs and standards, in particular the songs of composer Stephen Sondheim.[1]
| Contents |
| Biography |
| Discography |
| References |
| External links |
Biography
She was born in Atlanta, Georgia to a traveling hat salesman and an operator for Southern Bell. Her parents divorced when she was a child and, after her only sister died of whooping cough, Barbara lived alone with her mother. She later described their relationship as "so close, too close. I slept with my mother until I came to New York. Slept in the same bed with her. That's just, it's wrong. But to me, it was the norm....As far as she was concerned, we were one person." Though Barbara began singing at an early age, at the Elks Club and to her father over the phone, she spent three years after graduating from high school working as a typist.
While visiting New York City in 1948 with her mother, Cook decided to stay and try to find work as an actress.[2] She made her Broadway debut a year later, as Sandy in the short-lived 1951 musical ''Flahooley''. She next took roles in revivals of two Rodgers and Hammerstein hits: Ado Annie in ''Oklahoma!'' and Carrie Pipperidge in ''Carousel''. In 1955, she began to attract major critical praise when she played the supporting role of Hilda Miller in ''Plain and Fancy''. Cook's good reviews and clear soprano voice enabled her to win the role of Cunegonde in Leonard Bernstein's new musical ''Candide'' in 1956. In this show, she sang "Glitter and Be Gay".
Although ''Candide'' was not a success, Cook's portrayal of Cunegonde established her as one of Broadway's leading ingenues. Her two most famous roles after this were Marian the Librarian in Meredith Willson's 1957 hit ''The Music Man'' and as Amalia Balash in the 1962 Jerry Bock-Sheldon Harnick musical ''She Loves Me''. The song "Ice Cream" from the latter became one of Cook's signature songs.
During the 1960s, Cook created roles in some less successful musicals: Liesl Brandel in ''The Gay Life'' (1961) and Carol Deems in ''Something More!'' (1964). She also tried her hand at non-musical roles, replacing Sandy Dennis in the play ''Any Wednesday'' and originating the role of Patsy Newquist in Jules Feiffer's ''Little Murders''. Cook's last original musical role on Broadway came in 1971 when she played Dolly Talbo in ''The Grass Harp''. As she began struggling with depression, obesity, and alcoholism in the seventies (she eventually quit drinking in 1977), Cook began finding trouble getting stage work.
Then she met composer Wally Harper, who convinced her to put together a concert. On January 26, 1975, accompanied by Harper, she made her debut in a successful solo concert at Carnegie Hall that resulted in a popular live album and eventually became "legendary." Continuing a collaboration with Harper that lasted until his death in 2004, Cook became a successful concert performer. She returned only sporadically to acting, performing in occasional studio cast recordings of stage musicals, and originating the role of Margaret White in the notorious musical version of Stephen King's ''Carrie - The Musical'' when it premiered in England. After Wally Harper's death, Cook made the painful adjustment to new accompanists in solo shows like ''Tribute'' (a reference to Harper) and ''No One Is Alone'' that continued to receive acclaim; ''The New York Times'' exclaimed in 2005 that she was "at the top of her game....Cook's voice is remarkably unchanged from 1958, when she won the Tony Award for playing Marian the Librarian in ''The Music Man.'' A few high notes aside, it is, eerily, as rich and clear as ever."
Cook married acting teacher David LeGrant on March 9 1952. They had one child, Adam, in 1959, and were divorced in 1965.
Discography
'Solo'
★ ''Songs of Perfect Propriety'' (1958)
★ ''Sings From the Heart: Memorable Songs of Rodgers & Hart'' (1959)
★ ''At Carnegie Hall'' (1975)
★ ''As Of Today'' (1977)
★ ''It's Better With a Band'' (1981)
★ ''The Disney Album'' (1988)
★ ''Dorothy Fields: Close as Pages in a Book'' (1993)
★ ''Live from London'' (1994)
★ ''Oscar Winners: The Lyrics of Oscar Hammerstein II'' (1997)
★ ''All I Ask of You'' (1999)
★ ''The Champion Season: A Salute to Gower Champion'' (1999)
★ ''Sings Mostly Sondheim: Live at Carnegie Hall'' (2001)
★ ''Count Your Blessings'' (2003)—Grammy Award nominee (Best Traditional Pop Vocal Album)
★ ''Barbara Cook's Broadway!'' (2004)
★ ''Tribute'' (2005)
★ ''Barbara Cook at The Met'' (2006)
★ ''No One Is Alone'' (2007)
'Cast and studio cast recordings'
★ ''Flahooley'' (1951)
★ ''Plain and Fancy'' (1955)
★ ''Candide'' (1956)
★ ''The Music Man'' (1957)—Grammy Award winner (Best Original Cast Album)
★ ''Hansel and Gretel'' (1958)
★ ''The Gay Life'' (1961)
★ ''Show Boat'' (Studio Cast, 1962)
★ ''She Loves Me'' (1963)—Grammy Award winner (Best Score From An Original Cast Show Album)
★ ''The King and I'' (1964)
★ ''Show Boat'' (Lincoln Center Cast, 1966)
★ ''The Grass Harp'' (1971)
★ ''Follies in Concert'' (1985)
★ ''The Secret Garden'' (World Premiere Recording, 1986)
★ ''Carousel'' (1987)
★ ''Lucky in the Rain'' (2000)
'Compilations'
★ ''The Broadway Years: Till There Was You'' (1995)
★ ''Legends of Broadway—Barbara Cook'' (2006)
References
1. Alone, Again Alex Witchel
2. Barbara Cook: Toast of Broadway Mike Wallace
External links
★ The Official Barbara Cook Online Resource
★ Barbara Cook at The Internet Broadway Database
★ Barbara Cook - ''Downstage Center'' interview at American Theatre Wing.org
★ TonyAwards.com Interview with Barbara Cook
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