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(Redirected from Blackwork embroidery)
'Blackwork Embroidery' is a form of counted-thread embroidery that is usually stitched on even-weave fabric. Any black thread can be used, but firmly twisted threads give a better look than embroidery floss. Traditionally blackwork is stitched in silk thread on white or off-white linen or cotton fabric. Sometimes metallic threads or coloured threads are used for accents.
'Scarletwork' is like blackwork, except it is sewn with red thread.
The stitches used are double running or holbein stitch, ''backstitch'', and sometimes ''stem stitch''. Since blackwork is a counted thread embroidery technique, it works on a base of even weave fabric.
Historically, there are three common styles of blackwork:
★ In the earliest blackwork, counted stitches are worked to make a geometric or small floral pattern. Most modern blackwork is in this style, especially the commercially-produced patterns that are marketed for hobby stitchers.
★ Later blackwork features large designs of flowers, fruit, and other patterns connected by curvilinear stems. These are outlined with stem stitch, and the outlined patterns are filled with geometric counted designs.
★ In the third style of blackwork, the outlined patterns are "shaded" with random stitches called ''seed stitches''. This style of blackwork imitates etchings or woodcuts.
Historically, blackwork was used on shirts and chemises or smocks in England from the time of Henry VIII.
The common name "Spanish work" was based on the belief that Catherine of Aragon brought many blackwork garments with her from Spain, and portraits of the later 15th and early 16th centuries show black embroidery or other trim on Spanish chemises.[1]. Black embroidery was known in England before 1500. Geoffrey Chaucer in the Canterbury Tales describes the clothing of the miller's wife, Alison: "Of white, too, was the dainty smock she wore, embroidered at the collar all about with coal-black silk, alike within and out."
Blackwork in silk on linen was the most common domestic embroidery technique for clothing (shirts, smocks, sleeves, ruffs, and caps) and for household items such as cushion covers throughout the reign of Elizabeth I, but it lost its popularity by the 17th century. (''See also'' 1550-1600 in fashion.)
Today, blackwork is popular. It has a modern feel due to its austere, formal quality. Much of the success of a blackwork design depends on how tone values are translated into stitches.
Amongst the motifs used, maps are parlicularly popular. So are chessboards and other designs which could be the subject of a pen and ink drawing.
Blackwork is used in Assisi embroidery to outline the main motif and some of the decoration. Both modern and folk-art cross-stitch are sometimes combined with blackwork or similar backstitch embroidery.
1. A. J. B. Wace "debunked" the Spanish origin in the 1930s, but if the black trim on these is embroidery that would support an early Spanish origin
★ Digby, George Wingfield. ''Elizabethan Embroidery''. New York: Thomas Yoseloff, 1964.
★ Gostelow, Mary. ''Blackwork'', Batsford, 1976; Dover reprint, 1998, ISBN 0-486-40178-2
★ Readers Digest ''Complete Guide to Needlework'', 1979, ISBN 0-89577-059-8.
★ Wace, A.J.B.: "English Embroideries Belonging to Sir John Carew Pole, Bart", ''Walpole Society Annual'', 1932-33, Vol. XXI, p. 56, note 2.
★ Blackwork Embroidery {History, design sources, period patterns)
★ http://www.sca.org.au/cunnan/wiki/Blackwork
★ A Blackwork Embroidery Primer
★ Blackwork tips and techniques
★ Blackwork for Costume
★ The Elizabethan Practical Companion's Blackwork Gallery (links to portraits depicting blackwork)
★ http://www.prettyimpressivestuff.com/stitches/holbein_files/holbein_frames.htm Holbein Stitch Diagram
Blackwork embroidery in Holbein stitch. Detail of portrait of Jane Seymour by Hans Holbein the Younger, 1537.
'Blackwork Embroidery' is a form of counted-thread embroidery that is usually stitched on even-weave fabric. Any black thread can be used, but firmly twisted threads give a better look than embroidery floss. Traditionally blackwork is stitched in silk thread on white or off-white linen or cotton fabric. Sometimes metallic threads or coloured threads are used for accents.
'Scarletwork' is like blackwork, except it is sewn with red thread.
| Contents |
| Technique |
| History |
| Modern blackwork |
| Notes |
| References |
| External links |
Technique
The stitches used are double running or holbein stitch, ''backstitch'', and sometimes ''stem stitch''. Since blackwork is a counted thread embroidery technique, it works on a base of even weave fabric.
Historically, there are three common styles of blackwork:
★ In the earliest blackwork, counted stitches are worked to make a geometric or small floral pattern. Most modern blackwork is in this style, especially the commercially-produced patterns that are marketed for hobby stitchers.
★ Later blackwork features large designs of flowers, fruit, and other patterns connected by curvilinear stems. These are outlined with stem stitch, and the outlined patterns are filled with geometric counted designs.
★ In the third style of blackwork, the outlined patterns are "shaded" with random stitches called ''seed stitches''. This style of blackwork imitates etchings or woodcuts.
History
Early Spanish blackwork:Borgoña's ''Lady with Hare'' wears a chemise embroidered at the neckline and on the sleeves, c. 1505, Toledo.
Elizabeth I wearing blackwork sleeves. The design has large flowers filled with geometric patterns.
Historically, blackwork was used on shirts and chemises or smocks in England from the time of Henry VIII.
The common name "Spanish work" was based on the belief that Catherine of Aragon brought many blackwork garments with her from Spain, and portraits of the later 15th and early 16th centuries show black embroidery or other trim on Spanish chemises.[1]. Black embroidery was known in England before 1500. Geoffrey Chaucer in the Canterbury Tales describes the clothing of the miller's wife, Alison: "Of white, too, was the dainty smock she wore, embroidered at the collar all about with coal-black silk, alike within and out."
Blackwork in silk on linen was the most common domestic embroidery technique for clothing (shirts, smocks, sleeves, ruffs, and caps) and for household items such as cushion covers throughout the reign of Elizabeth I, but it lost its popularity by the 17th century. (''See also'' 1550-1600 in fashion.)
Modern blackwork
Today, blackwork is popular. It has a modern feel due to its austere, formal quality. Much of the success of a blackwork design depends on how tone values are translated into stitches.
Amongst the motifs used, maps are parlicularly popular. So are chessboards and other designs which could be the subject of a pen and ink drawing.
Blackwork is used in Assisi embroidery to outline the main motif and some of the decoration. Both modern and folk-art cross-stitch are sometimes combined with blackwork or similar backstitch embroidery.
Notes
1. A. J. B. Wace "debunked" the Spanish origin in the 1930s, but if the black trim on these is embroidery that would support an early Spanish origin
References
★ Digby, George Wingfield. ''Elizabethan Embroidery''. New York: Thomas Yoseloff, 1964.
★ Gostelow, Mary. ''Blackwork'', Batsford, 1976; Dover reprint, 1998, ISBN 0-486-40178-2
★ Readers Digest ''Complete Guide to Needlework'', 1979, ISBN 0-89577-059-8.
★ Wace, A.J.B.: "English Embroideries Belonging to Sir John Carew Pole, Bart", ''Walpole Society Annual'', 1932-33, Vol. XXI, p. 56, note 2.
External links
★ Blackwork Embroidery {History, design sources, period patterns)
★ http://www.sca.org.au/cunnan/wiki/Blackwork
★ A Blackwork Embroidery Primer
★ Blackwork tips and techniques
★ Blackwork for Costume
★ The Elizabethan Practical Companion's Blackwork Gallery (links to portraits depicting blackwork)
★ http://www.prettyimpressivestuff.com/stitches/holbein_files/holbein_frames.htm Holbein Stitch Diagram
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