BUDA CASTLE

'Buda Castle' (Hungarian: ''Budai Vár'', Turkish: ''Budin Kalesi'') is the historical castle of the Hungarian kings in Budapest, Hungary. In the past, it was also called Royal Palace (Hungarian: ''Királyi-palota'') and Royal Castle (Hungarian: ''Királyi Vár'').
Buda Castle was built on the southern tip of Castle Hill, next to the old Castle District (Hun: ''Várnegyed''), which is famous about its medieval, Baroque and 19th century houses and public buildings. It is linked to Adam Clark Square and the Széchenyi Chain Bridge by the Castle Hill Funicular.
Buda Castle is part of the Budapest World Heritage Site, declared in 1987.

Contents

Maps

History

Interiors

Works of art

Museums

See also

External links

References

Maps

★ near view Castle: [1]

History

Main articles: History of Buda Castle

The first royal residence on the Castle Hill was built by King Béla IV of Hungary between 1247 and 1265.

The oldest part of the present-day palace was built in the 14th century by Prince Stephen, Duke of Slavonia, the younger brother of King Louis I of Hungary. The Gothic palace of King Louis I was arranged around a narrow courtyard next to the Stephen's Tower.
King Sigismund Luxemburg of Hungary greatly enlarged the palace. During his long reign it became probably the largest Gothic palace of the late Middle Ages. Buda was also an important artistic centre of the International Gothic style.
The last phase of grand-scale building activity happened under King Matthias Corvinus) when Italian humanists, artists and craftsmen arrived at Buda. The Hungarian capital became the first centre of Renaissance north of the Alps.
After the Battle of Mohács the medieval Kingdom of Hungary collapsed. On 29 August 1541 Buda was occupied again by the Ottomans without any resistance. The Hungarian capital became part of Ottoman Empire as the seat of the Eyalet of Budin.
The new Ottoman government left the palace decaying. It was partially used as barracks, storage place and stables, otherwise it stood empty.
The medieval palace was destroyed in the great siege of 1686 when Buda was captured by the allied Christian forces. In the heavy artillery bombardment many buildings collapsed and burned out.
In 1715 King Charles III ordered the demolition of the ruins. Luckily the southern fortifications, zwingers and rooms were only buried under tons of rubbish and earth.
In 1715 a small Baroque palace was built which is identical with the core of the present-day palace.

In 1748 Count Antal Grassalkovich, President of the Hungarian Chamber appealed to the public to finish the derelict palace by means of public subscription. The new Royal Palace became the symbol of peace and friendship between the Habsburg dynasty and the nation.
The plans of the splendid, U-shaped Baroque palace with a cour d'honneur were drawed by Jean Nicolas Jadot, chief architect of the Viennese court. They were later modified by his successor, Nicolaus Pacassi. The foundation stone of the palace was laid on 13 May 1749. In 1769 the palace was finished.
In 1791 the palace became the residence of the Habsburg Palatines of the Kingdom of Hungary. The palatinal court in Buda Castle was the centre of fashionable life and high society in the Hungarian capital.
On 4 May 1849 the Hungarian revolutionary army of Artúr Görgey laid siege on Buda Castle. The Hungarians captured Buda with a great assault, but the palace completely burned out.
The palace was soon rebuilt between 1850 and 1856. Later in 1867 after the Ausgleich Franz Joseph was crowned to the king of Hungary. The palace played an important part in the lavish ceremony, symbolizing peace between the dynasty and the nation.
In the last decades of the 19th century the autonomous Hungarian government intended to create a royal palace that matches any famous European royal residence. The process of rebuilding lasted about forty years between 1875 and 1912, and caused sweeping changes in topography of the whole area.
The new Royal Palace, designed by Alajos Hauszmann, was officially inaugurated in 1912. Contemporary critics praised it as the most outstanding Hungarian building of the turn of the century. Indeed it was a magnificent Gesamtkunstwerk of architecture, sculpture, applied arts and gardening.
After the 1918 revolution and the dethronization of the Habsburg dynasty the Royal Palace became the seat of the new regent of the Kingdom of Hungary, Miklós Horthy.
Buda Castle was the last major strongpoint of Budapest held by Axis forces during the siege of Budapest between 29 December 1944 and 13 February 1945. Heavy fights and artillery fire rendered the palace once again into a heap of ruins.
Immediately after the war archeological research was begun to unearth the remains of the medieval castle. It came out that important parts of the former Sigismund and Matthias palace survived under the thick level of earth fill.
The grand-scale reconstruction of the medieval fortifications substantially changed the cityscape of Budapest. It is considered a highly successful project which managed to reconcile historical authenticity with urban planing demands.
The fate of the ruined Neo-Baroque palace was different. The new Communist government of Hungary considered the Royal Palace a symbol of the former regime. During the 1950s the palace was gutted and all the interiors were destroyed. Important exterior details were also demolished.

Interiors

The lavishly decorated interiors of the palace were all destroyed during WW2 and the post-war reconstruction (except the Palatinal Crypt). There are very few data about the interiors of the medieval and Baroque era. The Hauszmann palace was meticuliously recorded with detailed descriptions, photographic documentation and groundplans. Hauszmann himself said about the royal apartments: "I created a 200 m long series of rooms, longer than any similar royal apartments in continental Europe except Versailles." The most important rooms were as follows:


★ 'Ballroom' (''Nagyterem'') - The Ballroom on the first floor of the Baroque wing had several layers of Baroque decoration from the second half of the 18th and the 19th century. In Hauszmann's time the room had a Rococo white-golden stucco decoration with three huge chandeliers. During the post-war reconstruction Vinzenz Fischer's original Baroque frescoes were re-discovered in 1953. In spite of this all the decoration layers were destroyed. Today it houses the Gothic altar collection of the Hungarian National Gallery.

★ 'St. Sigismund Chapel' or 'Castle Church' (''Szent Zsigmond-kápolna'', ''Vártemplom'') - The palace chapel in the western end of this wing had no façades, only a door opening onto Lions Court. The church was consecrated in 1769. The ground plan was drawn by Nicolaus Pacassi but the interior was designed by his follower, Franz Anton Hillebrandt. The groundplan followed a typical "violin" form, favoured in the Baroque church architecture of Central Europe that time. In 1957 the ruined church was totally destroyed and converted to exhibition spaces.

★ 'Palatinal Crypt' (''Nádori kripta'') - The Palatinal Crypt under the former palace chapel is now the only surviving room of the whole Royal Castle. The crypt was continuously used by the Hungarian branch of the Habsburg family from 1820 until 1927. It was repeatedy restored and enriched with new works of art, frescoes, statues and ornate stone sarcophagi, made by the best artists of the 19th century.

★ 'Great Ballroom' (''Nagy bálterem'') - The Great Ballroom in the middle part of the Northern Wing took over the function of the smaller old Ballroom. It was the most splendid room of the palace, designed by Hauszmann. The two-storeys high, airy room was lavishly decorated with stuccoes, half columns, trabeation, balconies and six huge crystal chandeliers in Neo-Baroque style. Photos made after the war show the room with its vaulted ceiling collapsed. In the course of the reconstruction the ballroom was totally destroyed.

★ 'Main staircase' (''Főlépcsőház'') - The monumental main staircase of the Krisztinaváros Wing with three flights was leading up from to the first floor in an airy, glass-roofed hall. The side walls of the hall were decorated in Italian Renaissance style. At the ground-floor colossal Atlas statues stood beside the side pillars. The marble statues were the works of János Fadrusz from 1897. During the post-war reconstruction the main staircase was radically modernized. Only the two colossal Atlas statues survived.

★ 'Saint Stephen's Room' (''"Szent István" terem'') - Saint Stephen's Room on the first floor of the Krisztinaváros wing was one of the "historical rooms" of the palace, created by Hauszmann. Together with the Matthias Room and the Habsburg Room they represented the three most important periods of Hungarian history. Its style evoked the age of the Árpáds, the first Hungarian dynasty in the early Middle Ages.

★ 'Matthias Room' (''"Mátyás" terem'') - Matthias Room was named after Matthias Corvinus, the greatest Hungarian king in the late Middle Ages. The style of the room was aptly chosen as Renaissance with carved wooden panelling and a coffered ceiling. The most spectacular item was the equestrian statue of King Matthias, sculpted by János Fadrusz.

★ 'Habsburg Room' (''Habsburg terem'') - The Habsburg Room was situated right in the middle of the long palace complex, under Hauszmann's (false) dome. The room had a lavish Baroque decoration with half-pillars and gilded stuccoes. The vaulted ceiling was decorated with Károly Lotz's huge fresco: ''Apotheosis of the Habsburg Dynasty''. Károly Senyei's four Carrara marble busts stood in front of the sidewalls representing Habsburg kings and queens. The Habsburg Room survived WW2 unscathed but in the 1950s it was delibaretely destroyed for political reasons.

Works of art

The Royal Palace and its gardens were decorated with statues, many of which survived:

★ 'Matthias Fountain' (''Mátyás-kút'') - The spectacular fountain is decorating the western forecourt of the palace. It shows a group of hunters lead by King Matthias Corvinus together with hounds, a killed deer, Galeotto Marzio with a hawk and Szép Ilonka with a doe. This group of people stands between fallen rocks with water running down into a basin. The fountain was made by sculptor Alajos Stróbl. It was restored after the war. Nowadays it is probably the most photographed object in the palace.

Museums

The Historical Museum of Budapest is located in Buda Castle, boasting over 4 floors. This museum presents the history of Budapest from the beginnings until the end of the Communist era. There is also the restored lower part of the medieval Royal Chapel, and underground there are examples of dungeons and other displays. Outside one can observe the architectural beauty of the Buda Castle and see wonderful small gardens in the medieval "zwingers" (walled enclosures). There is also a closed-off well, and a magnificent view of the surrounding area, the Castle District. There is a tower which can easily be accessed in the outdoor area, and a walkway on the same level. Both the tower and the walkway boast shocking panoramas of Budapest, especially the Parliament building, the Danube, the nearby streets, and, on a clear day, the Freedom Statue.
The museum is fairly cheap and, if one wishes to save the expense of buying books of the Buda Castle, a photography ticket (Hungarian: ''fotójegy)'' is available (in the summer of 2005, the price of a photography ticket was 600 forint, which is equivalent to about 3 USD) .
The castle also houses the Hungarian National Gallery.
As part of the castle, there are excavations and smaller ruins. Many of these can be walked in.

See also

★ Tabán historic Neighbourhood

★ Naphegy best near, panoramic view to Buda Castle west side

★ Krisztinaváros historic Neighbourhood

External links

References

★ History section: Miklós Horler: Budapest műemlékei I, Bp: 1955, pp. 259—307

★ Baroque palace: György Kelényi: A királyi udvar építkezései Pest-Budán a XVIII. században, Bp: Akadémiai Kiadó, 2005, pp. 27—34

★ Nuns and scholars: György Kelényi: A királyi udvar építkezései Pest-Budán a XVIII. században, Bp: Akadémiai Kiadó, 2005, pp. 34-38

★ Post-war reconstruction: László Gerő: A helyreállított budai vár, Bp, 1980, pp. 11—60.

★ Interiors: Architectura Hungariae 8(2006), 1 – with groundplans and photos.