CAPRICCIO (OPERA)
'''Capriccio''' is the final opera by German composer Richard Strauss. It was given its premiere performance at the Nationaltheater München on October 28, 1942, seven years before Strauss's death. The German libretto was written by Clemens Krauss and Strauss himself.
He subtitled it "A Conversation Piece for Music", and it is indeed "talky" and conversational, with minimal stage action. Its subject can be summarized as, "Which is more important: words or music?"
This question is dramatized in the story of a Countess torn between two suitors: Olivier, a poet, and Flamand, a composer. In her salon outside Paris, the two prepare for her birthday celebrations and vie for her affections by debating the merits of words versus music. Joining the lively debate are a theatre director, La Roche; an actress, Clairon; the Countess's brother; and a pair of Italian opera singers.
Words and music, of course, join together to create the unique art form of opera. ''Capriccio'' has a reputation as something of an insider's opera, an opera about opera for opera lovers. (In recent years, it has been described by reviewers as a "meta-opera").
★ Synopsis
★ Libretto (German only)
He subtitled it "A Conversation Piece for Music", and it is indeed "talky" and conversational, with minimal stage action. Its subject can be summarized as, "Which is more important: words or music?"
This question is dramatized in the story of a Countess torn between two suitors: Olivier, a poet, and Flamand, a composer. In her salon outside Paris, the two prepare for her birthday celebrations and vie for her affections by debating the merits of words versus music. Joining the lively debate are a theatre director, La Roche; an actress, Clairon; the Countess's brother; and a pair of Italian opera singers.
Words and music, of course, join together to create the unique art form of opera. ''Capriccio'' has a reputation as something of an insider's opera, an opera about opera for opera lovers. (In recent years, it has been described by reviewers as a "meta-opera").
| Contents |
| Roles |
| External links |
Roles
| Premiere, October 28, 1942 (Krauss) | ||
|---|---|---|
| The Countess | soprano | Viorica Ursuleac |
| Clairon, ''an actress'' | contralto | Hildegarde Ranczak |
| Flamand, ''a musician'' | tenor | Horst Taubmann |
| Olivier, ''a poet'' | baritone | Hans Hotter |
| The Count, ''the Countess' brother | baritone | Walter Höfermeyer |
| La Roche, ''director of a theatre'' | bass | Georg Hann |
| Monsieur Taupe | tenor | Karl Seydel |
| Italian Singers | soprano, tenor | Irma Beilke, ??? |
| The Major-Domo | bass | Georg Wieter |
| Eight servants | four tenors, four basses | |
| Three musicians | violin, cello, cembalo |
External links
★ Synopsis
★ Libretto (German only)
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