CHRISTIAN FRIEDRICH WITT

'Christian Friedrich Witt', or 'Witte' (c. 1660 - 3 April 1717) was a German composer, music editor and teacher.

Contents

Biography

Compositions

Vocal

Orchestral

Keyboard

Sources

Biography

He was born in Altenburg, where his father, Johann Ernst Witt, was court organist; he had come from Denmark around 1650 when a Danish princess married into the house of Saxe-Altenburg. The Duke of Saxe-Gotha, Friedrich I, probably gave Witt a scholarship in 1676 to study in Vienna and Salzburg, and then from 1685–1686 to study composition and counterpoint in Nuremberg with G.C. Wecker, returning for a further period of study in 1688. He moved to Gotha to take up as post as chamber organist to the court in June 1686; he remained there for the rest of his life. He became a substitue for W.M. Mylius, the capellmeister, in 1694, and succeeded him after his death in 1713; Duke Friedrich II was one of his pupils. He is mentioned as a good keyboard player and capellmeister in J.P. Treiber's ''Der accurate Organist im General-Bass'' (1704) and Telemann's ''Beschreibung der Augen-Orgel'' (1739). He was also valued by the courts of Ansbach-Bayreuth, Schwarzburg-Rudolstadt, and Saxe-Weissenfels.

Compositions

Vocal

His cantatas feature instrumental introductions, vocal concerto movements, solos, duets, homophonic chorale choruses, and are without recitatives. ''Psalmodia sacra'' is an important hymnal from the late baroque; Marpurg wrote that it was the best he knew. It contains 762 hymns, 351 with melodies and figured basses, and an appendix of 12 more hymns and five more melodies. There are established chorale melodies by sixteenth and seventeenth century Thuringian composers along with over 100 new ones believed to have been written by Witt.

★ 65 cantatas: Rentweinsdorf cycle, for 4 voices, 2 violins, 2 viols, continuo; other instruments include clarino, bassoon, and violone

★ 12 cantatas

★ Funeral ode: ''Wer kan des Höchsten Rath'', for 5 voices (1697)

★ ''Psalmodia sacra, oder Andächtige und schöne Gesänge'': 356 melodies, of which about 100 are by Witt, for voice and continuo (1715)

Orchestral

★ 3 ouvertures in the French style

★ 3 suites, a 4–6

★ 7 sonatas, a 4–7, 10 - in an Italian concerto grosso style, including a 3-part concertino

★ 3 marches, a 4, ed. P. Rubardt (Kassel, 1954); ed. G. Zahn (Zürich, 1992)

★ Concerto, for trumpet

Keyboard

★ 6 suites, (1704); selection ed. L. Cerutti and F. Rima (Padua, 1994–1995)

★ Canzona, capriccio, chaconne

★ Prelude, 2 fugues, menuet

★ Passacaglia, for organ, wrongly attributed to Bach as BWV Anh 182; in ''J.S. Bach: Werke'' XLII, ed. E. Naumann (Leipzig, 1894/1947; see Bach Gesellschaft Ausgabe)

★ ''Herr Christ, der einig Gottessohn'', chorale prelude for organ; in Das Erbe deutscher Musik, 1st series, IX (1937)

★ ''Nun komm, der Heiden Heiland'', chorale prelude for organ; in ''Der Orgelfreund'' VIII (Erfurt)
Many other keyboard works have been lost.

Sources

★ Bernd Baselt, Karl-Ernst Bergunder, 'Witt [Witte], Christian Friedrich', Grove Music Online ed. L. Macy (Accessed 2007-06-13), http://www.grovemusic.com/

★ D.P. Walker and P. Walker: ''German Sacred Polyphonic Vocal Music between Schütz and Bach'' (Warren, Michigan, 1992)