DON BLUTH

'Donald Virgil Bluth' (born September 13 1937) is an American animator and independent studio owner.
Bluth was born in El Paso, Texas and became one of the chief animators at Disney. Along with fellow animators Gary Goldman and John Pomeroy, he set out in 1979 to start his own animation studio, Don Bluth Productions. His style tends toward rougher and more energetic portrayals than that of Disney films, and tend to have a mystical element to them.
The first film he worked as an assistant animator on was ''Sleeping Beauty'', for which he was uncredited. He would not return to Disney until in the 1970s, when he was an animator on ''Robin Hood'', ''The Rescuers'', ''The Many Adventures of Winnie the Pooh'' and ''Pete's Dragon''. His last involvement with Disney was the 1978 short ''The Small One''; he drew a few scenes for ''The Fox and the Hound'', but left early in production and brought several other Disney animators with him to form a rival studio, allegedly upset with how the Disney animated features had "lost their charm" at the time. This new studio demonstrated its ability in its first production, a short film titled ''Banjo the Woodpile Cat'', and this led to work on an animated segment of the live-action film ''Xanadu'' (1980) and then to its first feature-length animation, ''The Secret of NIMH'' (1982). Although it only grossed twice its budget at the box office many consider this film to be Bluth's masterpiece.
Teaming up with Rick Dyer, Bluth created the groundbreaking arcade game ''Dragon's Lair'' (1983), which let the player control a cartoon-animated character on screen (whose adventures were played off a laserdisc). This was followed in 1984 by ''Space Ace'', a science-fiction game based on the same technology, but which gave the player a choice of different routes to take through the story (Don not only created the animation for ''Space Ace'', he also supplied the voice of the villain, Borf), and '', a sequel which was very rare in arcades.
His next two films, ''An American Tail'' (1986) and ''The Land Before Time'' (1988) did well in theaters and became animation classics. Each of these films launched a line of direct-to-video sequels, none of which Bluth had any involvement with. Although many of Bluth's fans loved his next film, ''All Dogs Go to Heaven'' (1989), it flopped, as Disney's groundbreaking film ''The Little Mermaid'' and Universal's blockbuster ''Back to the Future Part II'' were both released the same year, but it still became a cult classic. By the end of the decade and through the 1990s, Bluth films such as ''Rock-A-Doodle'', ''Thumbelina'', ''A Troll in Central Park'', and ''The Pebble and the Penguin'' had dropped significantly when it came to box office returns.
Bluth scored another hit with ''Anastasia'' (1997), which grossed US$140 million worldwide in part because it used well-known Hollywood stars as its voice talent and stuck closer to long-proven Disney formulas: a sassy and resourceful princess driven to become more than she is, a cruel and conniving villain who uses dark magic, a handsome and endearing love interest, and a comic-relief sidekick. This was followed by the animated space adventure, ''Titan A.E.'' in 2000. It utilized cutting-edge techniques, which melded sophisticated 2D animation with 3D animation, and CGI digital visual effects, to achieve a futuristic space adventure with drama. Both ''Anastasia'' and ''Titan A.E.'' were produced at Fox Animation Studios in Phoenix, Arizona, which 20th Century Fox established as a Disney competitor.
In 2000, after the studio's third film ''Bartok the Magnificent'' (released direct to video as a spin-off of ''Anastasia'' and the only sequel directed by Bluth), 20th Century Fox Studios decided to shut down the FOX Animation Studio facility in Phoenix.
A recent attempt to capitalize on ''Dragon's Lair'' nostalgia by releasing the computer game ''Dragon's Lair 3D: Return to the Lair'' (2002) was unsuccessful; the game was panned by critics as being flat and uninteresting, despite groundbreaking cel-shading techniques that lent the game a hand-animated feel. Don Bluth and Gary Goldman are currently seeking funding for a film version of ''Dragon's Lair''.
Despite the failure of ''Dragon's Lair 3D'', Bluth and Goldman continued work in video games when they were hired to create the in-game cinematics for Namco's I-Ninja.
In 2004, Bluth produced an animated scene for the music video "Mary", by the Scissor Sisters. The band contacted Bluth after having recalled fond memories of the sequence from ''Xanadu''.
Bluth has also authored a series of books for students of animation: 2004's ''The Art of Storyboard'', and 2005's ''The Art of Animation Drawing''. Additional books are planned.

Contents

External links

External links

★ Official site, DonBluth.com

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★ Detailed Info on Don Bluth's films including a biography

★ The Dot Eaters entry on Bluth and the development of ''Dragon's Lair''

★ Digital Press interview with ''Dragon's Lair'' animator Don Bluth