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'Edward Kynaston' (c.1640 - January 1712) was an English actor.
Kynaston was one of the last Restoration "boy players": young male actors who played women's roles. He was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's ''The Loyal Subject'' at the Cockpit-in-Court, "only her [sic] voice not very good." He also played the title role in Ben Jonson's ''Epicoene''. Pepys had dinner with Kynaston after this production on August 18, 1660.^[1]
Simultaneously, Kynaston played male roles as well. He filled the role of Otto in ''Rollo Duke of Normandy'' on December 6, 1660, having played the female role of Arthiope in the same play in previous weeks. On January 7, 1661, Kynaston played three roles in a performance of Jonson's ''Epicene,'' one female and two male.^[2]
Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of Quality prided themselves in taking him with them in their Coaches to Hyde-Park in his Theatrical Habit, after the Play."^[3]
Cibber also reported that a performance of a tragedy attended by Charles II was once delayed because, as someone explained, Kynaston, who was playing the Queen, "was not shav'd."
In the 1660s women were permitted to appear on stage and actors playing female roles in serious drama was strongly discouraged. Kynaston's last female role was as Evadne in Beaumont and Fletcher's ''The Maid's Tragedy'' with Killigrew's Company in 1661. Kynaston went on to make a successful career in male roles and was noted for his portrayal of Shakespeare's ''Henry IV''. He retired in 1699.
Kynaston is played by Billy Crudup in the 2004 film ''Stage Beauty'' directed by Sir Richard Eyre. He is represented as a foppish bisexual, who slowly reveals more complexity in his personality and his sexuality. The film is an adaptation of the play ''Compleat Female Stage Beauty'' by Jeffrey Hatcher.

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See also

References

See also

★ Restoration theatre

References

1. The Diary of Samuel Pepys, Saturday 18 August 1660.
2. Howe, Elizabeth. ''The First English Actresses: Women and Drama, 1660–1700.'' Cambridge, Cambridge University Press, 1992; p. 25.
3. Quoted in an article on a recent biography of Cibber, ''The Guardian'', 4 February 2006.


★ Mezzotint of Edward Kynaston (PeoplePlay UK)