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'Edward Henry Weston' (March 24 1886 – January 1 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera.

Contents

Life and work

Illness

Images

Quotations

Selected publications

External links

References

Life and work

Edward Henry Weston was born in Highland Park, Illinois on March 24, 1886. ^[1] In 1902, he received his first camera for his 16th birthday, a Kodak Bull's-Eye #2, and began taking photographs in Chicago parks and at his aunt's farm. Weston met with quick success and the Chicago Art Institute exhibited his photographs a year later, in 1903.
In 1906, Weston moved to California, where he decided to stay and pursue a career in photography. He married Flora May Chandler in 1909, and together they had four sons: Chandler (1910), Brett (1911), Neil (1914) and Cole (1919). In 1910, Weston opened his first photographic studio in Tropico, California (now Glendale) and wrote articles about his unconventional methods of portraiture for several high-circulation magazines.

1922 marked a period of transition for Weston. Renouncing pictorialism in favor of straight photography, he would later become known as the "pioneer of precise and sharp presentation" with images of natural forms such as the human figure, seashells, plants, vegetables, and landscapes. He began regular visits to Mexico with his professional and romantic partner, Tina Modotti, whose relationship with Weston caused much gossip in the media. They were often accompanied by one of Weston's sons, who received a sound instruction in photography. Brett and Cole later embarked on their own successful careers in this field; likewise his grandson Kim, and his great-granddaughter Christine Weston (born 1958).
After 1927, Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he co-founded Group f/64 in 1932 with Ansel Adams, Willard Van Dyke and others. The term ''f/64'' referred to the smallest aperture setting on a large format camera, which secured maximum depth of field, making a photograph appear evenly sharp from foreground to background. This corresponded to the philosophy of straight photography that the group espoused in response to the pictorialist methods that were still in fashion at the time.

According to the group's manifesto, "the members of Group f/64 believe that photography, as an art form, must develop along lines defined by the actualities and limitations of the photographic medium, and must always remain independent of ideological conventions of art and aesthetics that are reminiscent of a period and culture antedating the growth of the medium itself."
In 1937 the Solomon R. Guggenheim Foundation awarded Weston a fellowship, the first given to a photographer. He married his assistant, Charis Wilson, the following year (they had lived together since 1934, and divorced in 1946). During this time he received exclusive commissions and published several books, some with Wilson, including an edition of Whitman's ''Leaves of Grass'' illustrated with his photographs. He also produced some of his few color photographs with Willard Van Dyke in 1947. Weston also collaborated on several volumes of his photographs with photography critic Nancy Newhall, beginning in 1946.
The Center for Creative Photography at the University of Arizona in Tucson houses a full archive of Edward Weston's work.

Illness

Stricken with Parkinson's Disease, Weston made his last photographs at Point Lobos State Reserve in 1948. 1952 saw the publication of a 50th-anniversary portfolio of his work, printed by his son Brett. Brett and Cole Weston, as well as Brett's wife Dody Warren, were appointed to print 800 of what he considered his most important negatives under his supervision in the years 1955 to 1956.
Edward Weston died in his house on Wildcat Hill in Big Sur, California on January 1 1958, aged 71.
His comprehensive legacy includes the detailed and articulate ''Daybooks'' he kept regularly from the mid-1920s to 1934, which allow a very intimate glimpse into his personal life, his views on photography, and his working methods. Weston is generally recognized as one of the greatest photographic artists of the 20th century.

Images

Most Popular: "Pepper #30"; "Dunes, Oceano", "Nude, 1936"
Price History:
1970s: $500 - $1,500
1980s: $3,000 - $50,000
1990s: $10,000 - $300,000
Current: $5000 - $500,000
Most of his photographs are rare and unnumbered and few vintage photographs are available.
Even though he was a celebrated photographer he survived selling his photos for a humble price of $7-10. Now, they have gone up over 1,000,000% in value.

Quotations

"Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it may be."
"The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh."
"I cannot believe I learned anything of value in school unless it be the will to rebel."

Selected publications

★ ''Edward Weston: The Last Years in Carmel''

★ ''Edward and Brett Weston: Dune''

★ ''The Daybooks of Edward Weston''

★ ''Edward Weston: Nudes''

★ ''Portraits by Edward Weston''

★ ''Tina Modotti & Edward Weston: The Mexico Years''

★ ''Edward Weston: His Life''

★ ''Edward, Cole, Kim Weston: Three Generations of American Photography''

★ ''Edward Weston: 1886-1958''

★ ''Edward Weston'' (Masters of Photography Series)

★ ''Laughing Eyes'' (a collection of letters between Edward and Cole Weston)

★ ''Through Another Lens: My Years with Edward Weston'' by Charis Wilson and Wendy Madar (1998) ISBN 0-86547-521-0

External links

★ edward-weston.com

★ Center for Creative Photography, University of Arizona, Tucson, AZ

★ kimweston.com

★ [1]

★ Edward Weston and his photographs - A Gallery

References

1. World War I draft registration