EMMA ALBANI

'Dame Emma Albani' DBE (1 November 1847 - 3 April 1930), was a leading soprano of the 19th century and early 20th century, and the first Canadian singer to become an international star.^[1]

Contents

Childhood

Operatic career

Development in Italy

Move to London's Covent Gardens

Post Convent Gardens

Legacy

References

Further reading

External links

Childhood

Born 'Marie-Louise-Emma-Cécile Lajeunesse' in Chambly, Quebec, to the professional musician Joseph Lajeunesse and his wife, Mélina Mignault. She began her musical studies with her mother, and at age five her father took over her musical lessons. Emma Albani - Childhood and Education Her father was a proficient musician who was skilled with the violin, harp, piano and organ. He kept her on a strong practice regiment, with as much as four hours a day of lessons on the harp and piano.
The family moved to Plattsburgh in 1852. Early Training and Performances In 1856 after the death of her mother, she continued her education in a Montreal convent, run by the Dames des Sacré-Coeur where her father had obtained the position of Music Master. This afforded her a better education than she might otherwise receive, and additional musical instruction. Her musical talents were clear to the convent's nuns, who had to bar her from the convent's musical competitions so other children might win. Unable to finance a musical education in Quebec, where singing and acting were considered unsavoury careers for a woman, her family moved to Albany, New York in 1865. There she became a popular singer, and saved enough money to continue her studies.

In 1868, she travelled to Paris, where she studied with Gilbert-Louis Duprez at the Paris Conservatoire. She spent six months in Paris, training with Duprez. She then travelled to Italy, where she studied Italian singing with Francesco Lamperti. Obituary: Dame Emma Albani, , , , The Musical Times, Under the guidance of her elocution instructor, Signor Delorenzi, she changed her name to the simpler 'Emma Albani', which sounded more European. The closeness in sound of Albani and Albany pleased Albani, as she had been treated so well in Albany.

Operatic career

Development in Italy

Albani's funds began to run low, and although her training was not yet complete she began to look for work to help support her schooling. She found a position in Messina, and her operatic debut was on March 30, 1870, in Messina, playing Amina in Vincenzo Bellini's ''La Sonnambula''. Her debut performance was very well received. She later recalled:

She returned to Milan after her contract in Messina had expired, to resume her instruction by Lamperti. Additional work offers began to pour in. She soon accepted a role in Rigoletto being performed in Cento. Further roles followed in Florence and Malta, with parts in La Sonnambula, Lucia di Lammermoor, Robert il Diavolo, Il Barbiere di Siviglia and L'Africaine. After spending the winter of 1870-1871 performing in Malta, Studies in Europe and Opera Debut she auditioned for Frederick Gye, the manager of Covent Garden in London.^[2] He was impressed by her talent and signed her to a five-year contract. She was scheduled to make her London debut in the spring of 1872. Before her London contract began she returned to Italy to resume her studies with Lamperti. She made on last performance in Florence, giving renditions of La Sonnambula and Lucia di Lammermoor before returned to London.

Move to London's Covent Gardens

Albani arrived in London in the spring, and made her professional debut on April 2, 1872 as Amina in La Sonnambula. Emma Albani - Early Career Critics and audience members alike were impressed with her strong performance in the role, and her admirers presented her with gifts of flowers and jewellery. In the Covent Garden she developed an interest in oratorio after being introduced to it by Sir Julius Benedict and Joseph Pitman, who encouraged her to explore it. Her first opportunity to present a piece came in October of 1872, when she performed ''Angels, ever bright and fair'' from Handel's Theodora at the Norwich Festival. She also found time and opportunity to travel to Paris, where she performed at Salle Ventadour during the off season.
Her second season in London included performances in the roles of Ophelia in Hamlet and the Countess in The Marriage of Figaro. During the off time after the second season she travelled to Moscow, performing in La Sonnambula, Rigoletto, Hamlet and Lucia di Lammermoor, then she went to St. Petersburg, where the Tsar viewed her perforamces. Her reception in Russia was extremely positive.
In the third season in London, she performed in mostly the same roles she had in her first two seaons: La Sonnambula, Lucia di Lammermoor, Linda di Chamounix and Marta. The competition in the opera world of London was very stiff, and it was common for performers to be possessive of their roles. Continuing to perform the same roles was not unusual for a singer like Albani. After her third season, Queen Victoria requested a private performance from Albani, who travelled to Windsor Palace in July, 1874 to perform ''Caro Nome'' from Rigoletto, ''Robin Adair'', ''Ave Maria'' , and ''Home, Sweet Home''. The Queen was suitably impressed by her performance and would call Albani back to perform other pieces, by composers such as Brahms, Grieg, Handel and Mendelssohn, as well as traditional French and Scottish tunes. In the fall of 1874, she undertook of a tour of the United States, visiting New York, Boston, Philadelphia, Baltimore, Washington, Chicago and Albany. Emma Albani - Concert Tours On her tour of America, she was accompanied by Ernest Gye, the son of the Covent Garden's manager Frederick Gye.
She returned to London for the fourth season at the Covent Gardens in 1875. After the season, she returned to perform at the Norwich festival, where she sang Mendelssohn's Hymn of Praise and Julius Benedict's St. Cecilia.
Her fifth season in London (1876) included her company performing the London premiere of Tannhäuser, in which Albani had the role of Elisabeth. Covent Gardens That off season she sang at Théâtre-des-Italiens in Paris, and was well received, including a special performance for Patrice de Mac-Mahon, duc de Magenta.
Albani married Ernest Gye on August 6, 1878. She quickly became pregnant, giving birth to a son Frederick Ernest Gye on June 4, 1879. She continued to tour and perform until the birth of her son, who would be the couple's only child. She returned to the stage in the spring of 1880, singing in Herold's Le Pré aux Clercs at the Covent Gardens.

Caricature from Punch, 17 September 1881: "MADAME ALBANI. A Thing of Beauty is a Gye for ever!"

In 1881, Albani was invited to perform in Wagner's Lohengrin, which was being performed at the Royal Opera in Berlin. She agreed to sing the role of Elsa. Albani had performed the role before in Italian, but relearnt it in German for the Berlin performance. The opera was attended by the German Emperor. The reception was very positive, earning three curtain calls.
Throughout the 1880s, Albani toured Europe and North America, garnering praise wherever she travelled. Emma Albani - Later Career In 1886, she met Franz Liszt in London, who praised her performance of his The Legend of St. Elisabeth.
Albani retired from the Covent Gardens opera in 1896. Even in her last season, she continued to receive strongly positive reviews.

Post Convent Gardens

Emma Albani in 1899

After retiring from the Covent Gardens in 1896, Albani departed for a tour of her native Canada, performing in venues across the country. In 1898, she toured Australia. On the death of Queen Victoria in 1901, Albani travelled to London and sang the solo role at her final service. Albani gave her last public performance on October 14, 1911.^[3] That same year she released a book, ''Forty Years of Song''.^[4] The books was effectively a memoir, recounting stories of her youth, travels and career, and impressions of fellow performers and the royalty she met over her life, as well as providing some useful advice on singing.^[5]
She and her husband retired to Kensington. Poor investments resulted in the loss of much of their wealth, and Albani was forced to give musical lessons to earn income. Her husband died in 1925, compounding the situation, but benefit concerts arranged by friends provided sufficient income for Albani.
In 1925, Albani was made a Dame Commander of the British Empire by King George V. She died in London on April 3, 1930.^[6]

Legacy

Madame Selitsky, the prima donna who performs in L. M. Montgomery's ''Anne of Green Gables'' (1908) was inspired by Albani. Montgomery later wrote a profile of the singer for ''Courageous Women'' (1934), a non-fiction work.
In 1980, Canada issued a postage stamp honoring her on the 50th anniversary of her death. She is depicted in a stained-glass mural in the Place-des-Arts metro station in Montreal.

References

1. Emma Albani, soprano and voice teacher (1847-1930)
2. Frederick Gye and "The Dreadful Business of Opera Management", Gabriella Dideriksen; Matthew Ringel, , , 19th-Century Music,
3. The Jubilee of the Royal Albert Hall and the Royal Choral Society. II. The Period of Experiment and Non-Success (Continued), Herman Klein, , , The Musical Times,
4. Books Received, , , , The Musical Times,
5. Reviewed Work: Forty Years of Song by Emma Albani, , , , The Musical Times,
6. Albani, Emma

Further reading

★ Emma Albani, ''Forty Years of Song'' (London, Mills and Boon, 1911).

★ Brian Busby, ''Character Parts: Who's Really Who in CanLit'' (Toronto: Vintage Canada, 2004). ISBN 0-676-97579-8

★ Cheryl MacDonald, ''Emma Albani: Victorian Diva'' (Toronto, Dundurn, 1984). ISBN 0-919670-75-X, ISBN 0-919670-74-1

★ Stephen Willis, "Archives of Emma Albani at the National Library of Canada", ''National Library News'', Vol. 25, no. 12 (December 1993).

External links

★ Biography at the ''Dictionary of Canadian Biography Online''

★ More biographical info

★ Pictures of Emma Albani

★ Emma Albani's photograph in the Royal Collection.