EUROPEAN COMICS
'European comics' is a generalized terms for comics produced in Continental Europe. Though technically European, British comics are for historical and cultural reasons considered separate from European comics due to the existence of a well-established domestic market and traditions which more closely resemble the development of American comics.
Though many purely European comic books exist, the ''comic album'' is a very common printed medium. The typical ''album'' is printed in large format, generally with high quality paper and colorizing, roughly A4-sized, approx. 22x29 cm/8.4x11.6 in, has around 40-60 pages, but examples with more than 100 pages are common. In Anglosaxon terminology these would be called graphic novels, but this term is rarely used in Europe, and is not always applicable as albums often consist of separate short stories, placing them somewhere halfway between a comic book and a graphic novel. The European comic genres vary from the humorous adventure vein (such as Tintin and Asterix), especially in its earliest forms, to more adult subjects.
The roots of European comics can be found as early as 18th century caricatures and later with precursors in the form of illustrated picture books like Wilhelm Busch' Max and Moritz. The early 19th century Swiss artist Rodolphe Töpffer is regarded by many as the "father of the modern comic" and his publication ''Histoire de M. Vieux Bois'' is sometimes called the first "comic book".[1] Franco-Belgian comics are historically among the dominant scenes of European comics. It started in Belgium in the 1920s, followed quickly by France. In later years, manga has become successful, and as a consequence many French and German artists are now drawing comics in manga style.
★ Franco-Belgian comics
★ British comics
★ Czech comics
★ Dutch Comics
★ German comics
★ Italian comics
1. McCloud, Scott, ''Understanding Comics: The Invisible Art''. New York: Harper Collins & Kitchen Sink Press. 1994. ISBN 0-06-097625-X, pg 17.
★ The European Comics Collection Introductory Exhibit, Michigan State University Libraries
★ Interview with Bart Beaty, author of ''Unpopular Culture: Transforming the European Comic Book in the 1990s''
Though many purely European comic books exist, the ''comic album'' is a very common printed medium. The typical ''album'' is printed in large format, generally with high quality paper and colorizing, roughly A4-sized, approx. 22x29 cm/8.4x11.6 in, has around 40-60 pages, but examples with more than 100 pages are common. In Anglosaxon terminology these would be called graphic novels, but this term is rarely used in Europe, and is not always applicable as albums often consist of separate short stories, placing them somewhere halfway between a comic book and a graphic novel. The European comic genres vary from the humorous adventure vein (such as Tintin and Asterix), especially in its earliest forms, to more adult subjects.
| Contents |
| History |
| See also |
| References |
| External links |
History
The roots of European comics can be found as early as 18th century caricatures and later with precursors in the form of illustrated picture books like Wilhelm Busch' Max and Moritz. The early 19th century Swiss artist Rodolphe Töpffer is regarded by many as the "father of the modern comic" and his publication ''Histoire de M. Vieux Bois'' is sometimes called the first "comic book".[1] Franco-Belgian comics are historically among the dominant scenes of European comics. It started in Belgium in the 1920s, followed quickly by France. In later years, manga has become successful, and as a consequence many French and German artists are now drawing comics in manga style.
See also
★ Franco-Belgian comics
★ British comics
★ Czech comics
★ Dutch Comics
★ German comics
★ Italian comics
References
1. McCloud, Scott, ''Understanding Comics: The Invisible Art''. New York: Harper Collins & Kitchen Sink Press. 1994. ISBN 0-06-097625-X, pg 17.
External links
★ The European Comics Collection Introductory Exhibit, Michigan State University Libraries
★ Interview with Bart Beaty, author of ''Unpopular Culture: Transforming the European Comic Book in the 1990s''
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