FREE INDIRECT SPEECH

'Free indirect speech' (or 'free indirect discourse' or 'free indirect style') is a style of third person narration which combines some of the characteristics of third-person report with first-person direct speech. Passages written using free indirect speech are often ambiguous as to whether they convey the views of the narrator or of the character the narrator is describing, allowing a flexible and sometimes ironic interaction of internal and external perspectives.[1]
In English literature, Jane Austen was among the first authors to use free indirect speech in a significant and deliberate manner. The opinions of her narrators are frequently blurred with the thoughts of her characters.
Flaubert's use of the French imperfect tense is cited as an example of free indirect speech, called in French ''style indirect libre''.

Contents
Further reading
External links
Notes

Further reading


Ann Banfield's critical work Unspeakable Sentences presents a typology of literary discourse.
Free indirect discourse is a literary device that Chaucer already made use of in The Canterbury Tales. When the narrator says in "The General Prologue" that he agrees with the Monk's opinion dismissing criticism of his very unmonastic way of life, he is apparently paraphrasing the monk himself:
"And I seyde his opinion was good:/ What sholde he studie, and make himselven wood,/ Upon a book in cloistre alwey to poure,/Or swinken with his handes, and laboure,/ As Austin bit? How shal the world be served?/ Lat Austin have his swink to him reserved!" These rhetorical questions seem to be the monk's own casual way of waving off criticism of his aristocratic lifestyle. Similar examples can be found in the narrator's portrait of the friar.

External links



The Literary Encyclopedia: Free Indirect Discourse

Notes


1. see ''The Oxford Companion to English Literature'', ed. Margaret Drabble, Oxford University Press, Sixth Edition (2000)


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