GEORG_WILHELM_PABST
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(Redirected from G.W. Pabst)
'Georg Wilhelm Pabst' (August 25, 1885 - May 29, 1967) was an Austrian film director. Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad employee.
Returning from the United States, he was in France when World War I began. He was interned there near Brest until 1919.
Some of his most famous films concern the plight of women in German society, including ''Joyless Street'' (1925) with Greta Garbo and Asta Nielsen, ''The Loves of Jeanne Ney'' (1927) with Brigitte Helm, ''Pandora's Box'' (1928), and ''Diary of a Lost Girl'' (1929), the last two starring American actress Louise Brooks. He also co-directed with Arnold Fanck a mountain film entitled ''The White Hell of Pitz Palu'' (1929) starring Leni Riefenstahl.
After the coming of sound he made a trilogy of films that secured his reputation ''Westfront 1918'' (1930), ''The Threepenny Opera'' (1931) (based on the Bertolt Brecht and Kurt Weill musical), and ''Kameradschaft'' (1931). Pabst also filmed three versions of Pierre Benoit's novel ''L'Atlantide'' in 1932, in German, English, and French, titled ''Die Herrin von Atlantis'', ''The Mistress of Atlantis'', and ''L'Atlantide'', respectively. In 1933, Pabst directed ''Don Quixote'' in three versions, once again, German, English, and French.
After making ''A Modern Hero'' (1934) in the U.S. and ''Mademoiselle Docteur'' (1936) in France, Pabst returned to Austria and Germany in 1938, he later claimed, to take care of family business. He made two films during the Nazi period, ''Komödianten'' (1941) and ''Paracelsus'' (1943).
Pabst died in Vienna, Austria and was interred at the Zentralfriedhof in Vienna.
★ ''Der Schatz'' (1923)
★ ''Gräfin Donelli'' (1924)
★ ''Die freudlose Gasse'' (1925)
★ ''Man spielt nicht mit der Liebe'' (1926)
★ ''Geheimnisse einer Seele'' (1926)
★ ''Die Liebe der Jeanne Ney'' (1927)
★ ''Abwege'' (1928)
★ ''Die weiße Hölle vom Piz Palü'' (1929)
★ ''Tagebuch einer Verlorenen'' (1929)
★ ''Die Büchse der Pandora'' (1929), aka ''Pandora's Box'', aka ''Lulu''
★ ''Skandal um Eva'' (1930)
★ ''Westfront 1918'' (1930)
★ ''Kameradschaft'' (1931)
★ ''Die 3groschenoper'' (1931)
★ ''Die Herrin von Atlantis'' (1932) three versions, German, French, and English
★ ''Du haut en bas'' (1933)
★ ''Don Quixote'' (1933) three versions, German, French, and English; music by Jacques Ibert
★ ''A Modern Hero'' (1934)
★ ''Mademoiselle Docteur'' (1936)
★ ''Le Drame de Shanghaï'' (1938)
★ ''Jeunes filles en détresse'' (1939)
★ ''Komödianten'' (1941)
★ ''Paracelsus'' (1943)
★ ''Der Fall Molander'' (1945)
★ ''Der Prozeß'' (1948)
★ ''Geheimnisvolle Tiefe'' (1949)
★ ''Cose da pazzi'' (1953)
★ ''La Conciencia acusa'' (1953)
★ ''Das Bekenntnis der Ina Kahr'' (1954)
★ ''Es geschah am 20. Juli'' (1955)
★ ''Der letzte Akt'' (1955)
★ ''Durch die Wälder, durch die Auen'' (1956)
★ ''Rosen für Bettina'' (1956)
★ PABST, Georg Wilhelm, « Servitude et grandeur de Hollywood », ''Le rôle intellectuel du cinéma, Paris'', SDN-Institut International de Coopération Intellectuelle, 1937, pp.251-255.
★ AMENGUAL, Barthélémy, ''G.W. Pabst'', Paris, Seghers, 1966
★ ATWELL, Lee, ''G.W. Pabst'', Boston, Twayne Publishers, 1977
★ MITRY, Jean, Histoire du cinéma. Art et industrie, 5 volumes, Paris, Editions Universitaires - J.P. Delarge, 1967-1980
★ KRACAUER, Siegfried, ''De Caligari à Hitler. Une histoire psychologique du cinéma allemand'', Paris, Flammarion, 1987²
★ ''The Films of G.W. Pabst. An extraterritorial cinema'', edited by Eric Rentschler, New Brunswick, Rutgers University Press, 1990
★ BAXTER, John, "G.W. Pabst" in International Directory of Films and Filmmakers, Chicago, 1990, pp.376-378
★ ''G.W. Pabst'', herausgegeben von Wolfgang Jacobsen, Berlin, Argen, 1997
★ GROPPALI, Enrico, ''Georg W. Pabst'', Firenze, La Nuova Italia, 1983
★ VANDEN BERGHE, Marc, ''La mémoire impossible. Westfront 1918 de G.W. Pabst. Grande Guerre, soldats, automates. Le film et sa problématique vus par la 'Petite Illustration' (1931), Bruxelles, 2001 - this text is available online on www.art-chitecture.net/publications.php[1]
★ G. W. Pabst at IMDB
★ Find-A-Grave profile for Georg Wilhelm Pabst
'Georg Wilhelm Pabst' (August 25, 1885 - May 29, 1967) was an Austrian film director. Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad employee.
Returning from the United States, he was in France when World War I began. He was interned there near Brest until 1919.
Some of his most famous films concern the plight of women in German society, including ''Joyless Street'' (1925) with Greta Garbo and Asta Nielsen, ''The Loves of Jeanne Ney'' (1927) with Brigitte Helm, ''Pandora's Box'' (1928), and ''Diary of a Lost Girl'' (1929), the last two starring American actress Louise Brooks. He also co-directed with Arnold Fanck a mountain film entitled ''The White Hell of Pitz Palu'' (1929) starring Leni Riefenstahl.
After the coming of sound he made a trilogy of films that secured his reputation ''Westfront 1918'' (1930), ''The Threepenny Opera'' (1931) (based on the Bertolt Brecht and Kurt Weill musical), and ''Kameradschaft'' (1931). Pabst also filmed three versions of Pierre Benoit's novel ''L'Atlantide'' in 1932, in German, English, and French, titled ''Die Herrin von Atlantis'', ''The Mistress of Atlantis'', and ''L'Atlantide'', respectively. In 1933, Pabst directed ''Don Quixote'' in three versions, once again, German, English, and French.
After making ''A Modern Hero'' (1934) in the U.S. and ''Mademoiselle Docteur'' (1936) in France, Pabst returned to Austria and Germany in 1938, he later claimed, to take care of family business. He made two films during the Nazi period, ''Komödianten'' (1941) and ''Paracelsus'' (1943).
Pabst died in Vienna, Austria and was interred at the Zentralfriedhof in Vienna.
| Contents |
| Filmography, as director, includes |
| References |
| External links |
Filmography, as director, includes
★ ''Der Schatz'' (1923)
★ ''Gräfin Donelli'' (1924)
★ ''Die freudlose Gasse'' (1925)
★ ''Man spielt nicht mit der Liebe'' (1926)
★ ''Geheimnisse einer Seele'' (1926)
★ ''Die Liebe der Jeanne Ney'' (1927)
★ ''Abwege'' (1928)
★ ''Die weiße Hölle vom Piz Palü'' (1929)
★ ''Tagebuch einer Verlorenen'' (1929)
★ ''Die Büchse der Pandora'' (1929), aka ''Pandora's Box'', aka ''Lulu''
★ ''Skandal um Eva'' (1930)
★ ''Westfront 1918'' (1930)
★ ''Kameradschaft'' (1931)
★ ''Die 3groschenoper'' (1931)
★ ''Die Herrin von Atlantis'' (1932) three versions, German, French, and English
★ ''Du haut en bas'' (1933)
★ ''Don Quixote'' (1933) three versions, German, French, and English; music by Jacques Ibert
★ ''A Modern Hero'' (1934)
★ ''Mademoiselle Docteur'' (1936)
★ ''Le Drame de Shanghaï'' (1938)
★ ''Jeunes filles en détresse'' (1939)
★ ''Komödianten'' (1941)
★ ''Paracelsus'' (1943)
★ ''Der Fall Molander'' (1945)
★ ''Der Prozeß'' (1948)
★ ''Geheimnisvolle Tiefe'' (1949)
★ ''Cose da pazzi'' (1953)
★ ''La Conciencia acusa'' (1953)
★ ''Das Bekenntnis der Ina Kahr'' (1954)
★ ''Es geschah am 20. Juli'' (1955)
★ ''Der letzte Akt'' (1955)
★ ''Durch die Wälder, durch die Auen'' (1956)
★ ''Rosen für Bettina'' (1956)
References
★ PABST, Georg Wilhelm, « Servitude et grandeur de Hollywood », ''Le rôle intellectuel du cinéma, Paris'', SDN-Institut International de Coopération Intellectuelle, 1937, pp.251-255.
★ AMENGUAL, Barthélémy, ''G.W. Pabst'', Paris, Seghers, 1966
★ ATWELL, Lee, ''G.W. Pabst'', Boston, Twayne Publishers, 1977
★ MITRY, Jean, Histoire du cinéma. Art et industrie, 5 volumes, Paris, Editions Universitaires - J.P. Delarge, 1967-1980
★ KRACAUER, Siegfried, ''De Caligari à Hitler. Une histoire psychologique du cinéma allemand'', Paris, Flammarion, 1987²
★ ''The Films of G.W. Pabst. An extraterritorial cinema'', edited by Eric Rentschler, New Brunswick, Rutgers University Press, 1990
★ BAXTER, John, "G.W. Pabst" in International Directory of Films and Filmmakers, Chicago, 1990, pp.376-378
★ ''G.W. Pabst'', herausgegeben von Wolfgang Jacobsen, Berlin, Argen, 1997
★ GROPPALI, Enrico, ''Georg W. Pabst'', Firenze, La Nuova Italia, 1983
★ VANDEN BERGHE, Marc, ''La mémoire impossible. Westfront 1918 de G.W. Pabst. Grande Guerre, soldats, automates. Le film et sa problématique vus par la 'Petite Illustration' (1931), Bruxelles, 2001 - this text is available online on www.art-chitecture.net/publications.php[1]
External links
★ G. W. Pabst at IMDB
★ Find-A-Grave profile for Georg Wilhelm Pabst
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