GLAMORAMA

'''Glamorama''' is a novel by Bret Easton Ellis. It was published by Alfred A. Knopf in 1998.
Set in the mid-1990s the novel begins in New York City, following a hip, 27-year-old model and nightclub manager Victor Ward, who spends his days and nights organizing parties and worrying whether A-list celebrities will turn up. Eventually he is given a task by a mysterious diplomat named F. Fred Palakon, which involves going to London to search for one of Ward's ex-girlfriends who has gone missing. Things begin to take a worrying turn as Ward gets mixed up with a group of terrorists in Paris.
As ''American Psycho'' was a satire of Capitalism and consumerism, ''Glamorama'' is a satire of society's obsession with celebrities and beauty; it features a great deal of violence, black humor and surrealism. One theme is the parallel between the fear of the unlikely, horrible fate of being killed by terrorists and the fear of the extremely likely, rather less horrible fate of being unable to live up to the beauty of professional models. Both fears are fed by the media.
The novel keeps up Ellis's tradition of using characters from previous novels, the obvious example of this being Victor. Lauren Hynde and Bertrand Ripleis both return from ''The Rules of Attraction'' to play major roles in the novel. There are cameos by Mitchell Allen, Sean Bateman and Patrick Bateman, some of them only in reference and others where the character is present in the scene. Alison Poole also returns: Ellis first used her in ''American Psycho'', but she originally appeared in Jay McInerney's novel, ''Story of My Life''.
A movie adaptation is planned but although it was originally scheduled for release in 2004, it has been delayed.
Whilst the first half primarily introduces the characters and sets the scene, the second-half of ''Glamorama'', when the action shifts from New York to London and then Paris, contains a great deal of extreme violence, in particular two gruesome torture sequences that feature castration and electrocution. There are also many bomb attacks, with detailed descriptions of men, women and children being blown apart, burned alive and mutilated.
The terrorists are supermodels or ex-supermodels of both sexes and though they appear to have a leader it is apparent that they get their orders and their resources from external backers who are never seen. The supermodels are presented as vacuous, arrogant and self-centered, these traits presumably being why they were recruited for terrorism.
To add to the often surreal nature of the second-half of the novel, the motives and ideology of the terrorists are never revealed. There are clues that it relates to the Middle East and that it may be linked to Victor Ward's father, who is a powerful U.S. Senator and is tipped as a Presidential Candidate.
The novel switches back and forth between first-person narration (by Ward) and third-person. A literary device employed by Ellis is when Ward - when he's narrating events - starts mentioning a director and film crew who follow him about and offer him advice on what to say or what emotion to express.

Contents

Zoolander

External links

Zoolander

Fans have noted similarities to the Ben Stiller comedy ''Zoolander''. Ellis has stated that he is aware of the similarities, and went on to say that he considered and attempted to take legal action.[1]
Ellis is asked about the similarities in a BBC interview.[2] In the response to the question, he says jokingly that he is unable to discuss the similarities due to an out-of-court settlement.

External links

★ Book review from ''The Observer''

★ [3] from ''Postmodern Culture''