GOOD VIBRATIONS

'"Good Vibrations"' is a pop single produced by Brian Wilson of The Beach Boys. The song was composed by Brian Wilson (music) with lyrics by Wilson and Mike Love.
Released as a single on October 10, 1966 (backed with the ''Pet Sounds'' instrumental "Let's Go Away For Awhile"), it was the band's third U.S. number-one hit, after "I Get Around" and "Help Me, Rhonda", reaching the top of the Billboard Hot 100 chart in December 1966, as well as being their first British chart-topper.

Contents

Significance

Composition

Lyrics

Recording

Albums

Chart position/sales

Critical response

40th anniversary single

Cultural references

'Tribute'

References

External links

Significance

Brian Wilson's publicist Derek Taylor described "Good Vibrations" as a "pocket symphony," probably in reference to its multiple thematic segments and highly varied instrumentation. It featured instruments unusual for a pop song, including prominent use of the cello as well as an electro-theremin. It was placed #6 on Rolling Stone's 500 Greatest Songs of All Time.

Composition

The genesis of the phrase/title "Good Vibrations" has been recounted by Wilson on numerous occasions, including his 1995 biopic, ''I Just Wasn't Made for These Times''. When he was a child, his mother told him that dogs could pick up "vibrations" from people, so that the dog would bark at "bad vibrations". Wilson turned this into the general idea of vibrations (and Mike Love putting "good" in front of vibrations), and developed the idea of people being able to do the same with emotions.''

Lyrics

Wilson first enlisted the help of ''Pet Sounds'' lyricist Tony Asher for help in putting words to the idea. Soon after they met, Brian asked his new writing partner Van Dyke Parks to pen lyrics for the song, but Parks declined.
Beach Boys frontman and bandmate Mike Love supplied the final version of the lyrics around August 24 1966.
According to Brian Wilson, when he re-recorded "Good Vibrations" for his 2004 version of ''SMiLE'', his wife, Melinda, suggested he use the original lyrics written by Tony Asher. From Mike Love's lyrics, he kept just the opening line, "I, I love the colorful clothes she wears," and the chorus, "I'm pickin' up good vibrations, she's giving me excitations ..."

Recording

Originally composed during the Pet Sounds sessions with original lyrics by Tony Asher, Wilson recorded the song in sections, at different studios in order to capture the sound he heard in his head. Building upon the layered production approach he had begun to use with the ''Pet Sounds'' album, Wilson devoted months of effort to this single track.
The first version of the song was recorded on February 17, 1966. It was described in the session log as ''#1 Untitled'' (or as ''Good, Good, Good Vibrations''), though on the tape Brian Wilson distinctly says "Good Vibrations, Take One". After 26 takes, a rough mono mix completed the session. Rough guide vocals are recorded the following day. By February 25, Wilson placed the recording on hold in order to devote attention to the ''Pet Sounds'' album. The track was to be revisited on May 24 1966, and worked on (with Asher's lyrics) until June 18, at which time he put it aside again until August 24. The various sections were edited together in a sort of musical collage, similar to The Beatles' later "Strawberry Fields Forever" and "A Day in the Life" records, both inspired by the works of Brian Wilson (according to Paul McCartney).
The distinctive "woo woo" sound in the choruses and at the end of the record was created with an electro-theremin, played by Paul Tanner. First used by Wilson on the track "I Just Wasn't Made for These Times", the device effectively creates a sonic representation of those mysterious vibrations of the title.
The production of the song is reported to have spanned seventeen recording sessions at four different recording studios, and used over 90 hours of tape, with an eventual budget of $50,000. Wilson is credited with developing the use of the recording studio as an instrument: he, the Beach Boys, and dozens of top studio musicians, including members of The Wrecking Crew, recorded and re-recorded seemingly unrelated musical and vocal sections for the song, then edited and mixed these sections into a 3:35 pop single.
The recording and production style used on the "Good Vibrations" single established Wilson's new method of operation: the recording and re-recording of specific sections of music, followed by rough mixes of the sections edited together, further recording as required, and the construction of the final mix from the component elements. This was the modular approach to recording that was next to be used on ''SMiLE''.
David Leaf, author of the critically-acclaimed biography, ''The Beach Boys and The California Myth'', said of the song, "Nothing but perfection here. The Beach Boys' first million-selling #1 hit...was a major technical breakthrough...the record that showed that anything was possible in the studio."
Incidentally, there has never been an official release of a true stereo version of the well-known version of the song, although bootlegs of this mix have been issued over the internet. It has been said that not enough stems exist to actually create a new stereo mix. However, a stereo version of the instrumental backing track does exist and was issued in 2006 on the 40th Anniversary EP CD of the "Good Vibrations" single.

Albums

Inspired by the success of the song and the positive reaction to ''Pet Sounds'', and wanting to top The Beatles' recently-released ''Revolver'' album, Wilson and lyricist Van Dyke Parks embarked on the ''SMiLE'' project, intended as an entire album using the writing and production techniques devised for "Good Vibrations." A legendary failure, that album was never released as Wilson descended into depression, drug use, and paranoia; several tracks salvaged from those sessions were re-recorded in greatly simplified versions for the ''Smiley Smile'' album instead, on which "Good Vibrations" made its first LP appearance. In 2004, a re-recorded version of ''SMiLE'' was finally completed by Wilson and Parks, with Wilson's touring band in place of the other Beach Boys and studio musicians. It was released in September of that year, to widespread critical acclaim.

Chart position/sales

According to Badman, the single sold over 230,000 copies in the first four days of its release, and entered the ''Cash Box'' chart at number six on October 22nd.

Critical response

Both the ''New Musical Express'' and ''Melody Maker'' gave positive reviews at the time of the single's release.
Praise was not universal, however, and Pete Townshend of The Who was quoted at the time as saying "'Good Vibrations' was probably a good record but who's to know? You had to play it about 90 bloody times to even hear what they were singing about", and feared that the single would lead to over-produced records in general.
"Good Vibrations" earned The Beach Boys a Grammy nomination for Best Vocal Group performance in 1966 and the song was eventually inducted into the Grammy Hall of Fame in 1994. It has featured highly in many 'Top 100 Records of All Time' charts and was voted #1 in the Mojo Top 100 Records of All Time chart in 1997. Rolling Stone magazine ranked "Good Vibrations" as the sixth best song of all time. The song was also voted #24 in the RIAA and NEA's listing of Songs of the Century.

40th anniversary single

In celebration of its 40th year, the ''Good Vibrations: 40th Anniversary Edition'' single was released. The single includes five versions of "Good Vibrations" including:

★ the original single version

★ various session takes

★ an alternate take (previously released on the Beach Boys' Rarities album)

★ the aforementioned instrumental track in stereo (the only official stereo incarnation of this song)

★ a live concert rehearsal (from Hawaii 08/1967).

★ also included is the original B-side of the single, "Let's Go Away For Awhile".
Except as indicated, all tracks are in mono.

Cultural references

In 1978 the song was used as a jingle for the introduction of Sunkist orange soda in New York and by 1981 Sunkist Orange Soda had become the No. 1 orange soda and the No. 10 best selling soft drink in the USA, not only because of its taste, but also because of "Good Vibrations" - "The Sunkist Taste Sensation".
In 1999, National Public Radio included the song in the "NPR 100," in which NPR's music editors sought to compile the one hundred most important American musical works of the 20th century.
It was also featured in the 1989 "The Wonder Years" episode "Summer Song".
The tune of the song has also been featured in an advertisement in Australia and Canada for The Good Guys Discount Warehouses Company with the slogan, "Come in and see the good good good guys, pay cash and we'll slash the prices".
The song was referenced on "The Drew Carey Show" in the episode "Never Been to Spain". Lewis and Oswald took up jobs as airport security screeners. When a gentleman set off the metal detector, he told them of a metal plate in his head. Lewis demonstrated this to a confused Oswald by holding a hand-held metal detector to the man's head, when the detector's signal began to sound like the Theremin riffs of the song. The two began singing along before they were caught by their boss.
The song was also used in the 2001 Tom Cruise movie ''Vanilla Sky''.
The song was used in the last scene in the film before the credits in the 2007 comedy ''Wild Hogs'' where William H. Macy's character gets his "come-uppance" (he smashes into things with his bike) and everybody else in the Wild Hogs gang gets hit with a surfboard and hits them he laughs and the song and the film ends.
The song was used at the beginning of the movie "Vegas Vacation".
The song was sampled briefly by The Microphones on the song "Florida Beach" from the album ''Don't Wake Me Up''
The song was rerecorded by Gym Class Heroes on The Road Mix: Music From The Television Series One Tree Hill, Vol. 3, as well as featured in the fourth season in episode 18 "The Runaway Found." The song would be used by Sunkist as a TV jingle.
The song also featured on the 2005 movie "It's All Gone Pete Tong" as the last scene where Frankie Wilde is teaching deaf children music.
The song is part of a code for the signal jamming system in on the show ''Lost''.
A portion of the "Weird Al" Yankovic song "Pancreas" (a style parody of Brian Wilson) resembles part of the bridge of "Good Vibrations."

'Tribute'

On "An All-Star Tribute to Brian Wilson," Good Vibrations was performed by Heart, Jubilant Sykes, and the Boys Choir of Harlem.

References

★ Badman, Keith ''The Beach Boys, The Definitive Diary of America's Greatest Band on Stage and in the Studio'', Backbeat Books, (ISBN 0-87930-818-4)

External links

★ Greg Panfile's Musical Analysis of "Good Vibrations"

★ List of Rankings of "Good Vibrations"

★ Sound on Sound article on the arrangement of "Good Vibrations"

★ BBC Radio 2: "Good Vibrations"