JELLO BIAFRA

'Eric Reed Boucher' (born June 17, 1958) is more widely known by the stage name 'Jello Biafra'. He first gained attention as the lead singer and songwriter for San Francisco punk rock band Dead Kennedys. After his time with the band concluded, he became more directly involved with political activism and took over the influential independent record label Alternative Tentacles, founded in 1979 by him and East Bay Ray. Although now primarily focused on spoken word art, he has continued as a musician in numerous collaborations.
Politically, he is a member of the Green Party^[1] and actively supports liberal political causes. He is a self-proclaimed anarchist^[1] who advocates civil disobedience, direct action, culture jamming and pranksterism in the name of political change. Biafra is known to use absurdist media tactics in the tradition of the Yippies to highlight issues of civil rights, social justice, anti-corporatism, peace movements, anti-consumerism, environmentalism, anti-globalization, universal health care, LGBT rights, anti-capitalism, reproductive rights, feminism, and the separation of church and state.
His stage name is a combination of the brand name Jell-O and the name of the short lived country of Biafra which attempted to secede from Nigeria in 1966. After four years of fighting and horrific starvation in Biafra, Nigeria regained control of the nascent Biafran state. Jello Biafra created his name as an ironic combination of a nutritionally poor mass-produced food product and mass starvation. He said he likes how two ideas clash in people's minds.

Contents

Biography

Early years

The Dead Kennedys

Obscenity prosecution

Lawsuit against Jello

Alternative Tentacles

Mayoral candidacy

Activism and spoken word

Other

Personal

Samples

Partial discography

Filmography

References and footnotes

External links

Biography

Early years

Eric Boucher was born in Boulder, Colorado, U.S. to parents Stanley Boucher, a psychiatric social worker and poet, and Virginia Boucher, a librarian. As a child, Boucher developed an interest in international politics that was encouraged by his parents. He was an avid watcher of news and one of his earliest memories is of the John F. Kennedy assassination.^[3] Biafra says he has been a fan of rock music since first hearing it in 1965, when his parents accidentally tuned in to a rock radio station. During the 1970s, he became involved in activism in reaction to several events of the era including the Vietnam War, the Chicago 7 trial, and the Kent State shootings.^[4]
He began his career in music in January of 1977 as a roadie for the punk rock band The Ravers (who would later change their name to The Nails). In the autumn of that year, he began attending the University of California, Santa Cruz. He spent one quarter of the year studying acting and the history of Paraguay before leaving to become involved in San Francisco, California's punk scene.

The Dead Kennedys

In June of 1978 he responded to an ad put out by guitarist East Bay Ray and together they formed the Dead Kennedys. He began performing with the band under the stage name Occupant, but shortly after began using his current name. Biafra wrote the band's lyrics, most of which were political in nature and displayed a sardonic, sometimes absurdist, sense of humor despite their serious subject matter. In the tradition of UK peace punk bands like Crass, Dead Kennedys was one of the first US punk bands to write politically themed songs. The lyrics Biafra wrote helped popularize the use of humorous lyrics in hardcore. Biafra cites Joey Ramone as the inspiration for his use of humor in his songs (as well as being the musician who made him interested in punk rock), noting in particular songs by The Ramones such as "Beat On the Brat" and "Now I Wanna Sniff Some Glue".^[5]
Biafra initially attempted to compose music on guitar, but his inexperience on the instrument and his own admission of being "a fumbler with my hands" led Dead Kennedys bassist Klaus Flouride to suggest that Biafra simply sing the parts he was envisioning to the band.V. Vale, ''Incredibly Strange Music, Vol. 2'', RE/Search Publications, 1995 Biafra would later sing his riffs, melodies, and bridges into a tape recorder, which he brought to the band's rehearsal and/or recording sessions. This would later become an issue when the other Dead Kennedys sued Biafra over royalties and publishing rights. By all accounts, including his own, Biafra is not a conventionally skilled musician,V. Vale, ''Incredibly Strange Music, Vol. 2'', RE/Search Publications, 1995 though he and his collaborators (Joey Shithead of D.O.A. in particular) attest that he is a skilled composer^[6] and his work, particularly with Dead Kennedys, is highly respected by punk-oriented critics and fans.
Biafra's first popular song was the first single by Dead Kennedys, "California Über Alles". The song, which spoofed California governor Jerry Brown, was the first of many political songs by the group and Biafra. The song's popularity resulted in it being covered by other musicians, such as The Disposable Heroes of Hiphoprisy (who rewrote the lyrics to parody Pete Wilson) and John Linnell of They Might Be Giants. Not long afterward, Dead Kennedys made a second and bigger hit with "Holiday in Cambodia", a song about the Khmer Rouge in Cambodia, from their debut album ''Fresh Fruit for Rotting Vegetables''. ''All Music Guide'' cites this song as "possibly the most successful single of the American hardcore scene"^[7] and Biafra counts it as his personal favorite Dead Kennedys song. Minor hits from the album included "Kill the Poor" (about potential abuse of the then-new neutron bomb) and a satirical cover of Elvis Presley's "Viva Las Vegas".
Dead Kennedys received some controversy in the spring of 1981 over the single "Too Drunk to Fuck". The song became a big hit in Britain, and the BBC feared that it would manage to be a big enough hit to appear among the top 30 songs on the national charts, requiring them to play a performance of the song on ''Top of the Pops''. However, the single's popularity was slightly less than what was required, peaking at the 31st position.
Later albums would also contain memorable songs, but with less popularity than the earlier ones. The EP album ''In God We Trust, Inc.'' contained the song "''Nazi Punks Fuck Off!''" as well as "We've Got A Bigger Problem Now", a rewritten version of "California Über Alles" about Ronald Reagan. Punk scholar Vic Bondi considers the latter song to be the song that "defined the lyrical agenda of much of hardcore music, and represented its break with punk".^[8] The band's most controversial album, ''Frankenchrist'', brought with it the song "MTV Get Off the Air", which accused MTV of promoting poor quality music and sedating the public. The album also contained a controversial poster by artist H. R. Giger entitled Penis Landscape.
The Dead Kennedys toured widely during their career, starting in the late 1970s. They began playing mostly at southern Californian clubs (most notably the Whisky a Go Go), but eventually they moved on to major clubs across the country, including CBGB in New York. Later, they played to larger audiences such as at the 1980 Bay Area Music Awards (where they played the notorious "Pull My Strings" for the first and only time), and headlined the 1983 Rock Against Reagan festival.^[9]

Cover of ''Fresh Fruit for Rotting Vegetables'', the Dead Kennedys' debut album

Biafra has been a prominent figure of the Californian punk scene and was one of the founding members of the San Francisco hardcore punk community. Many later hardcore bands would cite the Dead Kennedys as a major influence.^[10] Hardcore punk author Steven Blush describes Biafra as hardcore's "biggest star" who was a "powerful presence whose political insurgence and rabid fandom made him the father figure of a burgeoning subculture (and a) inspirational force (who) could also be a real prick... Biafra was a visionary, incendiary [performer]."^[11]
After the Dead Kennedys disbanded, Biafra's new songs were recorded with other bands, releasing only spoken word albums as solo projects. These collaborations had less popularity than Biafra's earlier work. However, his song "That's Progress", originally recorded with D.O.A. for the album ''Last Scream Of The Missing Neighbors'', received considerable exposure when it appeared on the album ''Rock Against Bush, Vol. 1''.

Obscenity prosecution

In April of the same year, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC).^[12] In June of 1986, then- L.A. deputy city attorney Michael Guarino, working under then-City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful matter" in the Dead Kennedys album ''Frankenchrist''.^[13][14] In actuality, the dispute was about neither the music nor the lyrics from the album, but rather the print of the poster ''Landscape #XX'' (also known as ''Penis Landscape''), by Swiss surreal artist H. R. Giger included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost effective way of sending a message out to other musicians who have "offensive" content in their music.^[15]
Music author Rebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle."^[16] Facing the possible sentence of a year in jail and a $2000 fine, Biafra founded the No More Censorship Defense Fund, a benefit made up of several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 7 to 5 in favor of acquittal, prompting a mistrial; despite a district attorney motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances. His early spoken word albums focused heavily on the trial (especially in ''High Priest of Harmful Matter''), which made him renowned for his anti-censorship stance.

Lawsuit against Jello

In October of 1998, former members of the Dead Kennedys sued Biafra for not paying them royalties due to them. According to Biafra, the suit resulted from his refusal to allow one of the band's most well known singles, "Holiday in Cambodia", to be used in a commercial for Levi's Dockers; Biafra opposes Levi's because he believes that they use unfair business practices and sweatshop labor.^[17] The three former members claimed that their motive had nothing to do with advertising, and that they had filed suit because Biafra had denied them royalties and failed to promote their albums. Biafra maintained that he had never denied them royalties, and that he himself had not even received royalties for rereleases of their albums or "posthumous" live albums which had been licensed to other labels by the Decay Music partnership.^[18] Decay Music denied this charge and have posted what they say are his cashed royalty checks.^[19] Biafra also complained about the songwriting credits in new reissues and archival live albums of songs that Biafra claims he composed himself to the entire band. In May 2000, a jury found Biafra liable for fraud and malice and ordered him to pay $200,000, including $20,000 in punitive damages, to the band members.^[20] After an appeal by Biafra’s lawyers, in June 2003, the California Court of Appeals unanimously upheld all the conditions of the 2000 verdict against Biafra and Alternative Tentacles.^[21]
The other band members reunited without Biafra under the name of "DK Kennedys" (later returning to the original band name), replacing Biafra first with Brandon Cruz, then with Jeff Penalty. Dead Kennedys fans have criticized the new band, owing to Biafra's absence. Biafra himself has also openly criticized his former bandmates' legal tactics and reunion tours, most notably in the song "Those Dumb Punk Kids (Will Buy Anything)", in which he performed with The Melvins.

Alternative Tentacles

In June of 1979, Biafra co-founded the record label Alternative Tentacles with which the Dead Kennedys released their first single, "California Über Alles".^[22] The label was created to allow the band to release albums without having to deal with pressure from major labels to change their music (although the major labels were not willing to sign the band due to their songs being deemed too controversial).^[23] After dealing with Cherry Red in the UK and IRS Records in the US for their first album ''Fresh Fruit for Rotting Vegetables'', the band released all later albums (and later pressings of ''Fresh Fruit'') on Alternative Tentacles (with the exception of live albums released after the band's break-up, which the other band members compiled from recordings in the band partnership's vaults without Biafra's input or endorsement). Biafra has been the owner of the company ever since its founding, though he does not receive a salary for his position (Biafra refers to his position in the company as the "absentee thoughtlord").^[24]
Biafra is an ardent collector of unusual vinyl records of all kinds, from 50's and 60's ethno-pop recordings by the likes of Les Baxter and Esquivel to vanity pressings that have circulated regionally, to infamous German crooner Heino; he cites his always growing collection as one of his biggest musical influences. In 1993 he gave an interview to RE/Search Publications for their second ''Incredibly Strange Music'' book focusing primarily on these records. His heavy interest in such recordings (often categorized as outsider music) eventually led to Biafra discovering the prolific (and schizophrenic) singer/songwriter/artist Wesley Willis, whom he signed to Alternative Tentacles in 1994, precluding Willis' major label deal with American Recordings. His collection grew so large that on October 1, 2005, Biafra donated a portion of his collection to an annual yard sale co-promoted by Alternative Tentacles and held at their warehouse in Emeryville, California.^[25]
In 2006, along with Alternative Tentacles employee and The Frisk lead singer Jesse Luscious, Biafra began co-hosting ''The Alternative Tentacles Batcast'', a downloadable podcast hosted by alternativetentacles.com. The show primarily focuses on interviews with artists and bands that are currently signed to the Alternative Tentacles label, although there are also occasional episodes where Biafra devoted the show to answering fan questions.

Mayoral candidacy

In the autumn of 1979, Biafra ran for mayor of San Francisco as a prank, using the Jello ad campaign catchphrase, "There's always room for Jello", as his campaign slogan. Having entered the race before creating a campaign platform, Biafra later wrote his platform on a napkin while attending a Pere Ubu concert. As he campaigned, Biafra wore campaign t-shirts from his opponent Quentin Kopp's previous campaign and at one point vacuumed leaves off the front lawn of another opponent, current U.S. Senator Dianne Feinstein, to mock her publicity stunt of sweeping streets in downtown San Francisco for a few hours. Supporters committed equally odd actions; two well known signs held by supporters said "If he doesn't win I'll kill myself" and "What if he does win?"
His platform included unconventional points such as forcing businessmen to wear clown suits within city limits, erecting statues of Dan White all over town and allowing the parks department to sell eggs and tomatoes with which people could pelt them, and a citywide ban on cars (although the latter point was not considered abnormal by many voters at the time, as the city was suffering from serious pollution problems). Biafra has expressed irritation that these parts of his platform attained such notoriety, preferring instead to be remembered for serious proposals such as legalizing squatting in vacant, tax-delinquent buildings and requiring police officers to keep their jobs by running for election voted on by the people of the neighborhoods they patrol.^[26]
He finished fourth out of a field of ten, receiving 3.5% of the vote (6,591 votes); the election ended in a runoff that did not involve him (Feinstein was declared the winner). In reaction to his campaign (and that of Sister Boom-Boom, a drag queen who also ran for mayor and handily won the third place spot above Biafra), San Francisco passed a resolution stating that no candidate could run under any name other than their given name.^[27]

Activism and spoken word

Biafra became a spoken word artist in January 1986, starting with a performance at University of California, Los Angeles. In his performance he combined his sense of humor with his political beliefs, much in the same way that he did with the lyrics to his songs. Biafra has held this career since, but did not begin recording spoken word records until after the disbanding of the Dead Kennedys.
In 1999, Biafra and other members of the anti-globalization movement protested the WTO Meeting of 1999 in Seattle. Along with other famous musicians from the west coast, he formed the short-lived band the No WTO Combo to help promote the movement's cause. The band was originally scheduled to play during the protest, but the performance was canceled due to riots. The band performed the following night at the Showbox in downtown Seattle (outside of the curfew area) where they played a short set. The hiphop group Spearhead also played at the event. A CD containing recordings from the concert, titled ''Live from the Battle in Seattle'', was later released.
In 2000, the New York State Green Party drafted Biafra as a candidate for the Green Party presidential nomination, and a few supporters were elected to the party's nominating convention in Denver, Colorado. Despite the fact that his address to the convention was positively received, the party overwhelmingly chose Ralph Nader as the presidential candidate. Nader and the Green Party have grown increasingly popular among the punk rock community with artists like Patti Smith, Propagandhi, Thought Riot, Hungry March Band, The Buzzcocks, and Partyline, among others.
Biafra, along with a camera crew (dubbed by Biafra as "The Camcorder Truth Jihad"), later reported for the Independent Media Center at the Republican and Democratic conventions. Biafra detailed these events in his album ''Become The Media'', which has resulted in him being credited with coining the slogan "''Don't hate the media, become the media''". Indymedia and related alternative media often use this line, or the now more apt "''Don't hate the media, 'be' the media''."
Also in 2000, Biafra gave the keynote speech at the H.O.P.E. 2000 ("H2K") hacker conference. Though Biafra had never used a computer in his life, the attendants saw him as being capable of drawing insightful connections between hacking and activism.^[28] He has continued to deliver keynote speeches at every H.O.P.E. conference since, the most recent of which began with him mooning the audience. [2] Audio of these speeches are freely available online for download.
In April of 2001, Biafra took part in a protest against the Free Trade Agreement of the Americas conference in Quebec.
His eighth spoken word album, ''In the Grip of Official Treason'', was released in October of 2006.

Other

In 1988, Biafra and Alain Jourgensen of the band Ministry formed the band Lard. The band became a side project for the members of Ministry, with Biafra providing vocals and lyrics. While working on the film ''Terminal City Ricochet'' in 1989, Biafra did a song for the film's soundtrack with D.O.A.. As a result, Biafra worked together with D.O.A. on the album ''Last Scream of the Missing Neighbors''. Biafra also worked with Nomeansno on the soundtrack, which lead to their collaboration on the album ''The Sky is Falling and I Want My Mommy'' the following year.
In 2005 Biafra appeared on Episode 285 of ''This American Life'', themed "Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the ''Frankenchrist'' trial. The episode was about Guarino's change of opinion and the reconciliation between Guarino and Biafra.
On May 7 1994 people who believed Biafra was a sell out attacked him at the 924 Gilman Street club in Berkeley, California. Biafra claims that he was attacked by a man nicknamed Cretin, who crashed into him while slamdancing. The crash injured Biafra's leg, causing an argument between the two men. During the argument, Cretin pushed Biafra to the floor and five or six friends of Cretin assaulted Biafra while he was down, yelling "Sellout rock star, kick him".^[29] Biafra was later hospitalized with serious injuries,^[30] The attack derailed Biafra's plans for both a Canadian spoken-word tour and an accompanying album.
As of late 2005, Biafra currently performs with the band The Melvins. The new band was dubbed "Jello Biafra and the Melvins", though fans often refer to them as "The Jelvins." Together they have released two albums.

Personal

Biafra married Therese Soder, aka Ninotchka, lead singer of San Francisco-area punk band The Situations on October 31, 1981.^[31] Flipper vocalist/bassist Bruce Loose conducted the wedding, having paid to join the Universal Life Church as a minister just to conduct the ceremony, which took place in a graveyard.^[32] The wedding reception, which members of Flipper, Black Flag, and D.O.A. attended, was held at director Joe Reis' Target Video studios.^[33] The marriage ended in 1986.

Samples

Partial discography

''For a more complete list, see the Jello Biafra discography.''
'Dead Kennedys:'

★ ''Fresh Fruit for Rotting Vegetables'' - 1980

★ ''In God We Trust, Inc.'' - 1981

★ ''Plastic Surgery Disasters'' - 1982

★ ''Frankenchrist'' - 1985

★ ''Bedtime for Democracy'' - 1986
'Spoken word:'

★ ''No More Cocoons'' - 1987

★ ''High Priest of Harmful Matter − Tales From the Trial'' - 1989

★ ''I Blow Minds for a Living'' - 1991

★ ''Beyond the Valley of the Gift Police'' - 1994

★ ''If Evolution Is Outlawed, Only Outlaws Will Evolve'' - 1998

★ ''Become the Media'' - 2000

★ ''Machine Gun in the Clown's Hand'' - 2002

★ ''In the Grip of Official Treason'' - 2006
'Collaborations:'

★ ''Last Scream of the Missing Neighbors'' - 1989, with D.O.A.

★ ''The Power of Lard'' - 1989, with Lard

★ ''Supernaut'' - 1990, with 1000 Homo DJs (credited as Count Ringworm)

★ ''The Last Temptation of Reid'' - 1990, with Lard

★ ''The Sky is Falling and I Want My Mommy'' - 1991, with NoMeansNo

★ ''Tumor Circus'' - 1991, with Steel Pole Bath Tub

★ ''Chaos A.D.'' - 1993, with Sepultura

★ ''Prairie Home Invasion'' - 1994, with Mojo Nixon

★ ''Disclaimer'' - 1997, with The Offspring

★ ''Never Breathe What You Can't See'' - 2004, with The Melvins (credited on the inner sleeve as ''Osama McDonald'')

★ ''The Code Is Red...Long Live the Code'' - 2005, with Napalm Death

★ ''Sieg Howdy!'' - 2005, with The Melvins (credited on the inner sleeve as ''J Lo'')

★ ''J'Irai Chier dans ton Vomi - 2006, with Métal Urbain

★ ''Cocked and Loaded'' - 2006, with Revolting Cocks (credited on the inner sleeve as Jello Biafra as well as all of his former stage names including Occupant, Smegma Pigvomit, Osama McDonald, and J Lo)

Filmography

★ ''Massacre at Central High'' (1976)

★ ''Anarchism in America'' (1983)

★ ''Lovedolls Superstar'', directed by Dave Markey (1986)

★ ''Tapeheads'', directed by Bill Fishman (1988)

★ ''Terminal City Ricochet'' (1990)

★ ''Highway 61'', directed by Bruce McDonald (1991)

★ ''Skulhedface'', directed by Melanie Mandl (1994)

★ ''Mary Jane's Not a Virgin Anymore'', directed by Sarah Jacobson (1997)

★ ''The Widower'' (1999)

★ ''Virtue'' (1999)

★ ''Plaster Caster'' (2001)

★ ''Bikini Bandits'', directed by Steve and Peter Grasse (2002)

★ ''Death and Texas'' (2004)

★ '' (2004)

★ '' (2005)

★ ''Punk's Not Dead'', directed by Susan Dynner (2006)

★ ''Whose War?'', directed by Donald Farmer (2006)

References and footnotes

1. Biafra, Jello. "Platform for 2000 Green Party Presidential Primary". March 7, 2000.
2. Biafra, Jello. "Platform for 2000 Green Party Presidential Primary". March 7, 2000.
3. http://www.alternativetentacles.com/bandinfo.php
4. "Biography of Jello Biafra" (2001). ''AlternativeTentacles.com''. Retrieved Feb 19, 2005.
5. Biafra, Jello. "Joey Ramone". ''Machine Gun in the Clown's Hand''. San Francisco: Alternative Tentacles. 2002. MP3 link
6. Keithley, Joe. ''I, Shithead''. Arsenal Pulp Press, 2004.
7. Mason, Stewart. "Holiday In Cambodia: Song Review". ''All Music Guide''. Retrieved January 25, 2006.
8. Bondi, Vic. "Feeding Noise Back Into the System: Hardcore, Hip Hop, and Heavy Metal" (paper presented at the New England American Studies Association Conference, Brandeis University, Boston, MA, May 1, 1993). page 5.
9. Ackerman, Spencer. "Reagan's Punk Rock. Reagan Youth". ''The New Republic''. June 14, 2004.
10. Biafra's spoken word work has been less influential to other artists than his music. However, Biafra's spoken word is often mentioned by Sean Kennedy as being a major influence on his work: "Episode 2". ''SKTFMTV''. By Sean Kennedy. Perf. Sean Kennedy, Jello Biafra. Rantmedia. http://sktfmtv.rantmedia.ca/.
11. Blush, Steven. ''American Hardcore: A Tribal History''. Los Angeles: Feral House, 2001. p. 102–103 ISBN 0-922915-71-7
12. Drozdowski, Ted. "Bullshit detector". ''Providence Phoenix''. Retrieved January 24, 2006.
13. ''This American Life #285''. Radio program broadcast by WBEZ-Chicago, orig. 3/25/05. Archived: [1]
14. Guarino alleged that a family claimed that the poster somehow harmed their children. This was the first ever instance of a musician being put on trial for obscenity. Many sources cite the trial for 2 Live Crew as the first, but that trial took place three years after Biafra's trial.
15. Biafra, Jello. ''The Far Right and the Censorship of Music: An Attack on Freedom of Expresson''. April 17, 1987.
16. Garofalo, Reebee. ''Rockin' Out: Popular Music in the USA''. Boston: Allyn & Bacon, 1997. p.433–434 ISBN 0-205-13703-2
17. Chun, Kimberly. "Everything's Better With Jello". ''SFGate.com''. May 11, 2001.
18. "Jello Biafra Warns Of Bait-And-Switch Tactics In Fake Dead Kennedys Tour". ''AlternativeTentacles.com''. January 14, 2002.
19. "An open letter to DK fans", although there is no evidence that Biafra ever endorsed and deposited these payments. ''DeadKennedys.com''. April 5, 2004.
20. “Music Industry News Network” January 16, 2001
21. California Court of Appeals “Dead Kennedys v. Jello Biafra”
22. In the Appeal Verdict of ''Dead Kennedys v. Jello Biafra'', the label was legally formalized in 1981 but it existed informally since 1979. Biafra became the sole owner of the label in 1986.
23. Huey, Steve. "Jello Biafra". ''All Music Guide''. Retrieved Feb 20, 2005.
24. Vander Molen, Jodi. "Jello Biafra Interview". ''The Progressive''. February 2002.
25. Alternative Tentacles News Page: Jello and AT Yard Sale Saturday, September 30, 2005, ''AlternativeTenacles.com''. Retrieved May 10, 2006.
26. Biafra, Jello. "Running for Mayor". ''I Blow Minds for a Living''. San Francisco: Alternative Tentacles. 1991.
27. Pfeiffer. "'You'd Look Nice as a Drawstring Lamp': Dead Kennedys, Cynicism and Discursive Space". Universität Gesamthochschule Siegen. 2000. p. 1 PDF link
28. Biafra, Jello. "H2K Keynote Speech". New York City. July 15, 2000.
29. Goldberg, Michael. "Jello Biafra Attacked". ''Rolling Stone''. July 14, 1994 & July 28, 1994.
30. According to the ''All Music Guide'' [3], having had both his legs broken. However, the July 14 or 28, 1994 issue of ''Rolling Stone'' claims that his injuries included "extensive damage to the ligaments of one knee as well as a superficial head wound".
31. Soder can be heard singing background vocals on "Forest Fire" and "Winnebago Warrior" from the Dead Kennedys' album ''Plastic Surgery Disasters'', and playing synthesiser on "Drug Me" from the Dead Kennedys' ''Fresh Fruit for Rotting Vegetables''.
32. ''New Musical Express'' press clipping reproduced in ''Dead Kennedys: An Unauthorized Biography'', Last Gasp, 1983.
33. Henry Rollins, ''Get In The Van: On The Road With Black Flag'', 2.13.61 Publications, 1994

External links

★ Biafra's label Alternative Tentacles

★ Alternative Tentacles at MySpace

★ Alternative Tentacle's Jello Biafra Biography with MP3s and Discography

★ Audio recordings of Biafra's keynote speech at H2K

★ Audio recordings of Biafra's State of the World Address at H2K2

★ Audio recordings of Biafra's keynote speech at the Fifth HOPE

★ Audio recordings from HOPE Number Six, featuring Jello Biafra's keynote address

★ Audio interviews of Jello Biafra and Nardwuar

★ Jello Biafra Scratch Magazine Interview

★ Juice Magazine Jello Biafra Interview

★ Democracy Now Interview with Jello Biafra

★ Audio of Jello Biafra Speaking at Peace Rally in San Francisco

★ Punknews.org interview with Jello Biafra

★ Maximumrocknroll Interview - Jello Biafra participates in 1984 discussion

★ Plazm Magazine 1996 interview with Jello Biafra