KING VIDOR

'King Wallis Vidor' (February 8, 1894 – November 1, 1982) was an acclaimed Hungarian-American film director whose career spanned eight decades.
He was born in Galveston, Texas, where he survived the great Galveston Hurricane of 1900.
A freelance newsreel cameraman and cinema projectionist, he made his debut as a director in 1913 with ''Hurricane in Galveston''. In Hollywood from 1915, he worked on a variety of film-related jobs before directing a feature film, ''The Turn of the Road'', in 1919. A successful mounting of ''Peg o' My Heart'' in 1922 got him a long term contract with Goldwyn Studios, later to be absorbed into MGM. Three years later he made ''The Big Parade'', among the most acclaimed war films of the silent era, and a tremendous commercial success. This success established him as one of MGM's top studio directors for the next decade. In 1928, Vidor received his first Oscar nomination, for ''The Crowd'', widely regarded as his masterpiece and one of the greatest American silent films. In the same year, he made the classic ''Show People'', the last silent film of Marion Davies, a comedy about the film industry in which Vidor had a cameo as himself.
Vidor's first sound film was Hallelujah!, a groundbreaking film featuring an African American cast, and in which he established the new language for sound films (Which is still used today by most directors). His directorial career extended well in to the sound era and he continued making feature films until the late 1950s. Some of his better known sound films include ''Stella Dallas'', ''Our Daily Bread'', ''The Citadel'', ''Duel in the Sun'', ''The Fountainhead'', and ''War and Peace''. He directed the Kansas sequences in ''The Wizard of Oz'' (including "Over the Rainbow" ) when director Victor Fleming had to replace George Cukor on ''Gone with the Wind'', but never received screen credit.
In 1967, Vidor researched the unsolved 1922 murder of fellow director William Desmond Taylor for a possible screenplay. Vidor never published or wrote of this research during his lifetime, but biographer Sidney D. Kirkpatrick posthumously examined Vidor's research. He alleged in his 1986 book ''Cast of Killers'' that Vidor had solved the sensational crime but kept his conclusions private to protect individuals still living at the time. Unknown to either Vidor in 1967 or Kirkpatrick in 1986, actress Ella Margaret Gibson had made a dying confession to the murder in 1964. The widely cited newsletter Taylorology later listed more than 100 factual errors in ''Cast of Killers''.
Vidor entered in the Guinness Book of World Records for the longest career as a film director: beginning in 1913 with ''Hurricane in Galveston'' and ending in 1980 with a short documentary on painting entitled ''The Metaphor''. He was nominated five times for an Oscar but never won in direct competition; he received an honorary award in 1979.
Vidor published his autobiography, "A Tree is A Tree", in 1976. This book's title is inspired by an incident early in Vidor's Hollywood career. Vidor wanted to film a movie in the actual locations where its story was set, a decision which would have greatly added to the film's production budget. A parsimonious producer told him: "A rock is a rock. A tree is a tree. Shoot it in Griffith Park." (This being a nearby park frequently used for film exteriors.)
Vidor was married three times:
# Florence Arto (1917-1924; one daughter
#
★ Suzanne (born 1919) (Florence later married Jascha Heifetz, who adopted Suzanne);
# Eleanor Boardman (1926-1931); two daughters
#
★ Antonia (born 1927)
#
★ Belinda (born 1930)
# Elizabeth Hill (1932-1982)

Contents

Filmography

External links

Filmography

★ ''The Metaphor'' (1980)

★ ''Solomon and Sheba'' (1959)

★ ''War and Peace'' (1956)

★ ''Man Without a Star'' (1955)

★ ''Light's Diamond Jubilee'' (1954) (TV)

★ ''Ruby Gentry'' (1952)

★ ''Japanese War Bride'' (1952)

★ ''Lightning Strikes Twice'' (1951)

★ ''Beyond the Forest'' (1949)

★ ''The Fountainhead'' (1949)

★ ''On Our Merry Way'', also known as ''A Miracle Can Happen'' (1948)

★ ''Duel in the Sun'' (1946)

★ ''An American Romance'' (1944)

★ ''H.M. Pulham, Esq.'' (1941)

★ ''Comrade X'' (1940)

★ ''Northwest Passage'' (1940)

★ ''The Wizard of Oz'' (1939) (Kansas scenes only) (uncredited)

★ ''The Citadel'' (1938)

★ ''Stella Dallas'' (1937)

★ ''The Texas Rangers'' (1936)

★ ''So Red the Rose (1935 film)'' (1935)

★ ''The Wedding Night'' (1935)

★ ''Our Daily Bread'' (1934)

★ ''The Stranger's Return'' (1933)

★ ''Cynara'', US reissue title ''I Was Faithful'' (1932)

★ ''Bird of Paradise'' (1932)

★ ''The Champ'' (1931/I)

★ ''Street Scene'' (1931)

★ ''Billy the Kid'', US TV title ''The Highwayman Rides'' (1930)

★ ''Not So Dumb'' (1930)

★ ''Hallelujah!'' (1929)

★ ''Show People'' (1928)

★ ''The Patsy'', also known as ''The Politic Flapper'' (1928)

★ ''The Crowd'' (1928)

★ ''Bardelys the Magnificent'' (1926)

★ ''Boheme, La'' (1926)

★ ''The Big Parade'' (1925)

★ ''Proud Flesh'' (1925)

★ ''The Wife of the Centaur'' (1924)

★ ''His Hour'' (1924)

★ ''Wine of Youth'' (1924)

★ ''Happiness'' (1924)

★ ''Wild Oranges'' (1924)

★ ''Three Wise Fools'' (1923)

★ ''The Woman of Bronze'' (1923)

★ ''Peg o' My Heart'' (1922)

★ ''Conquering the Woman'' (1922)

★ ''Dusk to Dawn'' (1922)

★ ''Real Adventure'' (1922)

★ ''Love Never Dies'' (1921)

★ ''The Sky Pilot'' (1921)

★ ''The Jack-Knife Man'' (1920)

★ ''The Family Honor'' (1920) (as King W. Vidor)

★ ''Poor Relations'' (1919)

★ ''The Other Half'' (1919) (as King W. Vidor)

★ ''Better Times'' (1919) (as King W. Vidor)

★ ''The Turn in the Road'' (1919)

★ ''I'm a Man (film)'' (1918)

★ ''The Accusing Toe'' (1918)

★ ''Tad's Swimming Hole'' (1918)

★ ''The Chocolate of the Gang'' (1918)

★ ''Bud's Recruit'' (1918)

★ ''The Lost Lie'' (1918)

★ ''The Grand Military Parade'' (1913)

★ ''Hurricane in Galveston'' (1913)

External links

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