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EspañolLES NOUVELLES EGOTISTES
'''Les Nouvelles Egotistes''' is a grouping of documentary filmmakers who make films where they themselves are featured. This is against the grain of more traditional documentary film which is mainly voyeuristic observation.
Films in the style of 'Les Nouvelles Egotistes' are reflexive, in so far as there are two subjects of the film - the filmmaker and the 'reality' which he is filming.
Usually the filmmakers are 'faux-naïf', pretending to be less knowing than they really are in order to 'trap' the subject, however amongst the key names both Michael Moore and Nick Broomfield can be very aggressive when necessary.
This style of filmmaking showed presence in 1985, with ''Ross McElwee's ''Sherman's March: A Meditation on the Possibility of Romantic Love in the South during an Era of Nuclear Weapons Proliferation''. For much of this film, McElwee was talking to camera, giving accounts of how he thought the production was going.
It was in the same year that Nick Broomfield was making a film about ''Lily Tomlin'' and realised that all of the best bits - the dead ends, the arguments, the mistakes - were being left out. For his 1988 feature ''Driving Me Crazy'' and subsequent features, then, Broomfield perfected this new style, 'reinventing' documentary film.
Following this, more documentary makers followed Broomfield's example - key examples are Michael Moore, Jon Ronson (who was responsible for naming the movement in a 2002 issue of ''Sight & Sound''), and Louis Theroux.
It is important to bear in mind how recently the movement was named, and that this is an informal assertion made by Jon Ronson which happens to have been adopted by many film journalists.
★ ''Driving Me Crazy'' by Nick Broomfield, 1988
★ ''The Leader, His Driver and the Driver's Wife'' by Nick Broomfield, 1991
★ ''Louis Theroux's Weird Weekends'' by Louis Theroux, 1995
★ ''Kurt & Courtney'' by Nick Broomfield
★ ''Bowling for Columbine'' by Michael Moore, 2002
★ ''Fahrenheit 9/11'' by Michael Moore, 2004
★ Sigla Magazine - The Renaissance of the Documentary Film
★ ''Sight & Sound'' - The Egos Have Landed by Jon Ronson
| Contents |
| Features of Films |
| History |
| Key Films |
| External links |
Features of Films
Films in the style of 'Les Nouvelles Egotistes' are reflexive, in so far as there are two subjects of the film - the filmmaker and the 'reality' which he is filming.
Usually the filmmakers are 'faux-naïf', pretending to be less knowing than they really are in order to 'trap' the subject, however amongst the key names both Michael Moore and Nick Broomfield can be very aggressive when necessary.
History
This style of filmmaking showed presence in 1985, with ''Ross McElwee's ''Sherman's March: A Meditation on the Possibility of Romantic Love in the South during an Era of Nuclear Weapons Proliferation''. For much of this film, McElwee was talking to camera, giving accounts of how he thought the production was going.
It was in the same year that Nick Broomfield was making a film about ''Lily Tomlin'' and realised that all of the best bits - the dead ends, the arguments, the mistakes - were being left out. For his 1988 feature ''Driving Me Crazy'' and subsequent features, then, Broomfield perfected this new style, 'reinventing' documentary film.
Following this, more documentary makers followed Broomfield's example - key examples are Michael Moore, Jon Ronson (who was responsible for naming the movement in a 2002 issue of ''Sight & Sound''), and Louis Theroux.
It is important to bear in mind how recently the movement was named, and that this is an informal assertion made by Jon Ronson which happens to have been adopted by many film journalists.
Key Films
★ ''Driving Me Crazy'' by Nick Broomfield, 1988
★ ''The Leader, His Driver and the Driver's Wife'' by Nick Broomfield, 1991
★ ''Louis Theroux's Weird Weekends'' by Louis Theroux, 1995
★ ''Kurt & Courtney'' by Nick Broomfield
★ ''Bowling for Columbine'' by Michael Moore, 2002
★ ''Fahrenheit 9/11'' by Michael Moore, 2004
External links
★ Sigla Magazine - The Renaissance of the Documentary Film
★ ''Sight & Sound'' - The Egos Have Landed by Jon Ronson
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