LET IT BE (ALBUM)

'''Let It Be''' is the twelfth and final album by The Beatles, released on May 8, 1970 by the band's own Apple Records label.
Most of ''Let It Be'' was recorded in January 1969, before the recording and release of the album ''Abbey Road''. The Beatles were unhappy with the album and it was temporarily shelved. ''Let It Be'' was later 're-produced' by Phil Spector in 1970, and it was the Beatles' final release.

Contents

The "Get Back"/"Let It Be" sessions

The ''Get Back'' albums

The Acetate

Side one

Side two

The first ''Get Back'' album

Side one

Side two

The second ''Get Back'' album

Side one

Side two

The released album

Track listing

Side one

Side two

Cover versions

''Let It Be... Naked''

Track listing

Disc one

Disc two

Release history

Trivia

References and notes

See also

Further reading

External links

The "Get Back"/"Let It Be" sessions

By late 1968 Paul McCartney was eager for the Beatles to perform in public again, two years after they stopped touring. The other band members, especially George Harrison, resisted.
The sessions fell into two phases. Rehearsals began at Twickenham Studios on 2 January and continued through 15 January. No multi-track recordings were made of these sessions, but there are widely available bootlegs taken from the mono recordings that were synchronized to the film cameras. Multi-track recording began when the group moved to Apple Studios on 22 January,^[1] continuing until 31 January.^[2] Keyboardist Billy Preston was brought in to supplement the band for the live performances; Preston worked with the Beatles from 22-31 January and played with them on the rooftop concert.
There were discussions during the January 1969 rehearsals at Twickenham Studios about recording the album completely live during a televised concert performance—the music press announced that the Beatles had booked the Roundhouse in London for the show. When this did not happen, McCartney spoke of performing in a Roman amphitheatre in North Africa or on a cruise ship (or, as Lennon sarcastically suggested, "an insane asylum").^[3] The live performance took place 30 January on the rooftop of the Beatles' Apple Building at 3 Savile Row in front of a small audience of friends and employees. The performance was cut short by the police after complaints about noise. Several of the songs recorded during the rooftop concert made it onto the final album, and the complete concert has circulated amongst bootleg collectors for many years.
The band played hundreds of songs during the ''Get Back''/''Let It Be'' sessions. Aside from original songs ultimately released on the ''Let It Be'' album were early versions of songs that appeared on ''Abbey Road'', including "Mean Mr. Mustard", "Maxwell's Silver Hammer", "Oh! Darling", "She Came in Through the Bathroom Window" and "Golden Slumbers". Still others would eventually end up on Beatles solo albums, including John Lennon's "Jealous Guy" (called "Child of Nature" at the time and originally written and rehearsed for the ''White Album'') and "Gimme Some Truth", George Harrison's "All Things Must Pass" and "Hear Me Lord", and Paul McCartney's "Teddy Boy" and "Junk" (originally written for the ''White Album''). Much of the band's attention was focused on extended jams on 12-bar blues as well as a broad range of covers. These included classical pieces such as Samuel Barber's "Adagio for Strings", jazz standards such as "Ain't She Sweet", and an encyclopedic array of songs from the early rock and roll era such as "Stand By Me", "Words of Love", "Bésame Mucho" by Mexican composer Consuelo Velázquez a song that was part of The Beatles repertoire in the early days and "Blue Suede Shoes". The recording sessions for the album were filmed and formed the basis of the Beatles' film of same name.
Everyone involved in the sessions considered them to be disastrous. By the third day of the Twickenham sessions the group openly discussed whether they should break up. Lennon's growing dissatisfaction with being in the Beatles was coming to a peak. This was shared by Paul. John was eager to explore his career outside the band, and the constant presence of his companion and artistic partner Yoko Ono at the sessions was a major source of tension. McCartney's attempts to hold the band together and rally spirits came across as controlling. Finally, Harrison became fed up with Lennon's creative and communicative disengagement from the band, and on 10 January announced that he was "leaving the band now" and walked out.^[4] However, a few days later he was persuaded to come back to record at Apple Studios. The presence of film cameras and the cold, unfamiliar settings of Twickenham Studios also contributed to the ill feelings. Things were so bad that producer George Martin was reluctant to work with the band on their next album, ''Abbey Road'', until assured it would be a better experience and "like it used to be."
The filmed sessions have been considered by many to be ahead of their time, and the precursor to the "unplugged" concept , where musicians would play live with unamplified instruments, which became a very popular concept in the 1990s starting with MTV's Unplugged specials. McCartney himself did an "Unplugged" show (and subsequent CD) in 1991.

The ''Get Back'' albums

After increasing use of overdubs and multi-layered recordings on recent albums, there was at first a consensus to record the new album live. In keeping with the back-to-roots concept, the cover artwork was planned to be an update of the cover of their first album, ''Please Please Me'', with the band looking down the stairwell of EMI's headquarters office block in Manchester Square, London. The photograph was later used on the compilation album ''1967–1970'' (aka ''The Blue Album'').

The Acetate

Engineer Glyn Johns put together a rough version of ''Get Back'' in March 1969, which included many of the same songs that made the final cut, plus McCartney's "Teddy Boy". The track listing for the acetate is:

Side one

#"Get Back"
#"Teddy Boy"
#"Two of Us"
#"Dig a Pony"
#"I've Got a Feeling"

Side two

#"The Long and Winding Road"
#"Let It Be"
#"For You Blue"
#"Don't Let Me Down"
#"Get Back (Reprise)"
#"The Walk"
Ref:^[5] [1]
Johns played the acetate for the Beatles, who were not really interested in the project any longer. At least one copy of the acetate made its way to America and was aired on local radio stations in Buffalo, New York, and Boston in September.

The first ''Get Back'' album

In March 1969 John and Paul called Glyn Johns to EMI and offered him free reign to produce an album from the 'Get Back recordings.^[6] Glyn booked time at Olympic Sound Studios between 3 April and 28 May to mix the album and presented the final banded master tape to the group on 28 May. The track listing^[5]was:

Side one

#"One After 909"
#"Rocker (Instrumental)"
#"Save the Last Dance for Me"
#"Don't Let Me Down"
#"Dig a Pony"
#"I've Got a Feeling"
#"Get Back"

Side two

#"For You Blue"
#"Teddy Boy"
#"Two of Us"
#"Maggie Mae"
#"Dig It"
#"Let It Be"
#"The Long and Winding Road"
#"Get Back (Reprise)"
The ''Get Back'' album was intended for release in July 1969, but its release was pushed back to September to coincide with the planned television special and theatrical film about the making of the album. In September the album's release was pushed back to December because the Beatles had just recorded ''Abbey Road'' and wanted to release that album instead. By December the album had been shelved.

★ "Rocker (Instrumental)", sometimes listed as "Link Track", was written by Lennon and McCartney.

★ "Save the Last Dance for Me" is the only cover song on the album; the song was written by Doc Pomus and Mort Shuman, and made famous by The Drifters in 1960.

The second ''Get Back'' album

On 15 December the Beatles again approached Glyn Johns to produce an album from the 'Get Back' tapes but this time with the instruction that the songs must match those included in the as yet unreleased ''Get Back'' film. Between 15 December 1969 and 8 January new mixes were prepared. Johns' new mix omitted "Teddy Boy" as the song did not appear in the film (and also likely because McCartney had indicated to Johns that he had re-recorded the song for his upcoming ''McCartney'' album). It also added "Across the Universe" (a remix of the 1968 studio version) and "I Me Mine," on which only McCartney, Harrison and Starr performed (Lennon had privately quit the group in September 1969). "I Me Mine" was newly recorded, as it appeared in the film and no multitrack recording had yet been made. The track listing is:

Side one

#"One After 909"
#"Rocker (Instrumental)"
#"Save the Last Dance for Me"
#"Don't Let Me Down"
#"Dig a Pony"
#"I've Got a Feeling"
#"Get Back"
#"Let It Be"

Side two

#"For You Blue"
#"Two of Us"
#"Maggie Mae"
#"Dig It"
#"The Long and Winding Road"
#"I Me Mine"
#"Across the Universe"
#"Get Back (Reprise)"
The Beatles once again rejected the album.

The released album

In March 1970 the session tapes were given to American producer Phil Spector, with McCartney's reluctant agreement. Spector worked on the tracks and compiled the eventually released album - by now entitled ''Let It Be''. The album and the film with the same name were released on May 8, 1970; the Beatles had already broken up by that time. The movie captured on film the critical tensions within the band, and also included footage from the rooftop concert. The rooftop performance closed with the song "Get Back", and afterwards Lennon remarked, "I'd like to say 'thank you' on behalf of the group and ourselves, and I hope we passed the audition." The joke was added to the studio version of the song that appeared on the album.
Several songs from the recording sessions have been released officially in versions different to those on the ''Let It Be'' album. "Get Back"/"Don't Let Me Down" and "Let It Be" were released as singles in 1969 and 1970, respectively. "Across the Universe", a Lennon composition recorded in February 1968, was added to pad out his sparse contributions to the album, having previously been released in its original form as part of the World Wildlife Fund charity album ''No One's Gonna Change Our World''. The Glyn Johns version of "The Long and Winding Road" was released in 1996 on ''The Beatles Anthology 3''.
Six tracks were live performances, in accordance with the original album concept: "I've Got a Feeling", "One After 909", and "Dig a Pony" from the rooftop performance, and "Two of Us", "Dig It" and "Maggie Mae" from studio sessions. However, the album versions of "For You Blue", "I Me Mine", "Let It Be", "The Long and Winding Road" and "Get Back" featured editing, splicing, and overdubs. The twelfth track on the album was a slowed-down version of the original 1968 recording of "Across the Universe", which was deemed superior to any of the January 1969 performances of the song.
McCartney was deeply dissatisfied with Spector's treatment of some songs, particularly "The Long and Winding Road". McCartney had conceived of the song as a simple piano ballad, but Spector dubbed in orchestral and choral accompaniment. McCartney unsuccessfully attempted to halt release of Spector's version of the song. His bitterness over this was a contributing factor to his public announcement that he was leaving the Beatles shortly thereafter. Despite the criticisms leveled at Spector over the years for his handling of the material, Lennon defended him in his famous ''Playboy magazine'' interview ten years later, saying, "He was given the shittiest load of badly-recorded shit with a lousy feeling to it ever, and he ''made'' something of it."
In the UK, the album was originally issued by Apple (and distributed by EMI) in a lavish boxed set that also included a book featuring stills from the ''Let It Be'' film. Several months later, the album was reissued in Great Britain in a standard LP jacket, sans book. In America, the ''Let It Be'' album was issued in a standard jacket, without the book. The American release was also originally issued by Apple Records, but because United Artists distributed the film of the same name, United Artists also held the rights to distribute the record in America. (EMI subsidiary Capitol, which held the Beatles' US contract, had simultaneous rights to the music on the album, and could distribute the songs on various singles and compilation albums. Capitol, however, did not have the rights to release or distribute the actual album.) To indicate that ''Let It Be'' was not distributed by Capitol Records, the original record label in America sported a red apple, rather than the Beatles' usual green granny smith apple. In early 1976, when the Beatles' Apple Record contract expired, most of the group's catalogue in the United States transferred from Apple to Capitol; ''Let It Be'', however, went out-of-print in America for 3 years. Then in 1979, Capitol/EMI purchased United Artists Records. With this acquisition, Capitol acquired the rights to two Beatles albums previously distributed in the United States by United Artists, ''Let It Be'' and the soundtrack album ''A Hard Day's Night.'' (As ''A Hard Day's Night'' had never been issued by Apple in the United States, it remained in print in America under the United Artists label when the Apple contract expired in 1976.) Shortly after acquiring United Artists Records, Capitol re-issued both Beatles albums under the Capitol imprint.

Track listing

All songs by Lennon-McCartney, except where noted.

Side one

#"Two of Us"
#"Dig a Pony"
#"Across the Universe"
#"I Me Mine" (George Harrison)
#"Dig It" (John Lennon-Paul McCartney-Richard Starkey-George Harrison)
#"Let It Be"
#"Maggie Mae" (Traditional arr. John Lennon-Paul McCartney-George Harrison-Richard Starkey)

Side two

#"I've Got a Feeling"
#"One After 909"
#"The Long and Winding Road"
#"For You Blue" (George Harrison)
#"Get Back"

Cover versions

★ Bill Withers covered "Let It Be" for his Just As I Am LP in 1971.

★ Dana covered ''Let It Be'' and ''The Long and Winding Road'' on her 1980 album, ''Everything is Beautiful''.

★ David Bowie included a cover of "Across the Universe" on his 1975 album, ''Young Americans.'' Lennon played guitar on Bowie's version of the song.

★ In 1988 Slovenian band Laibach released their own ''Let It Be'' album - covering all the original tracks except the title track.

★ In 1998 Singer-songwriter Fiona Apple had a hit with her version (and accompanying video) for "Across the Universe" (this version also appears in the 1998 film Pleasantville).

★ For the soundtrack of the movie ''I Am Sam'', Rufus Wainwright covered "Across the Universe"; with Aimee Mann & Michael Penn duetted on a cover of "Two of Us"; and Nick Cave covered "Let It Be." "Don't Let Me Down," also recorded during the ''Get Back'' sessions, is covered by the Stereophonics on the album.

★ S Club 7 covered "The Long and Winding Road" for their tour S Club Carnival 2002. Jon Lee sang it in solo in piano vocal.

★ In 2004, the Australian band the John Butler Trio covered "Across the Universe" on their release What You Want EP.

★ Live bootlegs from singer/songwriter Elliott Smith playing "I Me Mine".

★ The band Maroon Five covered the song "Don't Let Me Down" during the Hurricane Katrina benefit concert.

★ With his 2005 band, 70 Volt Parade, Trey Anastasio routinely covered "Dig a Pony".

★ R&B group B5 covered the song on their self-titled debut album, ''B5''.

★ Sean Lennon, Moby, and Rufus Wainwright did a live cover of "Across the Universe" for a John Lennon Tribute.

★ Pearl Jam recorded a cover version of "I've Got a Feeling" in 1990 which saw limited promotional distribution. The band also played it live several times in their early days.

★ Trey Anastasio of Phish recorded a version of Dig It, which appeared on The Lucius Beebe EP.

''Let It Be... Naked''

Main articles: Let It Be… Naked

At the same time the film's re-release was announced, McCartney announced plans to release a new version of the album that is closer to what the band had originally intended for the project. McCartney was particularly upset about the "Wall of Sound" treatment Spector had given to "The Long and Winding Road", and had previously rerecorded it on the solo album ''Give My Regards to Broad Street''.
The new collection, entitled ''Let It Be... Naked'' was released on November 17, 2003 in a two-disc format - the second disc contained fly-on-the-wall recordings of the band chit-chatting during the ''Get Back'' Sessions.

Track listing

All songs by Lennon-McCartney, except where noted.

Disc one

#"Get Back"
#"Dig a Pony"
#"For You Blue" (George Harrison)
#"The Long and Winding Road"
#"Two of Us"
#"I've Got a Feeling"
#"One After 909"
#"Don't Let Me Down"
#"I Me Mine" (George Harrison)
#"Across the Universe"
#"Let It Be"

Disc two

#"" - An insight into the Beatles at work in rehearsal and in the studio during January 1969.

Release history

Country	Date	Label	Format	Catalog
United Kingdom	May 8 1970	Apple Records	LP box set	PXS 1
United States	May 18 1970	Apple (Distributed by United Artists Records.)	LP (Discontinued in the U.S. in early 1976, with expiration of the Apple Records contract.)	AR 34001
United Kingdom	November 6 1970	Apple Records	LP	PCS 7096
United States	March 1979	Capitol Records	LP (Reissued in the U.S. after Capitol Records bought United Artists Records.)	SW-11922
Worldwide reissue	October 10 1987	Apple, Parlophone, EMI	CD	CDP 7 46447 2
Japan	March 11 1998	Toshiba-EMI	CD	TOCP 51123
Japan	January 21 2004	Toshiba-EMI	Remastered LP	TOJP 60143

Trivia

★ The album cover of the Gorillaz' ''Demon Days'' is based on the ''Let It Be'' album cover.

★ The album cover of Poisons, ''Look What the Cat Dragged In'' is a parody of the ''Let It Be'' album cover.

★ The albums cover of Motley Crues ''Shout at the Devil'' is also a parody of the cover.

References and notes

1. Sulpy and Schweighardt 205.
2. Sulpy and Schweighardt 305.
3. Suply and Schweighardt 136-138.
4. Sulpy and Schweighardt 169
5. Lewisohn, Mark (1988). The Complete Beatles Recording Sessions. Hamlyn Publishing Group. ISBN 0-600-55784-7.
6. Lewisohn, Mark (1996). The Complete Beatles Chronicle. Chancellor Press. ISBN 0-7607-0327-2.
7. Lewisohn, Mark (1988). The Complete Beatles Recording Sessions. Hamlyn Publishing Group. ISBN 0-600-55784-7.

See also

★ The Beatles' film ''Let It Be''

★ The song "Let It Be"

Further reading

★ ''Get Back: The Unauthorized Chronicle of the Beatles "Let it Be" Disaster'', by Doug Sulpy and Ray Schweighardt. New York: St. Martin's Griffin, 1999. ISBN 0-312-19981-3. An exhaustive analysis of all the surviving session tapes.

External links

★ Beatles comments on each song

★ Recording data and notes

★ The Lost Beatle Tapes / The Making of Let It Be