LIVERPOOL ACADEMY OF ARTS
The 'Liverpool Academy of Arts' was founded in April 1810 as a regional equivalent of the Royal Academy, London. Two local art collectors, Henry Blundell and William Roscoe were its first Patron and Secretary, the Prince Regent gave his patronage for the next three years, and it was actively promoted by presidents of the Royal Academy.
Its membership included local artists such as the landscapists John Rathbone, Richard Ansdell, Thomas Chubbard, Alfred William Hunt and Charles Vincent Barber, and the sculptor John Gibson.
Leading artists of the day competed for its prize of £50 for non-local contributors to its annual exhibition, including J. M. W. Turner, Henry Fuseli, John Martin and Joseph Wright of Derby.
In the late 1850s, however, it split due to major disagreements following annual prizes being awarded to the then controversial Pre-Raphaelite painters, particularly to William Holman Hunt in 1852 for ''Valentine Rescuing Sylvia from Proteus'' and to Millais in 1857 for ''The Blind Girl''.
The Academy remained nominally in existence, continuing to hold annual exhibitions, but never regaining its national importance.
★ Liverpool recalls its artistic past, ''The Times'', Jun 10, 1960
Its membership included local artists such as the landscapists John Rathbone, Richard Ansdell, Thomas Chubbard, Alfred William Hunt and Charles Vincent Barber, and the sculptor John Gibson.
Leading artists of the day competed for its prize of £50 for non-local contributors to its annual exhibition, including J. M. W. Turner, Henry Fuseli, John Martin and Joseph Wright of Derby.
In the late 1850s, however, it split due to major disagreements following annual prizes being awarded to the then controversial Pre-Raphaelite painters, particularly to William Holman Hunt in 1852 for ''Valentine Rescuing Sylvia from Proteus'' and to Millais in 1857 for ''The Blind Girl''.
The Academy remained nominally in existence, continuing to hold annual exhibitions, but never regaining its national importance.
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★ Liverpool recalls its artistic past, ''The Times'', Jun 10, 1960
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