 | dEUS - Popular Culture Live @ Rock Werchter 2008 dEUS playing Popular Culture @ Werchter 2008 |
 | Totally Devoted - Grown-Up Backstreet Boys Groupie #2 IT'S MISSION HUG-POSSIBLE!.........You're never too old to be a boy band groupie. Follow good-natured zealots from the Mature Fan Club (women over age 25) as they struggle to get within kissing distance of the aging members of the Backstreet Boys. Find out what happens when one of our "girls" (a school teacher by day) makes it past the security goons and the chain-link fence! ************* For the inside scoop on our upcoming pop culture videos, visit www.holdthemayomedia.com. |
 | dEUS - Popular Culture (Live) dEUS Live from music studio and rehearsing room in Antwerp, 20-04-2008 |
 | Yamana Solu (Kannada) Ondu vibhinna kole prakaraNa. Kolegarana patte madhyadalle aagbiDatte. Aadre koleyagirodu yaaru annode illi prashne. Jyotishi SK Jain-ra sahayadoDane patrakarta Ravi BeLagere maaduva pattedaari. Disclaimer: All the videos on this channel mindryin are purely satirical and fictional. Any and every reference, in the videos on this channel, to any real or non-existent people/group/community/society /religion/nation/government/organization is purely imaginary and is just for the sake of humour. Nothing personal is intended against anyone. |
 | Asian popular culture in the US - 11 Aug 07 Almost 23,000 fans of "anime" and "manga", the cartoons and comic books that are part of Asian popular culture, have gather in the US city of Baltimore for the annual "Otakon". Conventioneers at the 2007 event try to explain their obsession... |
 | Kentucky Fried Movie An AWESOME clip from Kentucky Fried Movie; A forgotten classic no doubt. |
 | Teaching World History through Popular Culture Using TV, movies, cartoons and songs in the world history classroom. |
 | A tribute to the Mafia in Popular Culture I was bored. So I made this tribute to mafia movies. It didn't come out how I wanted it, but I still want you guys to rate it a 10. But enjoy anyways. |
 | Asian Boy - Yank Dat Cameltoe No Soulja Boy doesn't suck! We just spoofed this song because we actually like the beat a lot! Asian Boy - Yank Dat Cameltoe Written By: Ryan Higa Performed By: Ryan Higa & Sean Fujiyoshi Based on the original song: Soulja Boy - Crank Dat LYRICS: Intro Soulja Boy sucks. I got a new dance for ya called cameltoe! YOU! You gotta grab dat and yank it a few times for me. AWWWWWWWWWWW! YOU! Chorus (x2) Asian boy I'm no negro I eat rice, I am yellow. I can't rap for shit but still I cameltoe dat hoe. Now yank that, YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. Verse 1 Asian boy can cameltoe It's a simple pop and lock Cameltoe your hole, Then watch me yank those shorts high up Super fresh, but hurts your cock, Also hurts the ass crack man When I do dat cameltoe I pray to god and yank dat thing Now OOOOOOOOOOOH! It really hurts your own ass And if you think that's frightening Wait till after when you pass gas You catch me at your local party Yes I yank it everywhere People get mad cuz they're Jealous of my underwear. Chorus (x2) Asian boy I'm no negro I eat rice, I am yellow. I can't rap for shit but still I cameltoe dat hoe. Now yank that, YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. Verse 2 I like to eat nato. While I'm playing my halo I don't give remote to Sean Cuz he gon change the Channel. Haterz wanna be me Asian boy, I'm the man They be using my chopstick Saying hes fresh from Japan, man (man) Eat tofu and (Eat tofu and) Dance (dance) Cows go moo (Cows go moo and) NOPE, you can't do it like me HOE, So don't do it like me Go, means 5 in Japanese. Man your face is UGLY. Chorus (x2) Asian boy I'm no negro I eat rice, I am yellow. I can't rap for shit but still I cameltoe dat hoe. Now yank that, YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. YOU! Yank that cameltoe now. |
 | Slavoj Zizek - Rules, Race, and Mel Gibson 2006 1/8 http://www.egs.edu/ Slavoj Zizek talking about the explicit, truth, rules, politics, Mel Gibson, society, race, racism, antisemitism; lecturing and developing a psychoanalysis of culture and societies. Public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2006, Slavoj Zizek. Slavoj Zizek, a Slovenian sociologist, postmodern philosopher, and cultural critic is a professor at the Institute for Sociology, Ljubljana and at the European Graduate School EGS who uses popular culture to explain the theory of Jacques Lacan and the theory of Jacques Lacan to explain politics and popular culture. He was born in 1949 in Ljubljana, Slovenia where he lives to this day but he has lectured at universities around the world. He was analysed by Jacques Alain Miller, Jacques Lacan's son in law. His research focuses on Karl Marx, Hegel and Schellingfundamentalism, tolerance, political correctness, globalization, subjectivity, human rights, Lenin, myth, cyberspace, postmodernism, multiculturalism, post-marxism, David Lynch, and Alfred Hitchcock. He has published many books and translations in several languages. He is the author of The Sublime Object of Ideology, 1989, Beyond Discourse Analysis (a part in Ernesto Laclau's New Reflections on the Revolution of Our Time), London: Verso. 1990, For They Know Not What They Do, London: Verso. 1991, Looking Awry, MIT Press. Enjoy Your Symptom!, Routledge. 1992, Tarrying With the Negative, Durham, New Carolina: Duke University Press. 1993, Everything You Always Wanted to Know About Lacan, But Were Afraid to Ask Hitchcock,1993, The Metastates of Enjoyment,1994, The Indivisible Remainder: Essays on Schelling and Related Matters, 1996, The Abyss of Freedom, University of Michigan Press. 1997, The Plague of Fantasies, Multi-culturalism, or, the Cultural Logic of Multi-national Capitalism, New Left Review, issue 225 pgs. 28--51, The Ticklish Subject, 1999, Contingency, Hegemony, Universality (authored with Judith Butler and Ernesto Laclau), Verso. 2000, The Art of the Ridiculous Sublime: On David Lynch's Lost Highway, Washington: University of Washington Press. The Fragile Absolute, 2000, Did Somebody Say Totalitarianism?. 2001, The Fright of Real Tears: Kryzystof Kieślowski Between Theory and Post-Theory, British Film Institute (BFI), On Belief, Routledge. Opera's Second Death, Repeating Lenin, Zagreb: Arkzin D.O.O. 2001, Welcome to the Desert of the Real, 2002, Revolution at the Gates: Žižek on Lenin, the 1917 Writings, Organs Without Bodies. 2003, The Puppet and the Dwarf, 2003, Iraq: The Borrowed Kettle, 2004, Interrogating the Real, London, Continuum International Publishing Group. 2005, The Universal Exception, London, 2006, Neighbors and Other Monsters (in The Neighbor: Three Inquiries in Political Theology), Cambridge, Massachusetts: University of Chicago Press. The Parallax View, How to Read Lacan, New York: W.W. Norton & Company. 2007 |
 | John Strausbaugh & Giorgio Gomelsky - Air date: 07-16-01 John Strausbaugh (born, 1951) is an American author, cultural commentator, and host of the New York Times "Weekend Explorer" video podcast series on New York City. Strausbaugh's books have examined the history of recreational drug use (The Drug User: Documents 1840-1960, co-edited with Donald Blaise, with an introduction by William S. Burroughs, 1990), the intersection of politics and popular culture in the White House (Alone With the President, 1992), the priesthood that spreads the gospel of Elvisism (E: Reflections on the Birth of the Elvis Faith, 1995) and Rock and Roll's infidelity to the youth culture that created it (Rock 'Til You Drop: The Decline From Rebellion to Nostalgia, 2001), which was declared "the definitive word on the senescent Rolling Stones" by The New York Times. Strausbaugh's next book, the controversial, Black Like You: Blackface, Whiteface, Insult & Imitation in American Popular Culture, 2006 explored race relations in popular culture, including the pervasive and long-lasting impact of black-face performance in rock and roll, hip-hop, advertising, "gangsta-lit" and contemporary Hollywood film-making. His new book, Sissy Nation: How America Became a Culture of Wimps & Stoopits, will be released on February 5th, 2008. Strausbaugh is a regular contributor to the New York Times, The Washington Post, and Cabinet Magazine. He also worked as a contributor and editor of The New York Press from 1990 until late 2002, when the paper was sold to Avalon Equity Partners. He established the paper as an independent thinking and often irreverent voice, which directly competed with the city's more traditionally liberal downtown paper, The Village Voice. External Links: John Strausbaugh's Website [1] Giorgio Gomelsky is an influential music manager and record producer. His owned the famous Crawdaddy Club where The Rolling Stones were hired as house band, and he was involved with their early management. He hired The Yardbirds as a replacement and managed them. He was also their producer from the beginning through 1966. He apparently currently owns all of The Yardbirds tapes, although legend has it that the actual multi-track tapes are in the pocession of Gomelsky's divorced wife. In 1967, the started Marmalade Records (distributed by Polydor), which featured "Julie Driscoll, Brian Auger and The Trinity", The Blossom Toes, and early recordings by Graham Gouldman, Kevin Godley and Lol Creme, who later became 3/4's of 10cc. The label shut down abruptly in 1969 under confusing circumstances (some say Gomelsky simply shut the doors and disappeared without notifying Polydor or any of his artists). Giorgio was also instrumental in the careers of the following artists: The Soft Machine, Daevid Allen & Gong and Magma The Soft Machine's first single (EP) was produced by Giorgio. Gong's first 5 LP's were created under Giorgio's auspices. The Gong LP's from France were on Giorgio's experimental label BYG also called ACTUEL Later GONG's trilogy was released among the first titles at VIRGIN records, UK. The French band Giorgio produced, MAGMA, was almost an orchestra of rock sound and recorded in its own language! (no libretto or translation provided!) |
 | Slavoj Zizek - Rules, Race, and Mel Gibson 2006 2/8 http://www.egs.edu/ Slavoj Zizek talking about the explicit, truth, rules, politics, Mel Gibson, society, race, racism, antisemitism; lecturing and developing a psychoanalysis of culture and societies. Public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2006, Slavoj Zizek. Slavoj Zizek, a Slovenian sociologist, postmodern philosopher, and cultural critic is a professor at the Institute for Sociology, Ljubljana and at the European Graduate School EGS who uses popular culture to explain the theory of Jacques Lacan and the theory of Jacques Lacan to explain politics and popular culture. He was born in 1949 in Ljubljana, Slovenia where he lives to this day but he has lectured at universities around the world. He was analysed by Jacques Alain Miller, Jacques Lacan's son in law. His research focuses on Karl Marx, Hegel and Schellingfundamentalism, tolerance, political correctness, globalization, subjectivity, human rights, Lenin, myth, cyberspace, postmodernism, multiculturalism, post-marxism, David Lynch, and Alfred Hitchcock. He has published many books and translations in several languages. He is the author of The Sublime Object of Ideology, 1989, Beyond Discourse Analysis (a part in Ernesto Laclau's New Reflections on the Revolution of Our Time), London: Verso. 1990, For They Know Not What They Do, London: Verso. 1991, Looking Awry, MIT Press. Enjoy Your Symptom!, Routledge. 1992, Tarrying With the Negative, Durham, New Carolina: Duke University Press. 1993, Everything You Always Wanted to Know About Lacan, But Were Afraid to Ask Hitchcock,1993, The Metastates of Enjoyment,1994, The Indivisible Remainder: Essays on Schelling and Related Matters, 1996, The Abyss of Freedom, University of Michigan Press. 1997, The Plague of Fantasies, Multi-culturalism, or, the Cultural Logic of Multi-national Capitalism, New Left Review, issue 225 pgs. 28--51, The Ticklish Subject, 1999, Contingency, Hegemony, Universality (authored with Judith Butler and Ernesto Laclau), Verso. 2000, The Art of the Ridiculous Sublime: On David Lynch's Lost Highway, Washington: University of Washington Press. The Fragile Absolute, 2000, Did Somebody Say Totalitarianism?. 2001, The Fright of Real Tears: Kryzystof Kieślowski Between Theory and Post-Theory, British Film Institute (BFI), On Belief, Routledge. Opera's Second Death, Repeating Lenin, Zagreb: Arkzin D.O.O. 2001, Welcome to the Desert of the Real, 2002, Revolution at the Gates: Žižek on Lenin, the 1917 Writings, Organs Without Bodies. 2003, The Puppet and the Dwarf, 2003, Iraq: The Borrowed Kettle, 2004, Interrogating the Real, London, Continuum International Publishing Group. 2005, The Universal Exception, London, 2006, Neighbors and Other Monsters (in The Neighbor: Three Inquiries in Political Theology), Cambridge, Massachusetts: University of Chicago Press. The Parallax View, How to Read Lacan, New York: W.W. Norton & Company. 2007 |
العربية
中国
Français
Deutsch
Ελληνική
हिन्दी
Italiano
日本語
Português
Русский
Español
