MELODIC MOTION
'Melodic motion' is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise or skipwise, respectively.
Bruno Nettl (1956, p.51-53) describes various types of 'melodic movement' or 'contour':
★ Ascending
★ Descending
★ Undulating: equal movement in both of the above directions
★ Pendulum: extreme undulation which uses a large range and large intervals
★ Tile, terrace, or cascading: a number of descending phrases in which each phrase begins on a higher pitch than the last ended
★ Arc
★ Rise: may be considered a musical form, a contrasting section of higher pitch, a "musical plateau"
Other examples include:
★ Double tonic: smaller pendular motion in one direction
These all may be modal frames or parts of modal frames.
★ Parsons code
★ Nettl, Bruno (1956). ''Music in Primitive Culture''. Harvard University Press.
Bruno Nettl (1956, p.51-53) describes various types of 'melodic movement' or 'contour':
★ Ascending
★ Descending
★ Undulating: equal movement in both of the above directions
★ Pendulum: extreme undulation which uses a large range and large intervals
★ Tile, terrace, or cascading: a number of descending phrases in which each phrase begins on a higher pitch than the last ended
★ Arc
★ Rise: may be considered a musical form, a contrasting section of higher pitch, a "musical plateau"
Other examples include:
★ Double tonic: smaller pendular motion in one direction
These all may be modal frames or parts of modal frames.
| Contents |
| See also |
| Source |
See also
★ Parsons code
Source
★ Nettl, Bruno (1956). ''Music in Primitive Culture''. Harvard University Press.
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