MICHAEL RENNIE

'Michael Rennie' (25 August1909—10 June1971) was an English film, television and stage actor best known for his starring role as the benevolent space visitor Klaatu in the 1951 classic science fiction film ''The Day the Earth Stood Still''.

Contents

Early years

The war years

Brief starring career in British films (1945-50)

1951-52 Hollywood stardom and subsequent career as top supporting actor

Post-Fox period as a freelance actor in films and television

''The Third Man'' series and TV guest starring roles

Michael Rennie on Broadway

Personal life

Final years

Filmography (incomplete)

External links

Early years

'Eric Alexander Rennie' was born in Idle, a village near the West Yorkshire city of Bradford (subsequently, a Bradford suburb) and educated at The Leys School, Cambridge. He attempted a number of professions, including periods as automobile salesman and manager of his uncle's rope factory, before deciding, at the time of his 26th birthday in 1935, on a career as an actor. Retaining his surname, but adopting the professional name 'Michael Rennie', the tall (6' 4" [1.93 m]) show-business hopeful with gaunt, chiseled features, first appeared onscreen in an uncredited bit part in Alfred Hitchcock's ''Secret Agent'', which had its London premiere in May 1936. Another future star named "Michael", also had an unbilled bit in the film, Michael Redgrave.
During the late 1930s, Rennie served his apprenticeship as an actor, gaining experience in acting technique, while touring the provinces in British repertory. There is evidence that, at the age of 28, he was noticed by one of the British film studios, which decided to appraise his potential as a film personality by arranging a screen test. The 1937 test, which exists in the British Film Institute archives under the title "Marguerite Allan and Michael Rennie Screen Test", did not lead to a movie career for either performer. In ''Secret Agent'', he was primarily a stand-in for leading man Robert Young, and his own on-camera bit was so small that it cannot be discerned in the preserved final version of the film. He also played other bit parts and later, minor, unbilled roles in ten additional films produced between 1936 and 1940, the last of which, ''"Pimpernel" Smith'', had a belated release in July 1941, while Rennie was already in uniform, serving in the Royal Air Force during World War II.

The war years

Shortly after the outbreak of the War in September 1939, Rennie began to receive offers for larger film roles, starting with his first (small) billed performance in the wartime morale booster ''The Big Blockade'', seen in March 1940. Michael Redgrave, by then a full-fledged star, had one of the leading roles in the film. Six films later, however, Michael Rennie also had his first film lead. The suspense drama ''Tower of Terror'', released in late December 1941, shortly after Pearl Harbor, was styled in the manner of a horror film, and starred Wilfrid Lawson as a mad Dutch lighthouse keeper in Occupied Holland, while second-billed Rennie and third-billed Movita had the romantic leads.
Michael Rennie enlisted in the RAF Volunteer Reserve on 27 May1941 (#1391153). He was discharged for commission on 4 August1942 and, the following day, was commissioned "for the emergency" as Pilot Officer (#127347) on probation in the General Duties Branch of the RAFVR. On 5 February1943 he was promoted to Flying Officer on probation. He resigned his commission on 1 May1944 (not invalided out as studio publicity stated). Rennie carried out his basic training near Torquay in Devon, after which he was posted to the United States, where he served in Macon, Georgia, purportedly as a flying instructor, although no record of his holding such rank could be confirmed in the RAF archives. A story Rennie told to an interviewer, which was subsequently recounted in a number of his film-magazine biographies, concerned his period with the U. S. military. While stationed in Macon, he was asked by some of the American flyers what he did for a living. Upon hearing his response that in civilian life he was an actor and had appeared in a few films, they laughed disbelievingly. That evening, with free time on their hands, the group decided to go into town to see a movie. The film they picked, ''Ships with Wings'' (released in the UK in January and in the U.S. in May 1942), featured the tenth-billed Rennie in a few brief, but prominent scenes as an RAF flight lieutenant. The Americans were astonished to discovered that their British flying instructor was really as described.

Brief starring career in British films (1945-50)

With the War's end in May 1945, Michael Rennie began to be seen as a potential star as a result of playing second leads in two vehicles for Britain's most popular leading actress of the era, Margaret Lockwood—the musical ''I'll Be Your Sweetheart'' and, most prominently, the sensual costume adventure, ''The Wicked Lady''. The latter turned out to be the year's biggest box-office hit, subsequently being listed ninth on a list of top ten highest-grossing British films. He also had a single prominent scene as a commander of Roman centurions in the movie described at the time as the most expensive (and financially ruinous) British film enterprise ever made, Gabriel Pascal's production of George Bernard Shaw's ''Caesar and Cleopatra'', starring Vivien Leigh and Claude Rains.
Second leads and then leads in seven other British films produced between 1946 and 1949 followed, including what may be considered Michael Rennie's only role as one of two central characters in a full-fledged love story. In the 47-minute episode, "Sanatorium", the longest among the Somerset Maugham tales constituting the film ''Trio'' (released in London on 1 August1950), the mature-looking, lightly-mustached, 40-year-old Rennie and twenty-years-younger Jean Simmons are patients in the title institution, which caters to victims of tuberculosis. They fall in love and decide to marry despite the doctor's grim prognosis that Rennie, a former army major, can only expect a few months of life and Jean's character also faces a premature death within a couple of years. The final scene shows them joyfully leaving their institutional surroundings, secure in the knowledge that their brief remaining time will be spent in the happiness of their love for each other and the ability to face the inevitable on their own terms. Their indomitable spirit even gives inspiration to the other patients who cannot leave the "Sanatorium", but whose sagging spirits are momentarily lifted out of the doldrums of depression.
Fellow Brit Jean Simmons would, in fact, turn out to be Michael Rennie's most frequent co-star. Although they shared no scenes within the context of their minor roles in ''Caesar and Cleopatra'', it was the first of their four films together. The remaining two titles were both 20th Century Fox epics made in 1953-54, which had them primarily involved with other characters. In 1953's ''The Robe'' and its 1954 sequel ''Demetrius and the Gladiators'', Rennie was billed fourth and third, respectively, playing the Apostle Peter, who provides affirmation in the new faith, as Jean and Richard Burton become martyrs for Christianity. In the sequel, they were only briefly seen in a flashback, as the focus shifted to Demetrius (Victor Mature), third-billed in ''The Robe'', his temptation by the sexually-brazen (within 1954 standards) future Empress Messalina (Susan Hayward), and the continued religious support and uplift provided by Peter to Demetrius and other faithful.
The final film which cast Michael Rennie with Jean Simmons was 1954's ''Desiree'', He was again billed fourth, after Marlon Brando (as Napoleon), Jean (as the title character, Désirée Clary) and Merle Oberon as (Joséphine). As French general Jean-Baptiste Bernadotte who becomes King Charles XIV John of Sweden, Rennie marries Jean's Désirée, but her true love always remains with Brando's Napoleon.

1951-52 Hollywood stardom and subsequent career as top supporting actor

Michael Rennie, along with Jean Simmons and ''The Wicked Lady'' leading man James Mason, was one of a number of British actors offered Hollywood contracts in 1949-50 by 20th Century Fox's studio head Darryl F. Zanuck. The first film under his new contract was the British-filmed medieval period adventure ''The Black Rose'', starring Tyrone Power who became one of Rennie's closest friends. Fifth-billed after the remaining first-tier stars Orson Welles, Cecile Aubry and Jack Hawkins, Rennie was specifically cast as 13th century King Edward I of England, whose 6' 2" [1.88 m] frame gave origin to his historical nickname, "Longshanks".
Rennie's second Fox film gave him fourth billing in the top tier. ''The 13th Letter'', directed by his future and love rival Otto Preminger, was a remake of the 1943 French movie ''Le Corbeau'', with the setting changed to the French Canadian province of Quebec. Rennie's next film dramatically moved his billing up to first and assured him screen immortality. ''The Day the Earth Stood Still'' was the first postwar respectably-budgeted "A" science fiction film. A serious, high-minded exploration of humanity's place in the universe and our responsibility to maintain peaceful coexistence, it has remained the gold standard for the genre of the era. A unique aspect of the film is the participation, within its fictional structure, of four top newscasters and commentators of the period—Elmer Davis, H. V. Kaltenborn, Drew Pearson and Gabriel Heatter. The story was dramatized in 1954 for ''Lux Radio Theatre'', with Rennie and Billy Gray recreating their roles and Jean Peters speaking the dialogue of the Patricia Neal character. Seven years later, in October 1961, when ''The Day the Earth Stood Still'' had its television premiere on NBC's ''Saturday Night at the Movies'', Michael Rennie appeared before the start of the film to give a two-minute introduction.
Buoyed by the strong critical reception and profitability of the film, Fox assigned much of the credit to the central performance by Michael Rennie. Convinced that it had a potential leading man under contract, the studio decided to produce a version of ''Les Miserables'' as a vehicle for him. The film, released on August 141952, was well-directed by ''All Quiet on the Western Front's'' Lewis Milestone, and Rennie's performance was respectfully, but not enthusiastically, received by the critics. Ultimately, ''Les Miserables'' turned in an extremely modest profit and put an end to any further attempts to promote the 43-year-old Rennie as a future star. He was, however, launched on a thriving career as a top supporting actor. Based on the positive reaction to his two turns as the Apostle Peter, Fox assigned him another third-billed, top-tier role as a stalwart man of God, Franciscan friar Junipero Serra who, between 1749 and his death in 1784, founded missions in Alta California. The film was September 1955's ''Seven Cities of Gold'' with Richard Egan, ninth-billed as a vicious fighting machine and rapist of ingenue Debra Paget in previous year's ''Demetrius and the Gladiators'', now receiving star build-up and first billing, with Anthony Quinn billed second, both playing Spanish expedition leaders on a quest which resulted in the 1769 founding of San Diego.

Post-Fox period as a freelance actor in films and television

Michael Rennie's next film was the last under his five-year contract with 20th Century Fox. ''The Rains of Ranchipur'', released on December 141955, assigned him fifth billing after the lead romantic teaming of Lana Turner and Richard Burton and the second-tier romance featuring unwilling depressed alcoholic Fred MacMurray pursued by Joan Caulfield. As Lana Turner's cuckolded husband, Lord Esketh, Rennie maintained his typical dignity and stiff upper lip in the face of the character's diminished self-esteem.
Now a freelancer, Rennie appeared in six additional features between 1956 and 1960, three of which were still produced or released by Fox. Moreover, no longer bound by the no-television clause in his studio contract, he began his prolific, fifteen-year association with the medium.

''The Third Man'' series and TV guest starring roles

In 1959 Rennie became a familiar face on television, taking the role of Harry Lime in ''The Third Man'', a British-American syndicated TV series very loosely based on the character created by Orson Welles. During the 1960s he continued his TV career with guest appearances on such series as ''Route 66'' (a moving portrayal of a doomed pilot in the two-part episode, "Fly Away Home"); ''Alfred Hitchcock Presents''; ''Perry Mason'' (one of four actors in four consecutive episodes substituting for series star Raymond Burr, who was recovering from surgery); ''Wagon Train'' (a 90-minute color episode as an English big game hunter who, in a display of amazing marksmanship, is able to kill an Indian chief from a great distance); ''The Great Adventure'' (in an installment of this anthology series about remarkable events in American history, he portrayed Confederate president Jefferson Davis); ''Lost in Space'' (another two-part episode—as an all-powerful alien, "The Keeper", he worked one last time with his ''Third Man'' co-star Jonathan Harris); ''The Time Tunnel'' (as Captain Smith of ''The Titanic'', in the series' September 91966 premiere episode); ''Batman'' (as the villainous Sandman in league with Julie Newmar's Catwoman), three episodes of ''The Invaders'' (as a malign variation of the Klaatu persona), and two episodes of ''The F.B.I.''.

Michael Rennie on Broadway

At the start of the 1960s, Michael Rennie made his only Broadway appearance, playing Dirk Winsten, a jaded movie star, in ''Mary, Mary'', a sophisticated five-character marital comedy by Jean Kerr, directed by Joseph Anthony. After two previews, the play opened at the Helen Hayes Theatre on March 81961 and ran for a very successful 1572 performances, closing at the Morosco Theatre on December 121964. Rennie stayed with the play less than five months, to be replaced by Michael Wilding (July 1961), Edward Mulhare (December 1961), Michael Evans (July 1963), Tom Helmore (October 1963) and Howard Morton (May 1964).
When Warner Brothers Pictures cast the film version in early 1963, Michael Rennie, along with leading man Barry Nelson (who originated his role and played it for the first year) and supporting actor Hiram Sherman (who joined the play two years after the opening, in the part first played by John Cromwell) were the only Broadway cast members to transfer to the big screen. Debbie Reynolds was given the title role (created by Barbara Bel Geddes), and Warners contractee Diane McBain, whom the studio saw as a potential star of the future, took over "the socialite part", essayed by Betsy von Furstenberg. Veteran Mervyn LeRoy who, thirty years earlier, directed ''Gold Diggers of 1933'' for the studio, helmed the production which opened at Radio City Music Hall on October 251963. Ironically, while the film disappeared from movie theaters by the end of 1963, the Broadway version continued for another full year.

Personal life

Both of Michael Rennie's marriages ended in divorce. He was first married to Joan England in 1938. His second marriage was to actress Maggie McGrath. Their son David Rennie is a UK circuit judge in Lewes, Sussex.
It appears that he also had a son, John Marshall, by his long time friend and mistress Renée (née Gilbert) whose married name was Taylor. Interestingly the BFI data base also lists him as having a son, John M Taylor, listed as 'a producer'.
Research indicates that John Marshall Rennie used the pseudonym 'Taylor' during his long career in the industry to avoid accusations of nepotism.
Michael Rennie was also briefly engaged to the ex-wife of the Hollywood director, Otto Preminger. It was rumoured that Preminger, who not surprisingly hated Rennie, was the prime instigator in Rennie's fall from stardom.
John Rennie, the designer and builder of the original Waterloo Bridge, is presumed to have been his great-great grandfather.

Final years

After completing what amounted to guest roles in two 1968 films, ''The Power'' and ''The Devil's Brigade'', as well as top guest-starring roles in two episodes of the ABC/Quinn Martin Productions series ''The F.B.I.'', Michael Rennie moved from Los Angeles to Switzerland in the latter part of that year. His final seven feature films were lensed in Britain, Italy, Spain and, in the case of ''The Surabaya Conspiracy'', The Philippines. Less than three years after leaving Hollywood, he journeyed to his mother's home in Harrogate, at a time of family grief following the death of his brother. It was there that he suddenly died of an emphysema-induced heart attack, nine weeks before his 62nd birthday. Upon cremation, his ashes laid to rest in Harlow Cemetery, Harrogate.
Two years after Michael Rennie's death, his iconic film character was immortalized in the opening words ("Michael Rennie was ill ''The Day the Earth Stood Still'', but he told us where we stand") of the song "Science Fiction/Double Feature" from the June 1973 cult musical ''The Rocky Horror Show'' and its 1975 one-of-a-kind screen version, ''The Rocky Horror Picture Show''.

Filmography (incomplete)

★ ''The Wicked Lady'' (1945)

★ ''The Day the Earth Stood Still'' (1951) – as Klaatu

★ ''5 Fingers'' (1952)

★ ''Phone Call from a Stranger'' (1952)

★ ''Les Misérables'' (1952) – as Jean Valjean

★ ''Sailor of the King'' (1953)

★ ''King of the Khyber Rifles'' (1953)

★ ''The Robe'' (1953) – as the Apostle Peter

★ ''Demetrius and the Gladiators'' (1954)

★ ''Soldier of Fortune'' (1955)

★ ''Seven Cities of Gold'' (1955)

★ ''The Rains of Ranchipur'' (1955)

★ ''Island in the Sun'' (1957)

★ ''The Lost World'' (1960)

★ ''Cyborg 2087'' (1966)

★ ''Hotel'' (1967)

★ ''The Power'' (1968) – as Arthur Nordlund

★ ''The Devil's Brigade'' (1968) – as General Mark Clark

External links

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