ONDES MARTENOT

The 'ondes Martenot' (IPA: [õd maʀtəno]; French for "Martenot waves"; also known as the 'ondium Martenot', 'Martenot' and 'ondes musicales') is an early electronic musical instrument with a keyboard and slide, invented in 1928 by Maurice Martenot and originally very similar in sound to the Theremin. The sonic capabilities of the instrument were subsequently expanded by the addition of filter banks and switchable loudspeakers. The instrument is especially known for its eerie wavering notes produced by the thermionic valves that produce oscillating frequencies.
The ondes Martenot has been used by many composers, most notably Olivier Messiaen. He first used it in the "Fête des Belles Eaux", written for the 1937 International World's Fair in Paris and then used it in many of his works, such as the ''Turangalîla-Symphonie'', ''Feuillets inédits'', and ''Trois Petites Liturgies de la Présence Divine''; his opera ''Saint-François d'Assise'' requires three of the instruments. Many of these works were written for his sister-in-law, Jeanne Loriod, who was the professor of Ondes Martenot at the Paris Conservatory for many years.
Other composers included Charles Koechlin, Edgard Varèse (as a replacement for a custom Theremin instrument), Arthur Honegger, Darius Milhaud, Maurice Jarre, Antoine Tisné Pierre Boulez, and Frank Zappa; André Jolivet wrote a concerto for it in 1947. Bohuslav Martinů authorized the adaptation of his "Fantasie" to the use of the ondes Martenot when it proved difficult to perform on the Theremin, for which it was originally written. About 1000 works have been composed for the instrument including at least 40 concertos.
One of the first integrations of the ondes Martenot into popular music was achieved in the Quebec musical scene. The two most popular Quebecois musical groups of the time, Beau Dommage and Harmonium, made extensive use of this instrument (introduced there by Marie Bernard) in each of their 1975 albums, respectively ''Où est passée la noce?'' and ''Si on avait besoin d'une cinquième saison.'' Harmonium later toured with Supertramp and received several reviews of their work by English-speaking musical critics of progressive rock, who noted their use of the ondes Martenot.
Its first use in the cinema was by Honegger for Berthold Bartosch's film ''The Idea'' (1930, score added 1934). It was extensively used by composer Brian Easdale in the ballet music for The Red Shoes. It was frequently used horror and science fiction movies and television, notably in the 1950s. British composer Barry Gray frequently used it in his scores for Gerry Anderson's television series, and film composer Elmer Bernstein incorporated the instrument into many of his works beginning with ''Heavy Metal'', in 1981. It was used to to haunting effect by the composer David Fanshawe in the British television series ''Flambards''.
Other film scores using the ondes Martenot include ''Lawrence of Arabia'' (1962), ''Billion Dollar Brain'' (1967), ''Doppelgänger'' (1969), ''Ghostbusters'' (1984), ''A Passage to India'' (1984), '' (1988), ''Rising Sun'' (1993), ''Amélie'' (2001), and ''Bodysong'' (2003), by Jonny Greenwood of Radiohead.
It is not however responsible for the female voice effects in the original ''Star Trek'' theme, despite many rumours to the contrary. BBC Radio 6 Music - The Great Bleep Forward claims an Ondes Martenot was used.
Jonny Greenwood is often credited with bringing the ondes to a larger audience through Radiohead's ''Kid A'' (2000), ''Amnesiac'' (2001) and ''Hail to the Thief'' (2003) albums. Greenwood uses the ondes often in his solo efforts, and has written a piece for the instrument, entitled ''Smear''. The ondes Martenot was also utilized by Bryan Ferry, in 1999, on the album ''As Time Goes By'', and by Joe Jackson on his 1994 album ''Night Music.''

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External links

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The Electro-Theremin is a similar instrument, famous for being used in the song ''Good Vibrations'' by the Beach Boys.
Prominent ondes Martenot composers and performers have included Elmer Bernstein, Thomas Bloch, Pierre Boulez, Jonny Greenwood, Arthur Honegger, Jeanne Loriod, Olivier Messiaen, Cynthia Millar, Christine Ott, Jacques Tchamkerten, Yann Tiersen, and Gilles Tremblay.

External links

★ Keyboard Museum entry

★ Christine Ott: Ondes Martenot musican

★ The presentation of Ondes Martenot C° Union des Enseignements Martenot

★ Audities Foundation Model 6 Ondes Martenot

★ BBC Radio 6 Music - The Great Bleep Forward

★ The Ondes-Martenot at Obsolete.com - includes two audio excerpts from the ''Turangalila-Symphonie'' (Quicktime format).

★ Analogue Systems - sell a replica of the Ondes Martenot (commissioned by Jonny Greenwood) named "The French Connection".