OPERA AMERICA
'Opera America', officially 'OPERA America', is a service organization in North America promoting the creation, presentation, and enjoyment of opera. Its members include opera companies in America, such as the Metropolitan Opera, San Francisco Opera, The Lyric Opera of Chicago, and The Dallas Opera; Opera America also includes international affiliated opera companies such as the Canadian Opera Company and Opera Australia, businesses, educational institutions, libraries, foundations, guilds, and opera artists such as singers and composers.
Opera America's services have seven "hallmarks" [1]. First is ''Timely Information'', which is dedicated towards online and print newsletters and bulletins. Next, ''Opera's Advocate'' involves the raising of the profile of opera through formal programs. After this is ''Dedication to New Works'', which is the encouraging of the creation and presentation of new works. The development of artists, administrators, and technical theater professionals is taken care of through the next hallmark, which is ''Professional Development''. ''Regional Meetings'' promote opera at a more local level. Next is ''Collaborative Projects'', which is the research and sharing of information with other arts companies. Finally, ''Authoritative Knowledge'': the analysis of the opera industry of North America including performances activity and financial patterns. This results in an Annual Field Report and many studies available to member companies.
Opera America also seeks to provide information to enhance the enjoyment of opera by adults and children. ''Music! Words! Opera!'' is its education curicculum for grades K-12. Adult learners can participate in online courses on specific operas, or read about the 20 most popular operas in ''Cornerstones''.
With the support of the National Endowment for the Arts and the Target Foundation, Opera America worked with Boston Lyric Opera, The Minnesota Opera Company, and Sarasota Opera to create ''Cornerstones'', a Web site listing and giving information about ''the 20 most performed operas in North America''. These are:
:1. ''Madama Butterfly'' by Giacomo Puccini
:2. ''La bohème'' by Giacomo Puccini
:3. ''La traviata'' by Giuseppe Verdi
:4. ''Carmen'' by Georges Bizet
:5. ''The Barber of Seville'' by Gioacchino Rossini
:6. ''The Marriage of Figaro'' by Wolfgang Amadeus Mozart
:7. ''Don Giovanni'' by Wolfgang Amadeus Mozart
:8. ''Tosca'' by Giacomo Puccini
:9. ''Rigoletto'' by Giuseppe Verdi
:10. ''The Magic Flute'' by Wolfgang Amadeus Mozart
:11. ''La Cenerentola'' by Gioacchino Rossini
:12. ''Turandot'' by Giacomo Puccini
:13. ''Lucia di Lammermoor'' by Gaetano Donizetti
:14. ''Pagliacci'' by Ruggero Leoncavallo
:15. ''Così fan tutte'' by Wolfgang Amadeus Mozart
:16. ''Aida'' by Giuseppe Verdi
:17. ''Il trovatore'' by Giuseppe Verdi
:18. ''Faust'' by Charles Gounod
:19. ''Die Fledermaus'' by Johann Strauss II
:20. ''L'elisir d'amore'' by Gaetano Donizetti
★ http://www.operaamerica.org/
★ Deutscher Bühnenverein for the equivalent organization in Germany.
| Contents |
| Hallmarks of Opera America |
| Cornerstones |
| References |
| See also |
Hallmarks of Opera America
Opera America's services have seven "hallmarks" [1]. First is ''Timely Information'', which is dedicated towards online and print newsletters and bulletins. Next, ''Opera's Advocate'' involves the raising of the profile of opera through formal programs. After this is ''Dedication to New Works'', which is the encouraging of the creation and presentation of new works. The development of artists, administrators, and technical theater professionals is taken care of through the next hallmark, which is ''Professional Development''. ''Regional Meetings'' promote opera at a more local level. Next is ''Collaborative Projects'', which is the research and sharing of information with other arts companies. Finally, ''Authoritative Knowledge'': the analysis of the opera industry of North America including performances activity and financial patterns. This results in an Annual Field Report and many studies available to member companies.
Opera America also seeks to provide information to enhance the enjoyment of opera by adults and children. ''Music! Words! Opera!'' is its education curicculum for grades K-12. Adult learners can participate in online courses on specific operas, or read about the 20 most popular operas in ''Cornerstones''.
Cornerstones
With the support of the National Endowment for the Arts and the Target Foundation, Opera America worked with Boston Lyric Opera, The Minnesota Opera Company, and Sarasota Opera to create ''Cornerstones'', a Web site listing and giving information about ''the 20 most performed operas in North America''. These are:
:1. ''Madama Butterfly'' by Giacomo Puccini
:2. ''La bohème'' by Giacomo Puccini
:3. ''La traviata'' by Giuseppe Verdi
:4. ''Carmen'' by Georges Bizet
:5. ''The Barber of Seville'' by Gioacchino Rossini
:6. ''The Marriage of Figaro'' by Wolfgang Amadeus Mozart
:7. ''Don Giovanni'' by Wolfgang Amadeus Mozart
:8. ''Tosca'' by Giacomo Puccini
:9. ''Rigoletto'' by Giuseppe Verdi
:10. ''The Magic Flute'' by Wolfgang Amadeus Mozart
:11. ''La Cenerentola'' by Gioacchino Rossini
:12. ''Turandot'' by Giacomo Puccini
:13. ''Lucia di Lammermoor'' by Gaetano Donizetti
:14. ''Pagliacci'' by Ruggero Leoncavallo
:15. ''Così fan tutte'' by Wolfgang Amadeus Mozart
:16. ''Aida'' by Giuseppe Verdi
:17. ''Il trovatore'' by Giuseppe Verdi
:18. ''Faust'' by Charles Gounod
:19. ''Die Fledermaus'' by Johann Strauss II
:20. ''L'elisir d'amore'' by Gaetano Donizetti
References
★ http://www.operaamerica.org/
See also
★ Deutscher Bühnenverein for the equivalent organization in Germany.
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