PENNY DREADFUL
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(Redirected from Penny dreadful)
'Penny Dreadful' was a term applied to nineteenth century British fiction publications, usually lurid serial stories appearing in parts over a number of weeks, each part costing a penny. The term, however, soon came to encompass a variety of publications that featured cheap sensational fiction, such as story papers and booklet “libraries.†The Penny Dreadfuls were printed on cheap pulp paper and were aimed primarily at teenage boys from the working class, though there is some evidence that many girls read them as well.
The penny part stories got underway in the 1830s, originally as a cheaper alternative for the working class adults, but by the 1850s the serial stories were aimed exclusively at teenagers. The stories themselves were reprints or sometimes rewrites of Gothic thrillers such as ''The Monk'' or ''The Castle of Otranto'', as well as new stories about famous criminals. Some of the most famous of these penny part stories were ''The String of Pearls'' (which ostensibly introduced Sweeney Todd), ''The Mysteries of London'' (inspired by the French serial, ''The Mysteries of Paris'') and ''Varney the Vampire''. Highwaymen were popular heroes. ''Black Bess or the Knight of the Road'', outlining the largely imaginary exploits of real-life highwayman Dick Turpin, continued for 254 episodes.
Working class boys who could not afford a penny a week often formed clubs that would share the cost, passing the flimsy booklets from reader to reader. Other enterprising youngsters would collect a number of consecutive parts, then rent the volume out to friends.
In 1866, ''Boys of England'' were introduced as a new type of publication, an eight page magazine that featured serial stories as well as articles and shorts of interests. It was printed on the same cheap paper, though sporting a larger format than the penny parts.
Numerous competitors quickly followed, with such titles as ''Boy’s Leisure Hour, Boys Standard, Young Men of Great Britain'', etc. As the price and quality of fiction was the same, these storypapers also fell under the general definition of Penny Dreadfuls (also known as ''Penny Bloods'' or ''Blood and Thunders'' in their early days).
American dime novels were edited and rewritten for a British audience. These appeared in booklet form, such as the ''Boy’s First Rate Pocket Library''. Frank Reade, Buffalo Bill and Deadwood Dick were all popular with the Penny Dreadful audience.
In the mid-1890s a publisher, Alfred Harmsworth, decided to do something about what was widely perceived as the corrupting influence of the Penny Dreadfuls. He issued new story papers, ''The Half-penny Marvel, The Union Jack'' and ''Pluck'', all priced at one half-penny. At first the stories were high-minded, moral tales, reportedly based on true experiences, but it was not long before these papers started using the same kind of material as the publications they competed against. A.A. Milne once said, “Harmsworth killed the penny dreadful by the simple process of producing the ha’penny dreadfuller.â€
Two phenomenally popular characters to come out of the “Penny Dreadfuls†were Jack Harkaway, introduced in the ''Boys of England'' in 1871, and Sexton Blake, who began in ''the Half-penny Marvel'' in 1893. Blake soon took over the lead spot in ''Union Jack'' and appeared in roughly 4,000 adventures, right up into the 1970s, a record only exceeded by Nick Carter and Dixon Hawke. Harkaway was also popular in America, and had many imitators.
Over time, the Penny Dreadfuls morphed into the British comic magazines.
Owing to their cheap production, their perceived lack of value, and such hazards as war-time paper drives, the Penny Dreadfuls, particularly the earliest ones, are fairly rare today.
A demon in the Terry Brooks novel ''Angel Fire East'' takes the name "Penny Dreadful" after seeing one of the novels.
American experimental/indie artists Avey Tare and Panda Bear, members of the band Animal Collective, have a song named "Penny Dreadfuls" on their album Spirit They're Gone, Spirit They've Vanished.
A metal band in the United States has used the name "The Penny Dreadfuls" and do songs based on some of the stories from old penny pages.
British folk metal band Skyclad have a track named "Penny Dreadful" on their 1996 album ''Irrational Anthems''.
★ "With one bound Jack was free" became the archetypal phrase writers used to release their hero/heroine from an impossible situation, for example, hanging from a branch half-way down a cliff at the end of one instalment (hence "cliff-hanger"). The phrase could also be in reference to Spring Heeled Jack, an urban legendary character further popularised in Penny Dreadfuls.
★ ''Penny Dreadful's Shilling Shockers'' is a horror host show based out of New England that airs on cable access in several US states. The witch hostess, Penny Dreadful, is based on the name of the cheap paperbacks, as is her show, Shilling Shockers (which were publications similar to penny dreadfuls and available in the early 19th century).
★ Anglo, Michael ''Penny Dreadfuls and Other Victorian Horrors''
★ Haining, Peter ''Penny Dreadfuls''
★ ''Penny Dreadfuls and Comics'', catalogue of exhibition, Bethnal Green Museum of Childhood
★ Turner, Ernest Sackville ''Boys Will be Boys'' (survey of penny dreadfuls up until the 1960s), ISBN 0-810-34091-7
★ Dime novel
★ Gothic novel
★ Story paper
★ Pulp magazine
★ History of the British Comic
★ Black Bess or, The knight of the road. A tale of the good old times
★ British Library collection of images from Penny Dreadfuls
''Black Bess; or, The knight of the road. A romanticised tale of Dick Turpin - a popular subject in fiction.''
'Penny Dreadful' was a term applied to nineteenth century British fiction publications, usually lurid serial stories appearing in parts over a number of weeks, each part costing a penny. The term, however, soon came to encompass a variety of publications that featured cheap sensational fiction, such as story papers and booklet “libraries.†The Penny Dreadfuls were printed on cheap pulp paper and were aimed primarily at teenage boys from the working class, though there is some evidence that many girls read them as well.
| Contents |
| History |
| Penny Parts |
| Penny Dreadfuls |
| Half-penny Dreadful |
| Legacy |
| Further reading |
| See also |
| References |
History
Penny Parts
The penny part stories got underway in the 1830s, originally as a cheaper alternative for the working class adults, but by the 1850s the serial stories were aimed exclusively at teenagers. The stories themselves were reprints or sometimes rewrites of Gothic thrillers such as ''The Monk'' or ''The Castle of Otranto'', as well as new stories about famous criminals. Some of the most famous of these penny part stories were ''The String of Pearls'' (which ostensibly introduced Sweeney Todd), ''The Mysteries of London'' (inspired by the French serial, ''The Mysteries of Paris'') and ''Varney the Vampire''. Highwaymen were popular heroes. ''Black Bess or the Knight of the Road'', outlining the largely imaginary exploits of real-life highwayman Dick Turpin, continued for 254 episodes.
Working class boys who could not afford a penny a week often formed clubs that would share the cost, passing the flimsy booklets from reader to reader. Other enterprising youngsters would collect a number of consecutive parts, then rent the volume out to friends.
Penny Dreadfuls
In 1866, ''Boys of England'' were introduced as a new type of publication, an eight page magazine that featured serial stories as well as articles and shorts of interests. It was printed on the same cheap paper, though sporting a larger format than the penny parts.
Numerous competitors quickly followed, with such titles as ''Boy’s Leisure Hour, Boys Standard, Young Men of Great Britain'', etc. As the price and quality of fiction was the same, these storypapers also fell under the general definition of Penny Dreadfuls (also known as ''Penny Bloods'' or ''Blood and Thunders'' in their early days).
American dime novels were edited and rewritten for a British audience. These appeared in booklet form, such as the ''Boy’s First Rate Pocket Library''. Frank Reade, Buffalo Bill and Deadwood Dick were all popular with the Penny Dreadful audience.
Half-penny Dreadful
In the mid-1890s a publisher, Alfred Harmsworth, decided to do something about what was widely perceived as the corrupting influence of the Penny Dreadfuls. He issued new story papers, ''The Half-penny Marvel, The Union Jack'' and ''Pluck'', all priced at one half-penny. At first the stories were high-minded, moral tales, reportedly based on true experiences, but it was not long before these papers started using the same kind of material as the publications they competed against. A.A. Milne once said, “Harmsworth killed the penny dreadful by the simple process of producing the ha’penny dreadfuller.â€
Legacy
Two phenomenally popular characters to come out of the “Penny Dreadfuls†were Jack Harkaway, introduced in the ''Boys of England'' in 1871, and Sexton Blake, who began in ''the Half-penny Marvel'' in 1893. Blake soon took over the lead spot in ''Union Jack'' and appeared in roughly 4,000 adventures, right up into the 1970s, a record only exceeded by Nick Carter and Dixon Hawke. Harkaway was also popular in America, and had many imitators.
Over time, the Penny Dreadfuls morphed into the British comic magazines.
Owing to their cheap production, their perceived lack of value, and such hazards as war-time paper drives, the Penny Dreadfuls, particularly the earliest ones, are fairly rare today.
A demon in the Terry Brooks novel ''Angel Fire East'' takes the name "Penny Dreadful" after seeing one of the novels.
American experimental/indie artists Avey Tare and Panda Bear, members of the band Animal Collective, have a song named "Penny Dreadfuls" on their album Spirit They're Gone, Spirit They've Vanished.
A metal band in the United States has used the name "The Penny Dreadfuls" and do songs based on some of the stories from old penny pages.
British folk metal band Skyclad have a track named "Penny Dreadful" on their 1996 album ''Irrational Anthems''.
★ "With one bound Jack was free" became the archetypal phrase writers used to release their hero/heroine from an impossible situation, for example, hanging from a branch half-way down a cliff at the end of one instalment (hence "cliff-hanger"). The phrase could also be in reference to Spring Heeled Jack, an urban legendary character further popularised in Penny Dreadfuls.
★ ''Penny Dreadful's Shilling Shockers'' is a horror host show based out of New England that airs on cable access in several US states. The witch hostess, Penny Dreadful, is based on the name of the cheap paperbacks, as is her show, Shilling Shockers (which were publications similar to penny dreadfuls and available in the early 19th century).
Further reading
★ Anglo, Michael ''Penny Dreadfuls and Other Victorian Horrors''
★ Haining, Peter ''Penny Dreadfuls''
★ ''Penny Dreadfuls and Comics'', catalogue of exhibition, Bethnal Green Museum of Childhood
★ Turner, Ernest Sackville ''Boys Will be Boys'' (survey of penny dreadfuls up until the 1960s), ISBN 0-810-34091-7
See also
★ Dime novel
★ Gothic novel
★ Story paper
★ Pulp magazine
★ History of the British Comic
References
★ Black Bess or, The knight of the road. A tale of the good old times
★ British Library collection of images from Penny Dreadfuls
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