'Pierre Attaingnant' (c.1494 – late 1551 or 1552) was a
French music printer, active in
Paris.
Life
Attaingnant is considered to be the first to use single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as
Ottaviano Petrucci. He published over 1500
chansons by many different composers. In this collections the Paris composers, like
Claudin de Sermisy,
Pierre Sandrin and
Pierre Certon, are prominently present, but
Clément Janequin is at the top of the list with five books of chansons, dedicated to his chansons only. He acquired
royal privileges for his music books, which were renewed many times. Eventually he was named ''imprimeur et libraire du Roy en musique'' (Royal music-printer and librarian).
Works
Attaingnant's major contribution to music printing consists in his popularizing the single-impression method for music printing, which he first employed in his
1528 publication ''Chansons nouvelles en musique à quatre parties''. In this system, the individual notes were printed directly onto segments of
staff, and so the notes, staff lines, and text could all be printed with one send through the
printing press. The main disadvantage of this method was the alignment of the staff lines, which often had a “bumpy” look - some being slightly higher or slightly disjointed from others. Nevertheless, this method became standard music printing practice across
Europe in the 16th and 17th centuries.
Apart from his 36 collections of chansons, he also published books with pieces in
lute or keyboard
tablature, as well as
Masses and
motets.
In popular culture
An original, untitled composition by Attaingnant has been used twice in contemporary popular music. The piece is titled 'Play Minstrel Play' as performed by renaissance band
Blackmore's Night, and titled "The March Of The Swordmaster" as performed by
Rhapsody.
References
★ D. W. Krummel and Stanley Sadie, ''Music Printing and Publishing''. New York, Norton, 1990.
Media
External links
★ Listen to
free recordings of songs from
Umeå Akademiska Kör.