 | Le clair de Lune à Maubeuge (59) Pierre Perrin Bourvil Un clair de lune à Maubeuge Imprimer la chanson Un clair de lune à Maubeuge de Pierre Perrin à partir d'une fenêtre en mode texte et sans publicité :-) Envoyer le texte Un clair de lune à Maubeuge de Pierre Perrin à un ami Favori Paroles: Pierre Perrin. Musique: Pierre Perrin & Claude Blondy 1962 © Caravelles autres interprètes: Bourvil (1962), Claude Blondy note: Ci-dessous l'interprétation de Bourvil - Voir aussi la version d'Annie Cordy. Sonnerie Monophonique Je suis allé aux fraises Je suis rev'nu d'Pontoise J'ai filé à l'anglaise Avec une Tonkinoise Si j'ai roulé ma bosse Je connais l'univers J'ai même roulé carrosse Et j'ai roulé les R Et je dis non, non, non, non, non Oui je dis non, non, non, non, non, non, non, non, non {Refrain:} Tout ça n'vaut pas Un clair de lune à Maubeuge Tout ça n'vaut pas Le doux soleil de Tourcoing (Coin-coin ! - Oh je vous en prie, hein !) Tout ça n'vaut pas Une croisière sur la Meuse Tout ça n'vaut pas Des vacances au Kremlin-Bicêtre J'ai fait toutes les bêtises Qu'on peut imaginer J'en ai fait à ma guise Et aussi à Cambrai Je connais toutes les mers La Mer Rouge, la Mer Noire La Mer-diterranée La mer de Charles Trenet Et je dis non, non, non, non, non Oui je dis non, non, non, non, non, non, non, non, non {Refrain:} Tout ça n'vaut pas Un clair de lune à Maubeuge Tout ça n'vaut pas Le doux soleil de Roubaix (coin-coing ! - Vous êtes ridicule !) Tout ça n'vaut pas Une croisière sur la Meuse Tout ça n'vaut pas Faire du sport au Kremlin biceps |
 | HIBERNATUS le doublage de la scène du deshiberner le doublage de la scène avec LOUIS DE FUNES, BERNARD ALANE, MICHEL LONSDALE, PAUL PREBOIST interprêté par PIERRE PERRIN et avec CLAUDE GENSAC interprêté par LOU PERRIN |
 | [Petit détournement] Perrin VS Vandamme Petit détournement dans le genre de Derrick contre Superman. Jean Claude Van Damme flirte avec la femme de Perrin. Ce dernier aidé par Campana fait appel au commissaire Gibert pour rélger ses comptes. Réalisé par Pim et Philou. * Problème de synchronisation AUDIO corrigé |
 | Lully: Marche Pour la Ceremonie des Turcs Stereo: http://br.youtube.com/watch?v=81bxIH9uvhk&fmt=18 Jean Baptiste de Lully (1632 - 1687). Marche pour la ceremonie des Turcs. Les Concert des Nations. Dir: Jordi Savall. Born in Florence, the son of a miller, Lully had little education, musical or otherwise, but he had a natural talent to play the guitar and violin and to dance. In 1646, he was discovered by the Duke of Guise and taken to France by him, where he entered the services of Mademoiselle de Montpensier (la Grande Mademoiselle) as a scullery-boy. With the help of this lady, his musical talents were cultivated. He studied the theory of music under Nicolas Métru. A scurrilous poem on his patroness resulted in his dismissal. He came into Louis XIV's service in late 1652, early 1653 as a dancer. He composed some music for the Ballet de la Nuit, which pleased the king immensely. He was appointed as the composer of instrumental music to the king and conducted the royal string orchestra of the French court, Les Vingt-quatre Violons du Roi (Twenty-four Violins of the King) or the Grande Bande (large band). He tired of the lack of discipline of the Grande Bande and, with the King's permission, formed his own Petits Violons. Lully composed many ballets for the King during the 1650s and 1660s, in which the King and Lully himself danced. He also had tremendous success composing the music for the comedies of Molière, including Le Mariage forcé (1664), L'Amour médecin (1665), and Le Bourgeois gentilhomme (1670). Louis XIV's interest in ballet waned as he aged, and his dancing ability declined (his last performance was in 1670) and so Lully pursued opera. He bought the privilege for opera from Pierre Perrin and, with the backing of Jean-Baptiste Colbert and the king, created a new privilege which essentially gave Lully complete control of all music performed in France until his death. He was a notorious libertine. In 1662, he did marry Madeleine Lambert, daughter of Lully's friend and fellow musician Michel Lambert, and proceeded to have ten children by her. But at the height of his career, in 1685, he felt confident enough to flaunt his relationship with Brunet, his young page from La Chapelle. Although his life is full of meteoric heights, his love affairs with boys and women brought him down in scandal several times to the great displeasure of Louis XIV and led to his renown as a sodomite. Despite these scandals, he always managed to get back into the good graces of Louis XIV who found Lully essential for his musical entertainments and who thought of Lully as one of his few true friends. In 1681, Lully was appointed as a court secretary to Louis XIV and was ennobled, after which he wrote his name "Jean-Baptiste de Lully" and was addressed as "Monsieur de Lully". On January 8, 1687, Lully was conducting a Te Deum in honor of Louis XIV's recent recovery from illness. He was beating time by banging a long staff (a precursor to the baton) against the floor, as was the common practice at the time, when he struck his toe, creating an abscess. The wound turned gangrenous, but Lully refused to have his toe amputated and the gangrene spread resulting in his death on 22 March. He left his last opera, Achille et Polyxène, unfinished. |
 | Lully: Chaconne in G Major Stereo: http://br.youtube.com/watch?v=vNx-i4oL6Fs&fmt=18 Jean Baptiste de Lully (1632 - 1687). Chaconne in G Major. Musica Antiqua Köln. Florian Deuter (Violin I) Reinhard Goebel (Violin II). Christian Rieger (Cembalo). Dir: Reinhard Goebel. Born in Florence, the son of a miller, Lully had little education, musical or otherwise, but he had a natural talent to play the guitar and violin and to dance. In 1646, he was discovered by the Duke of Guise and taken to France by him, where he entered the services of Mademoiselle de Montpensier (la Grande Mademoiselle) as a scullery-boy. With the help of this lady, his musical talents were cultivated. He studied the theory of music under Nicolas Métru. A scurrilous poem on his patroness resulted in his dismissal. He came into Louis XIV's service in late 1652, early 1653 as a dancer. He composed some music for the Ballet de la Nuit, which pleased the king immensely. He was appointed as the composer of instrumental music to the king and conducted the royal string orchestra of the French court, Les Vingt-quatre Violons du Roi (Twenty-four Violins of the King) or the Grande Bande (large band). He tired of the lack of discipline of the Grande Bande and, with the King's permission, formed his own Petits Violons. Lully composed many ballets for the King during the 1650s and 1660s, in which the King and Lully himself danced. He also had tremendous success composing the music for the comedies of Molière, including Le Mariage forcé (1664), L'Amour médecin (1665), and Le Bourgeois gentilhomme (1670). Louis XIV's interest in ballet waned as he aged, and his dancing ability declined (his last performance was in 1670) and so Lully pursued opera. He bought the privilege for opera from Pierre Perrin and, with the backing of Jean-Baptiste Colbert and the king, created a new privilege which essentially gave Lully complete control of all music performed in France until his death. He was a notorious libertine. In 1662, he did marry Madeleine Lambert, daughter of Lully's friend and fellow musician Michel Lambert, and proceeded to have ten children by her. But at the height of his career, in 1685, he felt confident enough to flaunt his relationship with Brunet, his young page from La Chapelle. Although his life is full of meteoric heights, his love affairs with boys and women brought him down in scandal several times to the great displeasure of Louis XIV and led to his renown as a sodomite. Despite these scandals, he always managed to get back into the good graces of Louis XIV who found Lully essential for his musical entertainments and who thought of Lully as one of his few true friends. In 1681, Lully was appointed as a court secretary to Louis XIV and was ennobled, after which he wrote his name "Jean-Baptiste de Lully" and was addressed as "Monsieur de Lully". On January 8, 1687, Lully was conducting a Te Deum in honor of Louis XIV's recent recovery from illness. He was beating time by banging a long staff (a precursor to the baton) against the floor, as was the common practice at the time, when he struck his toe, creating an abscess. The wound turned gangrenous, but Lully refused to have his toe amputated and the gangrene spread resulting in his death on 22 March. He left his last opera, Achille et Polyxène, unfinished. |
 | Jean Baptiste Lully: Te Deum (Symphony) Stereo: http://it.youtube.com/watch?v=wCf79gtMqqU&fmt=18 Jean Baptiste de Lully (1632 - 1687). I. Te Deum (Symphony). Musica Antiqua Köln. Dir. Reinhard Goebel. Born in Florence, the son of a miller, Lully had little education, musical or otherwise, but he had a natural talent to play the guitar and violin and to dance. In 1646, he was discovered by the Duke of Guise and taken to France by him, where he entered the services of Mademoiselle de Montpensier (la Grande Mademoiselle) as a scullery-boy. With the help of this lady, his musical talents were cultivated. He studied the theory of music under Nicolas Métru. A scurrilous poem on his patroness resulted in his dismissal. He came into Louis XIV's service in late 1652, early 1653 as a dancer. He composed some music for the Ballet de la Nuit, which pleased the king immensely. He was appointed as the composer of instrumental music to the king and conducted the royal string orchestra of the French court, Les Vingt-quatre Violons du Roi (Twenty-four Violins of the King) or the Grande Bande (large band). He tired of the lack of discipline of the Grande Bande and, with the King's permission, formed his own Petits Violons. Lully composed many ballets for the King during the 1650s and 1660s, in which the King and Lully himself danced. He also had tremendous success composing the music for the comedies of Molière, including Le Mariage forcé (1664), L'Amour médecin (1665), and Le Bourgeois gentilhomme (1670). Louis XIV's interest in ballet waned as he aged, and his dancing ability declined (his last performance was in 1670) and so Lully pursued opera. He bought the privilege for opera from Pierre Perrin and, with the backing of Jean-Baptiste Colbert and the king, created a new privilege which essentially gave Lully complete control of all music performed in France until his death. He was a notorious libertine. In 1662, he did marry Madeleine Lambert, daughter of Lully's friend and fellow musician Michel Lambert, and proceeded to have ten children by her. But at the height of his career, in 1685, he felt confident enough to flaunt his relationship with Brunet, his young page from La Chapelle. Although his life is full of meteoric heights, his love affairs with boys and women brought him down in scandal several times to the great displeasure of Louis XIV and led to his renown as a sodomite. Despite these scandals, he always managed to get back into the good graces of Louis XIV who found Lully essential for his musical entertainments and who thought of Lully as one of his few true friends. In 1681, Lully was appointed as a court secretary to Louis XIV and was ennobled, after which he wrote his name "Jean-Baptiste de Lully" and was addressed as "Monsieur de Lully". On January 8, 1687, Lully was conducting a Te Deum in honor of Louis XIV's recent recovery from illness. He was beating time by banging a long staff (a precursor to the baton) against the floor, as was the common practice at the time, when he struck his toe, creating an abscess. The wound turned gangrenous, but Lully refused to have his toe amputated and the gangrene spread resulting in his death on 22 March. He left his last opera, Achille et Polyxène, unfinished. |
 | Marielle / Jugnot / Richard - Casting X Extrait du film "On aura tout vu" de Lautner, écrit par Françis Veber avec Pierre Richard (François Perrin) Jean-Pierre Marielle et Gérard Jugnot. |
 | Marielle / Jugnot / Richard - "Y a rien dessus!" Extrait du film "On aura tout vu" de Lautner, écrit par Françis Veber avec Pierre Richard (François Perrin), Jean Pierre Marielle et Gérard Jugnot. |
 | On aura tout vu - Et qu'est-ce qu'elle fait la petite Claire Extrait du film "On aura tout vu" de Lautner, écrit par Françis Veber avec Pierre Richard (François Perrin), Jean Pierre Marielle, Henri Guybet, Renée St Cyr, Sabine Azema et Gérard Jugnot. |
 | génération du rire (les pétasses) PIERRE PERRIN imitant un sketch des INCONNUS |
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![Don\](images/articles/thumbs/beachrainthumb.jpg "Don\")
