PIETRO MASCAGNI

'Pietro Mascagni' (December 7, 1863 – August 2, 1945) was an Italian composer, most noted for his operas. His 1890 masterpiece, ''Cavalleria rusticana'', caused one of the greatest sensations in opera history and singlehandedly ushered in the ''Verismo'' movement in Italian dramatic music. However, though it has been stated that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, this is inaccurate. ''L'amico Fritz'' and ''Iris'' have been popular in Europe since their respective premieres; in fact, Mascagni himself claimed that at one point ''Iris'' was performed in Italy more often than ''Cavalleria'' (cf. Stivender). It is certainly a better vehicle for a popular lyric soprano.
Mascagni wrote a total of fifteen operas, plus an operetta, several orchestral and vocal works, as well as songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music. If he never repeated the international success of ''Cavalleria,'' it was probably because Mascagni refused to copy himself. The variety of styles in his operas—the Sicilian passion and warmth of ''Cavalleria,'' the exotic flavor of ''Iris,'' the idyllic breeze that ventilates the charming ''L'amico Fritz'' and ''Lodoletta,'' the Gallic chiaroscuro of ''Isabeau,'' the steely, Veristic power of ''Il piccolo Marat'', the overripe postromanticism of the lush ''Parisina''—demonstrate a versatility that none of the other Veristi could boast, Puccini included.

Contents
Biography
Early life
1880-1889
1890-1899
1900-1909
1910-1919
1920-1929
1930-1939
1940-1949
1950-1951
Selected Works
Operas
Operetta
Sacred music
Orchestral music
Media
References in Popular Culture
External links
Resources

Biography

Early life

Pietro Antonio Stefano Mascagni was born in Livorno, Tuscany. He was the second son of Domenico and Emilia Mascagni. The father was the owner of a bakery. Mascagni's lifelong friend and collaborator, Giovanni Targioni-Tozzetti ("Nanni") was born the same year in Livorno.
In 1876, he began musical studies with Alfredo Soffredini (1854-1923), who founded the ''Instituto Musicale di Livorno'' (later called ''Istituto Cherubini'') after having just completed his musical studies in Milan. Also from Livorno, Soffredini was a composer, teacher and musical critic.
In 1879, he composed several works: ''Sinfonia in do minore'', ''Elegia'', ''Kyrie'', ''Gloria and Ave Maria''.

1880-1889

The premiere of Mascagni's first cantata, ''In Filanda'', took place at the Istituto Cherubini on February 9, 1881. The cantata was presented at a musical contest in Milan and won the first prize. In the same year Mascagni met Arrigo Boito and Amilcare Ponchielli in Milan.
In 1882, he composed his ''Cantata Alla Gioia'', from a text by Schiller; ''La stella di Garibaldi'', for voice and piano; and ''La tua stella''. On May 6, Mascagni left Livorno for Milan, and, on October 12 he passed the admission examination of the ''Conservatorio di Milano''. In Milan, Mascagni met the engineer Vittorio Gianfranceschi ("Vichi"), born in Vienna in 1861, and Giacomo Puccini, born in Lucca in 1858.
On January 9, 1883, Mascagni's sister, Maria, died. The cantata ''In Filanda'' became ''Pinotta'', and was proposed for the musical contest of the Conservatorio, but the registration, being late, was not accepted.
In 1884, he composed ''Ballata'' for tenor and piano; ''M'ama non m'ama'', scherzo for soprano and piano; ''Messagio d'amore'', and ''Alla luna''.
In 1885, Mascagni conducted ''Il Re a Napoli in Cremona'', romance for tenor and orchestra, on a text by Andrea Maffei. Mascagni left Milan without completing his studies. He toured as conductor in the operetta companies of Vittorio Forlì, Alfonso and Ciro Scognamiglio and, in Genova, the company of Luigi Arnaldo Vassallo.
Mascagni met the impresario Luigi Maresca in 1886. That December, Mascagni arrived in Cerignola with Maresca's company. He was accompanied by Argenide Marcellina Carbognani (Lina), his future wife. Helped by the mayor Giuseppe Cannone, Mascagni soon left the company of Maresca, not without problems, and became master of music and singing of the new philharmony of Cerignola, where he earned a lot of esteem. He also gave lessons of piano.
In February 1888, work on the ''Messa di Gloria'' started. In July, Casa Sonzogno announced in the Teatro Illustrato its second competition for a one-act opera.
Pietro and Lina were married on February 3, 1889. The next day Domenico Mascagni ("Mimì") was born. The composition of Cavalleria rusticana was completed on May 27 and the manuscript sent to Milan.

1890-1899

On February 21, 1890, Mascagni was summoned to Rome to present his opera. The première of Cavalleria rusticana, winner of the Sonzogno contest, was held May 17 at the Teatro Costanzi in Rome. The success was tremendous, and very soon the opera was performed in Florence, Turin, Bologna, Palermo, Milan, Genoa, Naples, Venice and Trieste. In December, Gustav Mahler conducted the opera in Budapest. Soon thereafter, the cities of Monaco, Hamburg, St. Petersburg, Dresden and Buenos Aires welcomed the opera. In March 1891, it was played in Vienna. At age 26, Mascagni had become famous overnight.
Dino Mascagni was born January 3, 1891. ''L'amico Fritz'', his second most successful opera, was premiered October 31 at the Teatro Costanzi in Rome.
Emi Mascagni was born August 21, 1892. ''I Rantzau'' was premired November 10 at the Teatro La Pergola, in Florence, under the direction of the composer himself.
He composed the opera Silvano in 1894.
On February 16, 1895 ''Guglielmo Ratcliff'' was premiered at the Teatro alla Scala of Milan. On March 15, ''Silvano'' was premiered at the Teatro alla Scala of Milan. Mascagni accepted the direction of the Liceo Rossini of Pesaro.
On March 2, 1896, Mascagni conducted the première of ''Zanetto'' at the Liceo.
On June 29, 1898, Mascagni conducted the première of ''A Giacomo Leopardi'', a symphonic poem, in Recanati. November 22 ''Iris'', Mascagni's first collaboration with Luigi Illica, was premiered on November 22 at the Teatro Costanzi in Rome.
Mascagni's father died in May 1899.

1900-1909

In 1900, Mascagni toured Moscow and St. Petersburg.
On January 17, 1901, Le maschere was premiered in six Italian theaters. Giuseppe Verdi died on January 27 and the following month Mascagni commemorated Verdi's passing. That same year, he conducted Verdi's Requiem in Vienna.
Mascagni composed the music for Hall Caine's play, ''The Eternal City'' in August 1902; the première of the play with Mascagni's music took place in London on October 2.
In 1902 and 1903, he toured in the United States (in particular New York City, Philadelphia, Boston and San Francisco), where he conducted many of his and other composers' works. The tour was mostly a fiasco, except for the visit to San Francisco.
In 1903, Mascagni left Pesaro after problems with the authorities. He became director of the ''Scuola Musicale Romana'', in Rome.
He signed a contract with the French editor Choudens in 1903.
Amica, with libretto by Choudens, was premiered on March 16, 1905, in Monte-Carlo. That year, he had disputes with Leoncavallo and Puccini. He also had the Livornese première of Le maschere.
Mascagni was director of the Costanzi for the season beginning in August 1909.

1910-1919

April 4, 1910, Mascagni began a relationship with Anna Lolli. In October he was reconciled with Puccini.
Mascagni ceased his activity as director of the Scuola Musicale Romana in 1911. That May, he left for Buenos Aires, beginning a 7 months tour in South America. On June 2, the première of Isabeau took place in Buenos Aires. Mahler died that year.
The Italian première of Isabeau took place simultaneously at la Scala in Milan (conductor Tullio Serafin) and at la Fenice in Venice (conductor Mascagni) in 1912. On March 28, Work on Parisina began. Composition of Parisina in Bellevue, near Paris, sometimes with his daughter Emi, his mistress Anna Lolli, and the librettist Gabrielle d'Annunzio.
In October 1913, Emi Mascagni married the musician Guido Farinelli in Rapallo. Parisina was premiered in Milan on December 15. Almost all the important Italian composers of the time were present, among them Puccini, Giordano and Zandonai.
Parisina was premiered in Livorno and Rome in 1914. World War I began on July 28. Puccini and Mascagni were against the involvement of Italy in this war, where Mascagni's son Dino was later made a prisoner. Luigi Illica was a volunteer for the front.
Mascagni wrote music for Nino Oxilia's movie ''Rapsodia Satanica'' in 1915; the custom was for silent films to be accompanied live in a theater by organ, piano, or an orchestra, often using a prepared score (sometimes with original music) with cues for the conductor or musician. Mascagni had a quarrel regarding the rights of Louise de la Ramée's Two Little Wooden Shoes (I due Zoccoletti), that inspired both Puccini and Mascagni. The subject was retained by Mascagni for Lodoletta.
Lodoletta was premiered on April 30, 1917, in Rome. The Livornese première of the opera was on July 28, with Beniamino Gigli as Flammen.
Ruggero Leoncavallo died on August 9, 1919. Sì, Mascagni's operetta, was premiered on December 13 in Rome. The funeral ceremony for Luigi Illica was on December 20.

1920-1929

Mascagni composed ''Il piccolo Marat'' in 1920. The opera was premiered in Rome on May 2, 1921, following by a premiere in Buenos Aires in September. The composer returned to South America for a tour beginning in May 1922.
In 1923, he composed ''Visione Lirica''. Alfredo Soffredini died that year in Milan.
Giacomo Puccini died from cancer in 1924. His nearly complete opera ''Turandot'' was premiered at La Scala on April 25, 1926, with Toscanini conducting. The score was completed by fellow composer Franco Alfano and that complete version has been performed ever since.
In 1927, Mascagni moved to the Albergo Plaza in Rome, a place he would not leave until his death.

1930-1939

In 1930, Mascagni conducted ''La Bohème'' in Torre del Lago, as a homage to Puccini.
In 1931, ''Le maschere'' was performed at La Scala.
''Pinotta'' was premiered in San Remo on March 23, 1932. He joined the PNF (Fascist party), following the example of many contemporary musicians, including Giordano.
On May 30, 1934, - Giovanni Targioni-Tozzetti died.
''Nerone'' was premièred in Milan on January 16, 1935, followed by the première in Livorno on August 24.
In June 1936, Dino Mascagni died in Somalia.

1940-1949

In 1940, Mascagni celebrated the fiftieth anniversary of his most popular opera, ''Cavalleria rusticana''. The opera was recorded for ''La Voce del padrone'' ("His Master's Voice") at La Scala under the direction of Mascagni, who recorded a special spoken introduction. EMI later reissued the recording on LP and CD.
April 1943 saw the last appearance of Mascagni at La Scala for ''L'amico Fritz''.
The last season of Mascagni at the Rome Opera (''Cavalleria rusticana'' and ''L'amico Fritz'') was 1944-45.
Mascagni died at 7:15 a.m. on August 2, 1945. The funeral ceremony wasAugust 4 at at 10:30 a.m. The Italian authorities were not present.

1950-1951

In 1951, the mortal remains of Mascagni were transferred from Rome to Livorno, and finally Mascagni received an official homage.

Selected Works

Operas

★ ''Cavalleria rusticana'' (17 May 1890 Teatro Costanzi, Rome) - libretto, libretto

★ ''L'amico Fritz'' (31 October 1891 Teatro Costanzi, Rome) - libretto

★ ''I Rantzau'' (10 November 1892 Teatro La Pergola, Florence)

★ ''Guglielmo Ratcliff'' (16 February 1895 Teatro alla Scala, Milan), composed between 1885 and the early 1890s - libretto

★ ''Silvano'' (25 March 1895 Teatro alla Scala, Milan)

★ ''Zanetto'' (2 March 1896 Liceo Musicale, Pesaro) - libretto

★ ''Iris'' (22 November 1898 Teatro Costanzi, Rome) - libretto

★ ''Le maschere'' (17 January 1901 Teatro Carlo Felice, Genoa - Teatro Regio, Turin - Teatro alla Scala, Milan - Teatro La Fenice, Venice - Teatro Filarmonico, Verona - Teatro Costanzi, Rome)

★ ''Amica'' (16 March 1905, Monte Carlo) - Italian libretto

★ ''Isabeau'' (2 June 1911 Teatro Coliseo, Buenos Aires)

★ ''Parisina'' (15 December 1913 Teatro alla Scala, Milan) - libretto

★ ''Lodoletta'' (30 April 1917 Teatro Costanzi, Rome) - libretto

★ ''Il piccolo Marat'' (2 May 1921 Teatro Costanzi, Rome)

★ ''Pinotta'' (23 March 1932 Casinò, San Remo), adapted from the cantata ''In filanda'' (1881)

★ ''Nerone'' (16 January 1935 Teatro alla Scala, Milan), with music written between the 1890s and the 1930s

Operetta

★ ''Sì'' (13 December 1919 Teatro Quirino, Rome)

Sacred music

★ ''Messa di Gloria in F major'' for soloists, chorus and orchestra

Orchestral music

★ ''A Giacomo Leopardi'', cantata for voice and orchestra (1898)

Media

References in Popular Culture

In 2000, electronic musician William Orbit included a modern, electronic orchestration of an excerpt from Mascagni's Cavalleria Rusticana on his album Pieces in a Modern Style.

External links

★ Mascagni cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.

Resources

★ English web site about Pietro Mascagni

★ Alan Mallach's Pietro Mascagni biography ISBN 1-55553-524-0

★ Official Italian web site about Pietro Mascagni

★ Mascagni, l'avventuroso dell'opera, by Roberto Iovino ISBN 88-7767-014-2

★ Buoso Donati, "Mascagni and Mussolini" Bibliography.

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