A 'playwright', also known as a 'dramatist', is a person who writes dramatic literature or
drama. These works may be written specifically to be performed by actors or they may be
closet dramas or literary works written using dramatic forms but not meant for performance.
The term is not a variant spelling of ''playwrite'', but something quite distinct: the word ''wright'' is an archaic English term for a craftsman or builder (as in a ''wheelwright'' or ''cartwright''). Hence the prefix and the suffix combine to indicate ''someone who crafts plays''. The
homophone with ''write'' is in this case coincidental.
Early playwrights
The earliest playwrights in Western literature with surviving works are the
Ancient Greeks, some of their earliest plays having been written around the
5th century BC. Such notables as
Aeschylus,
Sophocles,
Euripides, and
Aristophanes established forms that are still relied on by their modern counterparts.
While the most famous playwright in the English language is
William Shakespeare, whose classic tragedies, comedies, and histories are still being performed hundreds of years after they were written, the term 'playwright' appears to have been coined by
Ben Jonson in his Epigram 49, ''To Playwright'',
[1] as an insult, to imply an inferior hack-writer for the theatre. He always described himself as a poet. However, it later lost this negative connotation.
Contemporary playwrights
Contemporary playwrights often do not reach the same level of fame or cultural importance that they have in the past, since the theatre is no longer the only outlet for serious drama or entertaining comedies, and must compete with films and television for an audience. In addition, the perilous state of
funding for the arts in the U.S. and a growing reliance on ticket sales as a source of income for
non-profit theatres has caused many of them to reduce the number of new works they produce. For example,
Playwrights Horizons produced only six plays in the 2002-03 seasons, compared with thirty-one in 1973-74
[2]. As revivals and large-scale production musicals become the ''de rigeur''
Broadway (and even
Off-Broadway) production, it has become much more difficult for playwrights to make a living in the business, let alone become major successes.
However, the most successful playwrights are often high-status figures in their industry, in stark contrast to the status of the
screenwriter in
Hollywood. While this may be considered to be a result of the more literary approach that has characterised the
theatre since its roots in
poetry, its also because of the hard fact that according to
Dramatists Guild contracts, the playwright has the final say — a situation which leaves less room for the
director to be as much of an ''
auteur'' as the
film director, since the playwright’s vision takes precedence.
Modern "Documentary plays"
Documentary plays have been a common feature of the theatrical landscape since the middle of the Twentieth Century when they were employed, often tendentiously, in
agit-prop or general political protest. These plays demand something different of a playwright, often the editing and reproduction of the other people’s words within a narrative structure.
Recent examples are ''
Stuff Happens'',
David Hare's 2004 play about the
Iraq War, in which many of the speeches were taken verbatim from
George W. Bush,
Tony Blair et al and the 2006 ''
Frost/Nixon'', screenwriter
Peter Morgan's version of the 1977
David Frost and
Richard Nixon television debates.
See also
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List of playwrights
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Screenwriter
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Script (comic)
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Scriptwriter
References
1.
Jonson, Ben, ''The Works of Ben Jonson'', Boston: Phillips, Sampson, and Co., 1853. page 788
2. Alexis Soloski, "The Plays What They Wrote: The Best Scripts Not Yet Mounted on a New York Stage", ''The Village Voice'', May 21 - 27, 2003
External links
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Playwriting 101 - A playwriting tutorial written by playwright and screenwriter Jon Dorf.
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The Playwriting Seminars - playwriting site written and maintained by Richard Toscan of the Virginia Commonwealth University, USA.