POSTMINIMALISM

'Postminimalism' is a term utilized in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point.

Contents
Visual art
Music
See also
External links

Visual art


In visual art, postminimalism refers specifically to the work of those artists who utilize minimalism either as an aesthetic or conceptual reference point. The term refers less to a particular movement than an artistic tendency. Postminimalist artworks are usually everyday objects, use simple materials, and sometimes take on a "pure", formalist aesthetic. However, since postminimalism includes such a diverse and disparate group of artists, it is impossible to enumerate all the continuities and similarities between them.
Examples of postminimalist work include pieces such as the Water-Tower by Rachel Whiteread: its interior is cast in clear resin, and it is displayed on the rooftop of a building in New York where the original tower stood. The work of Eva Hesse is also postminimalist: it uses "grids" and "seriality", themes often found in minimalism, but is also usually hand-made, introducing a human element into her art, so often missing in the machine or custom-made works of minimalism. Similarly, Anish Kapoor's pieces seek to evoke the sublime through monochromatic forms, simple beauty, tactile surfaces, and/or voluminous size. A recent variant of postminimalism is to be found in the work of Tom Friedman, where absurdity and humour play a key role.
Artists who are frequently considered postminimalist include:

Tom Friedman

Felix Gonzalez-Torres

Mona Hatoum

Eva Hesse

Damien Hirst

Anish Kapoor

Wolfgang Laib

Bruce Nauman

Gabriel Orozco

Damian Ortega

Martin Puryear

Charles Ray

Joel Shapiro

Keith Sonnier

Cecil Touchon

Richard Tuttle

Richard Wentworth

Rachel Whiteread

Hannah Wilke

Music


In its general musical usage, ''postminimalism'' refers to works influenced by minimalist music. Writer Kyle Gann has employed the term more strictly to connote the style that flourished in the 1980s and 1990s and characterized by:
#a steady pulse, usually continuing throughout a work or movement;
#a diatonic pitch language, tonal in effect but avoiding traditional functional tonality;
#general evenness of dynamics, without strong climaxes or nuanced emotionalism; and
#unlike minimalism, an avoidance of obvious or linear formal design.
Minimalist procedures such as additive and subtractive process are common in postminimalism, though usually in disguised form, and the style has also shown a capacity for absorbing influences from world and popular music (Balinese gamelan, bluegrass, Jewish cantillation, and so on).
Composers who may be considered postminimalist include:

John Luther Adams

John Coolidge Adams

Louis Andriessen

Galen H. Brown

John Moran

Eve Beglarian

Roberto Carnevale

David Chesworth

Joe Cutler

Robert Davidson

Keagan

Kurt Doles

William Duckworth

Graham Fitkin

Peter Garland

Daniel Goode

Michael Gordon

Eleanor Hovda

Scott Johnson

David Lang

Paul Lansky

Steve Martland

Marc Mellits

Robert Steadman

Lois V Vierk

Stephen Scott

Michael Torke

David Toub

Julia Wolfe

Evan Ziporyn

Peter Zummo

Richie Hawtin

Aleksander Baath
For a musical style derived from minimalism, see Totalism (music).

See also



★ ''List of postminimalistic pieces''

holy minimalism

Minimal art

Lyrical Abstraction

Fluxus

Neo-expressionism

New York School

External links



postminimalism.com

Minimal Music, Maximal Impact by Kyle Gann © 2001 NewMusicBox

A Discography of Postminimal, Totalist, and Rare Minimalist Music by Kyle Gann

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