RUDOLF II, HOLY ROMAN EMPEROR

'Rudolf II' (July 18, 1552 - January 20, 1612, Prague, now in the Czech Republic) was King of Hungary (as Rudolf, 1572-1608), King of Bohemia (as Rudolf II, 1575-1608/1611), Archduke of Austria (as Rudolf V, 1576-1608), and Holy Roman Emperor (as Rudolf II, 1576-1612). He was a member of the Habsburg family.
Rudolf's legacy has traditionally been viewed in three ways:Hotson, 1999. an ineffectual ruler whose mistakes led directly to the Thirty Years' War; a great patron of Renaissance art; and a devotee of occult arts and learning which helped seed the scientific revolution.

Contents

Biography

Patron of arts

Occult sciences

See also

Notes

References

External links

Ancestors

Biography

Rudolf was born in Vienna on July 18, 1552. He was the eldest son and successor of Maximilian II, Holy Roman Emperor, King of Bohemia, and King of Hungary; his mother was Maria of Spain, a daughter of Charles V and Isabella of Portugal.

Rudolf spent eight formative years, from age 11 to 19 (1563-1571), in Spain, at the court of his maternal uncle Phillip II. After his return to Vienna, his father was concerned about Rudolf's aloof and stiff manner, typical of the more conservative Spanish court, rather than the more relaxed and open Austrian court; but his Spanish mother saw in him courtliness and refinement.Marshall, 2006. Rudolf would remain for the rest of his life reserved, secretive, and largely a homebody who did not like to travel or even partake in the daily affairs of state. He was more intrigued by occult learning such as astrology and alchemy, which was mainstream in the Renaissance period, and had a wide variety of personal hobbies such as horses, clocks, collecting rarities, and being a patron of the arts. He suffered from periodic bouts of "melancholy" (depression), which was common in the Habsburg line. These became worse with age, and were manifested by a withdrawal from the world and its affairs into his private interests. Rudolf never married but had many mistresses, and had children with a retinue of 'imperial women'.
Historians have traditionally blamed Rudolf's preoccupation with the arts, occult sciences, and other personal interests as the reason for the political disasters of his reign. More recently historians have re-evaluated this view and see his patronage of the arts and occult sciences as a triumph and key part of the Renaissance, while his political failures are seen as a legitimate attempt to create a unified Christian empire, which was undermined by the realities of religious, political and intellectual disintegrations of the time.
Although raised in his uncle's Catholic court in Spain, Rudolf was tolerant of Protestantism and other religions including Judaism. He largely withdrew from Catholic observances, even in death denying last sacramental rites. He had little attachment to Protestants either, except as counter-weight to repressive Papal policies. He put his primary support behind conciliarists, irenicists and humanists. When the papacy instigated the Counter-Reformation, using agents sent to his court, Rudolf backed those who he thought were the most neutral in the debate, not taking a side or trying to effect restraint, thus leading to political chaos and threatening to provoke civil war.

The Crown of Rudolf II later became the imperial crown of the Austrian Empire.

His conflict with the Ottoman Turks was the final cause of his undoing. Unwilling to compromise with the Turks, and stubbornly determined that he could unify all of Christendom with a new Crusade, he started a long and indecisive war with the Turks in 1593. This war lasted till 1606, and was known as "The Long War". By 1604 his Hungarian subjects were exhausted by the war and revolted, led by Stephen Bocskay. In 1605 Rudolf was forced by his other family members to cede control of Hungarian affairs to his younger brother Archduke Matthias. Matthias by 1606 forged a difficult peace with the Hungarian rebels (Peace of Vienna) and the Turks (Peace of Zsitvatorok). Rudolf was angry with his brother's concessions, which he saw as giving away too much in order to further Matthias' hold on power. So Rudolf prepared to start a new war with the Turks. But Matthias rallied support from the disaffected Hungarians and forced Rudolf to give up the crowns of Hungary, Austria, and Moravia to him. At the same time, seeing a moment of royal weakness, Bohemian Protestants demanded greater religious liberty, which Rudolf granted in the ''Letter of Majesty'' in 1609. However the Bohemians continued to press for further freedoms and Rudolf used his army to repress them. The Bohemian Protestants appealed to Matthias for help, whose army then held Rudolf prisoner in his castle in Prague, until 1611, when Rudolf was forced to cede the crown of Bohemia to his brother.
Rudolf died in 1612, nine months after he had been stripped of all effective power by his younger brother, except the empty title of Holy Roman Emperor, which Matthias inherited five months later. He died unmarried. In May 1618 at an event known as the Defenestrations of Prague, the Protestant Bohemians, in defense of the rights granted them in the ''Letter of Majesty'', began the Thirty Years' War (1618-1648).

Patron of arts

Rudolf moved the Habsburg capital from Vienna to Prague in 1583. Rudolf loved collecting paintings, and was often reported to sit and stare in rapture at a new work for hours on end. He spared no expense in acquiring great past masterworks, such as those of Durer and Brueghel. He was also patron to some of the best contemporary artists, who mainly produced new works in the mannerist style, such as Bartholomaus Spranger, Hans Mont, Giuseppe Arcimboldo, Hans von Aachen, and Adrian de Vries. Rudolf's galleries were the most impressive in Europe at the time, and the greatest collection of mannerism to this day.

Rudolf painted as Vertumnus, Roman God of the seasons, by Giuseppe Arcimboldo (1590-1). Rudolph greatly appreciated the work.

Rudolf's love of collecting went far beyond paintings and sculptures. He commissioned decorative objects of all kinds and in particular mechanical moving devices. Ceremonial swords and musical instruments, clocks, water works, astrolabes, compasses, telescopes and other scientific instruments, were all produced for him by some of the best craftsmen in Europe.
He patronized natural philosophers such as the botanist Charles de l'Ecluse, and both Tycho Brahe and Johannes Kepler attended his court.
He kept a menagerie of exotic animals, botanical gardens, and Europe's most extensive "cabinet of curiosities" (''Kunstkammer'') incorporating "the three kingdoms of nature and the works of man". It was housed at Prague Castle, where between 1587 and 1605 he built the northern wing to house his growing collections.^[1]
By 1597, the collection occupied three rooms of the incomplete northern wing. When building was completed in 1605, the collection was moved to the dedicated ''Kunstkammer''. ''Naturalia'' (minerals and gemstones) were arranged in a 37 cabinet display that had three vaulted chambers in front, each about 5.5 meters wide by 3 meters high and 60 meters long, connected to a main chamber 33 meters long. Large uncut gemstones were held in strong boxes.
Rudolph's ''Kunstkammer'' was not a typical "cabinet of curiosities" - a haphazard collection of unrelated specimens. Rather, the Rudolfine ''Kunstkammer'' was systematically arranged in an encyclopaedic fashion. In addition, Rudolf II employed his polyglot court physician, Anselmus Boetius de Boodt (''c.'' 1550-1632), to curate the collection. De Boodt was an avid mineral collector. He travelled widely on collecting trips to the mining regions of Germany, Bohemia and Silesia, often accompanied by his Bohemian naturalist friend, Thadeus Hayek. Between 1607 and 1611, de Boodt catalogued the ''Kunstkammer'', and in 1609 he published ''Gemmarum et Lapidum'', one of the finest mineralogical treatises of the 17th century.
As was customary at the time, the collection was private, but friends of the Emperor, artists, and professional scholars were allowed to study it. The collection became a invaluable research tool during the flowering of 17th-century European philosophy, the "Age of Reason".
Regrettably, Rudolf's successors did not appreciate the collection and the ''Kunstkammer'' gradually fell into disarray. Some 50 years after its establishment, most of the collection was packed into wooden crates and moved to Vienna. The collection remaining at Prague was looted during the last year of the Thirty Years War, by Swedish soldiers who sacked Prague Castle on 26 July 1648. In 1782, the remainder of the collection was sold piecemeal to private parties by Joseph II, who was a lover of the Arts rather than the Sciences. One of the few surviving items from the ''Kunstkammer'' is a "fine chair" looted by the Swedes in 1648 and now owned by the Earl of Radnor at Longford Castle, UK.^[2]

Occult sciences

Astronomy and alchemy were mainstream science in Renaissance Prague and Rudolf was a firm devotee of both. His lifelong quest was to find the Philosopher's Stone and Rudolf spared no expense in bringing Europe's best alchemists to court, such as Edward Kelley and John Dee. Rudolf even performed his own experiments in a private alchemy laboratory. When Rudolf was a prince, Nostradamus prepared a horoscope which was dedicated to him as 'Prince and King'.
Rudolf gave Prague a mystical reputation that persists in part to this day, with ''Alchemists' Alley'' on the grounds of Prague Castle a popular visiting place.

See also

★ Moldavian Magnate Wars for the background on southern wars (with Ottoman Turkey and its allies)

Notes

1. Wendell E. Wilson, Joel A. Bartsch & Mark Mauthner, Masterpieces of the Mineral World: Treasures from the Houston Museum of Natural Science, Houston Museum of Natural Science Harry N. Abrams/New York, 2004,.ISBN: 0-810-96751-0
2. Hayward, J. F., 1980. A Chair from the 'Kunstkammer' of the Emperor Rudolf II. The Burlington Magazine, 122(927), 428 to 432.
[1]

References

★ Bolton, Henry Carrington (1904). ''The Follies of Science at the Court of Rudolph II, 1576-1612'', Milwaukee: Pharmaceutical Review Publishing Co., 1904. From Internet Archive

★ Evans, R. J. W (1953). ''Rudolf II and his world: A study in intellectual history, 1576-1612''. Oxford: Clarendon Press, 2nd ed, 1984. Considered the fundamental re-evaluation of Rudolf.

★ Hotson, Howard (1999). "Rudolf II", in ''Encyclopedia of the Renaissance'', ed. Paul Grendler. Vol. 5. ISBN 0684805146

★ Marshall, Peter (2006). ''The Magic Circle of Rudolf II: Alchemy and Astrology in Renaissance Prague''. ISBN 0802715516. Biography, focusing on the many artists and "scientists" Rudolf patronized.

External links

★ Rudolf II and Prague, 1997 official exhibition.

★ Prague during the reign of Rudolf II, by Jacob Wisse, in ''Timeline of Art History''. New York: The Metropolitan Museum of Art, 2000.

★ Golem Stories, by Edward Einhorn, examines Rudolf II's association with the golem legend.

Ancestors

'Rudolf's ancestors in three generations'

'Rudolf II, Holy Roman Emperor'	'Father:' Maximilian II, Holy Roman Emperor	'Father's father:' Ferdinand I, Holy Roman Emperor	'Father's father's father:' Philip I of Castile
			'Father's father's mother:' Joanna of Castile
		'Father's mother:' Anna of Bohemia and Hungary	'Father's mother's father:' Ladislaus II of Bohemia and Hungary
			'Father's mother's mother:' Anne de Foix
	'Mother:' Maria of Spain	'Mother's father:' Charles V, Holy Roman Emperor	'Mother's father's father:' Philip I of Castile
			'Mother's father's mother:' Joanna of Castile
		'Mother's mother:' Isabella of Portugal	'Mother's mother's father:' Manuel I of Portugal
			'Mother's mother's mother:' Maria of Aragon

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