'Sovremennik' (, literally: ''The Contemporary'') was a
Russian literary, social and political magazine, published in
St.Petersburg in
1836-
1866. It came out four times a year in 1836-
1843 and once a month after that. The magazine published poetry, prose, critical, historical, ethnographic, and other material.
The ''Sovremennik'' originated as a private enterprise of
Alexander Pushkin who was running out of money to support his growing family. To assist him with the magazine, the poet asked
Nikolai Gogol,
Pyotr Vyazemsky and
Vladimir Odoyevsky to contribute their works to the journal. It was there that the first substantial assortment of
Fyodor Tyutchev's poems was published. Soon it became clear that Pushkin's establishment could not compete with
Faddey Bulgarin's journal, which published more popular and less demanding literature. The ''Sovremennik'' was out of date and could not command a paying audience.
When Pushkin died, his friend
Pyotr Pletnyov took over the editorship in
1838. A few years later the magazine fell into decline, and Pletnyov handed it over to
Nikolay Nekrasov and
Ivan Panayev in
1847. It was Nekrasov who really made the magazine profitable. He enlisted the services of
Ivan Turgenev,
Ivan Goncharov,
Alexander Herzen, and
Nikolai Ogaryov. The ''Sovremennik'' was the first to publish translated works by
Charles Dickens,
George Sand, and other best-selling foreign writers.
Although the magazine was owned and run by Nekrasov, its official
editor-in-chief was
Alexander Nikitenko. The virulent realist critic
Vissarion Belinsky was responsible for its ideology. His criticism of present-day reality and propaganda of democratic ideas made the journal very popular among the Russian
intelligentsia. ''Sovremennik's circulation was 3,100 copies in
1848.
During the reactionary reign of
Nicholas I, the journal had to struggle against
censorship and complaints of disgruntled aristocracy. Its position grew more complicated after Herzen's emigration (1847) and Belinsky's death (1848). Despite these hardships, ''Sovremennik'' published works by best Russian authors of the day:
Leo Tolstoy, Turgenev, and Nekrasov.
Timofey Granovsky,
Sergey Solovyov and other leading historians were published as well.
The period between
1852 and
1862 is considered to be the most brilliant in the history of the journal. Nekrasov managed to strike a deal with its leading contributors, whereby their new works were to be published exclusively by him. As regards ideology, the ''Sovremennik'' grew more radical together with its audience. Belinsky was succeeded by
Nikolai Chernyshevsky in
1853 and by
Nikolai Dobrolyubov. All their principal articles were published in the ''Sovremennik''.
In late
1858, the magazine entered into polemics with the liberal and conservative press and became a platform for and ideological center of the revolutionary democracy, turning into a political magazine. In
1861, it published materials, dedicated to the
emancipation of the serfs and advocated the interests of serfs in the strongest terms possible. In
1859-
1861, ''Sovremennik'' argued with Herzen's ''
Kolokol'' about the aims of the Russian democracy.
Such a radical stance alienated those writers who were indifferent to politics or personally disliked revolutionary
intelligentsia. Although Tolstoy, Turgenev, and
Dmitry Grigorovich eventually left the magazine, the ''Sovremennik's circulation reached 7,126 copies in 1861. The death of Dobrolyubov in 1861, an 8-month suspension of publishing activities (in June 1862), and Chernyshevsky's arrest caused irreparable damage to the magazine. Its ideological stance became less clear and consistent.
In
1863, Nekrasov managed to resume publishing the ''Sovremennik''. He invited
Mikhail Saltykov-Shchedrin (stayed until
1864),
Maxim Antonovich,
Grigory Yeliseyev, and
Alexander Pypin to join its editorial staff. Controversy among the members of the editorial staff soon resulted in adoption of a more temperate policy.
In 1863-1866, ''Sovremennik'' published Chernyshevsky's ''
What Is To Be Done?'' (written in the
Peter and Paul Fortress), satires by Saltykov-Shchedrin, and works by the so-called plebeian authors (
Vasili Sleptsov,
Fyodor Reshetnikov,
Gleb Uspensky). The magazine was closed down in June 1866, due to the official panic that followed the
first attempt on Alexander II's life. After that, Nekrasov and Saltykov-Schedrin acquired the rights to publish the ''
Otechestvenniye Zapiski'', a literary journal widely viewed as the ''Sovremennik's successor.
References