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The craft of 'stonemasonry' has existed since the dawn of civilization - creating buildings, structures, and sculpture using stone from the earth. These materials have been used to construct many of the long-lasting, ancient monuments, artifacts, cathedrals, and cities in a wide variety of cultures. One of the most famous stonemasons is the famous artist, sculptor, and architect, Michelangelo. The awe-inspiring products of stonemasonry include the Easter Island statues, the Egyptian Pyramids, the Greek Parthenon, Stonehenge, and Chartres Cathedral.

Contents

Definition

Types of stone

Sedimentary

Metamorphic

Igneous stones

Training

Tools

History

See also

External links

Definition

Stonemasonry is the craft of shaping rough pieces of rock into accurate geometrical shapes, mostly simple, but some of considerable complexity, and then arranging the resulting stones, often together with mortar, to form structures.

★ 'Quarrymen' split the rock, and extract the resulting blocks of stone from the ground.

★ 'Sawyers' cut these rough blocks into rectangles of the required size.

★ 'Banker masons' are workshop based, and specialise in carving stones into the geometrical shapes required by a building's design. They can produce anything from stones with simple chamfers to tracery windows.

★ 'Carvers' cross the line from craft to art, and use their artistic ability to carve stone into foliage, figures, animals or abstract designs.

★ 'Fixer masons' specialise in the fixing of stones onto buildings, using lifting tackle, mortar, and sometimes metal fixings. The precise tolerances necessary make this a highly skilled job.

★ 'Memorial masons' carve gravestones and inscriptions.
The modern stonemason may be skilled and competent to carry out one or all of the various branches of stonemasonry. In some areas the trend is towards specialisation, in other areas towards adaptability.
The term freemason is not used in modern day stonemasonry.

Types of stone

Stonemasons use all types of stone, igneous, metamorphic and sedimentary.

Sedimentary

Many of the world's most famous buildings have been built of sedimentary stone, from Durham Cathedral to St Peter's in Rome. There are two main types of sedimentary stone, limestones and sandstones. Many start off soft when they are taken from the ground, allowing them to be cut and carved into shape with relative ease, and then they harden slowly when exposed to the air. Examples of limestones include Bath and Portland stone. York stone is a famous sandstone.

Metamorphic

Marble has traditionally been used for carving statues, and for facing many Byzantine and Renaissance Italian buildings. The traditional home of the marble industry is the area around Carrara in Italy, from where a bright white marble is extracted in vast quantities.
Slate is a popular choice of stone for memorials and inscriptions, as its fine grain and hardness means it leaves details very sharp.

Igneous stones

Granite is one of the hardest stones, and requires such different techniques to sedimentary stones that it is virtually a separate trade. With great persistence, simple mouldings can and have been carved into granite, for example in many Cornish churches and the city of Aberdeen. Generally, however, it is used for purposes that require its strength and durability, such as kerbstones and breakwaters.

Igneous stone ranges from very soft rocks such as Pumice and Scoria to somewhat harder rocks such as Tuff and hard rocks such as Obsidian, Granite and Basalt. Easter Island's Rapa Nui culture had a specialisation in Igneous stone working to make the tremendous Ahus on which its iconic Moai were set. Most Moai were made of Tuff from Rano Raraku but their Ahus (which were usually much larger) were made of local stone.

Some use was also made of Scoria, Basalt and Obsidian, in particular the Pukau were all made of light Scoria. But all the Rapa Nui people had to work with were stone tools, in particularly Basalt Toki.

Training

Traditionally medieval stonemasons served a seven year apprenticeship. A similar system still operates in some countries, such as Germany.
In other countries, such as the United Kingdom, Canada, and the United States, there is a less formal structure. One can simply learn the trade by observing others while working under those who have already mastered the trade. In some areas colleges offer courses which teach not only the manual skills but also related fields such as drafting and blueprint reading or construction conservationism. There also exist some government regulated apprenticeship programs which vary in length and combine on-the-job learning with classroom sessions. Electronic Stonemasonry training resources enhance traditional delivery techniques 1.
Those wishing to become stonemasons should have little problem working at heights, possess reasonable hand-eye co-ordination, be moderately physical fit, and have basic mathematical ability. Most of these things can be developed while learning.

Tools

Stonemasons use a wide variety of tools to handle and shape stone blocks (ashlar) and slabs into finished articles. The basic tools for shaping the stone are a mallet, chisels, and a metal straight edge. With these one can make a flat surface - the basis of all stonemasonry.
Chisels come in a variety of sizes and shapes, dependent upon the function for which they are being used. There are different chisels for different materials and sizes of material being worked, for removing large amounts of material and for putting a fine finish on the stone.
Mixing mortar is normally done today with mortar mixers which usually use a rotating drum or rotating paddles to mix the mortar.
The trowel is used for the application of the mortar between and around the stones as they are set into place. Filling in the gaps (joints) with mortar is referred to as pointing. Pointing in smaller joints can be accomplished using tuck pointers, pointing trowels, and margin trowels, among other tools.
At least one tool bears the name of the tradesmen that use it, and that is the Stonemason's hammer. This hammer can be used in place of a chisel in certain circumstances. The hammer can also be used to make shims and chinks while holding a small stone in one hand and striking it with the hammer.
Stonemasons use a Lewis together with a crane or winch to hoist building stones into place.
Today power tools such as compressed-air chisels, abrasive spinners and angle grinders are much used: these save time and money, but are hazardous and require just as much skill as the hand tools that they augment. Of note is many of the basic tools of stonemasonry have remained virtually the same throughout vast amounts of time, even thousands of years.

History

Stonemasonry is one of the earliest trades in civilisation's history. During the time of the Neolithic Revolution and domestication of animals, people learned how to use fire to create quicklime, plasters, and mortars. They used these to fashion homes for themselves with mud, straw, or stone, and masonry was born.
The Ancients heavily relied on the stonemason to build the most impressive and long lasting monuments to their civilisations. The Egyptians built their pyramids, the Babylonians their Ziggurats, the Persians their palaces, the Greeks their temples, and the Romans their innumerous public works and wonders (See Roman Architecture.) Among the famous ancient stonemasons is Sophroniscus, the father of Socrates, who was a stone-cutter.
When the Roman Empire fell, building in dressed stone stopped completely in most of Europe, and construction returned to a timber based industry. People looking at the stone ruins around them thought that the world had ended, and that the ancient world was a lost Golden Age. Working in stone began again in the ninth and tenth centuries in Europe, and by the twelfth century religious fervour resulted in the construction of thousands of impressive churches and cathedrals in stone across Western Europe.
A medieval stonemason would often carve a personal symbol onto their block to help differentiate their work from that of other stonemasons. This also provided a simple ‘quality assurance’ system.
The Renaissance saw stonemasonry return to the prominence and sophisication of the Classical age. The rise of the Humanism philosophy gave people the ambition to create marvelous works of art. The centre stage for the Renaissance would prove to be Italy, where city-states such as Florence erected great stoneworks, including the Cathedral of Santa Maria del Fiore, the Fountain of Neptune, and the Laurentian Library which was planned and built by Michelangelo Buonarroti, a famous stonemason of the Renaissance.
When Europeans settled the Americas, they brought the stonemasonry techniques of their respective homelands with them. Settlers used what materials were available, and in some areas stone was the material of choice. In the first waves, building mimicked that of Europe, to eventually be replaced by unique architecture later on.
In the 20th century stonemasonry has seen its most radical changes in the way the work is accomplished. Prior to the first half of the century, most heavy work was executed by draft animals or human muscle power. With the arrival of the internal combustion engine, many of these hard aspects of the trade have been made simpler and easier. Cranes and forklifts have made moving and laying heavy stones relatively easy for the stonemasons. Motor powered mortar mixers have saved much in time and energy as well. Compressed-air powered tools have made working of stone less time-intensive. Petrol and electric powered abrasive saws can cut through stone much faster and with more precision than chiseling alone. Carbide-tipped chisels can stand up to much more abuse than older steel and iron chisels made by blacksmiths of old.

See also

★ NIST stone test wall

★ Stone wall

★ Dry-stone wall

★ Cathedral

★ Castle

★ Defensive wall

★ Masonry

★ Architecture

External links

★ Stonemason occupation information

★ Stonemason job summary

★ The Stone Foundation

★ The Burra Charter

★ e-Learning in the Trades

★ About Stone