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EspañolSTUART SUTCLIFFE
(Redirected from Stu Sutcliffe)
'Stuart Fergusson Victor Sutcliffe' (23 June 1940 – 10 April 1962) was a British musician and artist.
Until his early death Sutcliffe earned praise for his paintings, which mostly explored a style related to Abstract Expressionism. Sutcliffe was a friend of John Lennon, and was the original bassist of the English rock band The Beatles for two years. Sutcliffe and Lennon are credited with naming the group after Buddy Holly's band the Crickets. Sutcliffe enrolled in the Hamburg College of Art after leaving The Beatles and studied under future pop artist Eduardo Paolozzi.
Sutcliffe met photographer Astrid Kirchherr in Hamburg whilst playing there, and they were later engaged.
Sutcliffe's father, Charles Sutcliffe, was a naval officer, who was often at sea during his son's early years. His mother, Millie, was a schoolteacher. Sutcliffe had a younger sister named Pauline.
A small but delicately handsome boy, Sutcliffe was born at the Simpson Memorial Maternity Pavilion Hospital in 1940, in Edinburgh, Scotland and brought up at 22 Sandiway in the St Johns area of Huyton, Merseyside in England, attending the Prescot Grammar School.[1][2] Sutcliffe sang in the local church choir in Huyton.[3] When Sutcliffe's father did return home on leave, he invited his son and Rod Murray (Sutcliffe's room-mate) for a "real good booze-up" and slipped £10 into Sutcliffe's pocket before disappearing for another six months.[1]
Sutcliffe met John Lennon when they were both studying at the Liverpool College of Art. According to Lennon, Sutcliffe had a "marvellous art portfolio" at the age of fourteen and was a seriously talented painter who was one of the "stars" of the school.[1][6]
Sutcliffe lived in Percy Street before moving to Hillary Mansions at 3 Gambier Terrace, which was occupied by Beatniks.[7][8] The flat was near the new Anglican Cathedral in the run-down area of Liverpool 8, with bare lightbulbs and a mattress on the floor in the corner. Lennon moved in with Sutcliffe in early 1960.[9][10]
After talking to Sutcliffe one night at the Cashbah Coffee Club, owned by Pete Best's mother, Mona Best —- Lennon and Paul McCartney persuaded Sutcliffe to buy a Höfner 500/5 model, known in Europe as a ''President'' bass.[11][12] Sutcliffe's fingers would often be blistered during long rehearsals, as he had never played long enough for his fingers to become calloused, although he had previously played acoustic guitar.[13][14] Sutcliffe started acting as a booking agent for the group, and they often used his flat as a rehearsal room.[9]
In July of 1960, the British Sunday newspaper ''The People'' ran an article entitled, "The Beatnik Horror", which featured a photograph taken in the flat below Sutcliffe's, with a teenaged Lennon lying on the floor. Allan Williams had set up the photograph. He took over from Sutcliffe booking concerts for "The Silver Beetles", as they were then known, which was Lennon, McCartney and Sutcliffe.[16] The Beatles' subsequent name-change came from an afternoon in the Renshaw Hall bar when Sutcliffe, Lennon, and Cynthia Powell thought up names similar to Buddy Holly's band, The Crickets, and came up with ''The Beatals''.[17] Lennon later changed the name to "The Beatles", because he thought it sounded French and suggested ''Le Beat'', or ''Beat-less''.[18][19]
Sutcliffe's playing style was elementary, mostly sticking to root notes of chords.[20] Bill Harry, founder and editor of the ''Mersey Beat'' newspaper, complained to Sutcliffe that he should be concentrating on art and not music, as he thought that Sutcliffe was a competent but not brilliant bassist.[21] While Sutcliffe is often described in Beatles biographies as appearing very uncomfortable onstage, and as often playing with his back to the audience, Pete Best denies this, recalling Sutcliffe as usually good-natured and "animated" before an audience.[22] McCartney has said that Sutcliffe was a typical art student, with bad skin and pimples, although in Hamburg, his stature grew after he began wearing dark Ray-Ban sunglasses and tight trousers.[23]
On 5 December 1960, George Harrison was sent back to England for being under-age. McCartney and Best were deported for attempted arson at the Bambi Kino, which left Lennon and Sutcliffe in Hamburg.[24][25] Lennon took a train home, but as Sutcliffe had a cold he stayed in Hamburg.[26] Sutcliffe later borrowed airfare money from Astrid Kirchherr in order to fly to Liverpool in early January of 1961, though he returned to Hamburg in March with the other Beatles.[27]
At that point, Sutcliffe lent McCartney his President bass until the latter could earn enough money to buy a bass guitar of his own. Sutcliffe asked McCartney not to change the strings around, so McCartney had to play it upside down.[28] In 1967, The Beatles included a photo of Sutcliffe among those on the cover of the ''Sgt. Pepper's Lonely Hearts Club Band'' album (he appears at the extreme left, next to fellow-artist Aubrey Beardsley).
Main articles: Astrid Kirchherr
Kirchherr was raised by her widowed mother, Nielsa Kirchherr, in Eimsbütteler Strasse in the wealthy Hamburg suburb of Altona.[29] Sutcliffe met Kirchherr in the Kaiserkeller club, where she went to watch The Beatles perform. After a photo session with them, Kirchherr invited the group to her mother's house for tea and showed them her bedroom, decorated in all black —- including the furniture -— with silver foil on the walls, and a large tree branch hanging from the ceiling. Sutcliffe began dating Kirchherr shortly thereafter.[30]
Sutcliffe wrote to friends that he was infatuated with Kirchherr, and asked her friends which colours, films, books, and painters she liked. Pete Best commented that the beginning of their relationship was, "like one of those fairy stories".[31] Kirchherr and Sutcliffe got engaged in November, 1960, and exchanged rings, as is the German custom.[23] Sutcliffe wrote to his parents that he was engaged to Kirchherr, something they were shocked to learn, as they assumed he would give up his career as an artist.[33]
Kirchherr and Sutcliffe traveled to Liverpool in the summer of 1961, as Kirchherr wanted to meet Sutcliffe's family and to see his home city before their marriage.[34]
Stuart Sutcliffe collapsed in the middle of an art class in Hamburg. Nielsa Kirchherr had German doctors perform various tests, but they were unable to determine exactly what was causing the intense headaches from which he'd been suffering. Whilst living at the Kirchherrs' house in Hamburg, his condition grew steadily worse. After collapsing again, Sutcliffe was taken to a hospital by Kirchherr (who rode with him in the ambulance), but he died before reaching the hospital.[35][36]
On the 13 April 1962, Kirchherr met The Beatles at the Hamburg airport and told them that Sutcliffe had died from a brain hemorrhage a few days before.[35]
It has never been known precisely what caused the brain hemorrhage that took Sutcliffe's life. Some believe that the cause was an earlier head injury, sustained during a fight outside Lathom Hall after a live performance in January of 1961 (although Sutcliffe had been beaten up before).[38] According to former manager Allan Williams, Lennon and Best went to Sutcliffe's aid, fighting off his attackers before dragging him to safety. Sutcliffe sustained a fractured skull in the fight, and Lennon broke his little finger.[39]
Sutcliffe had refused medical attention at the time (and had not kept an X-ray appointment at the Sefton General Hospital). He saw a doctor only months later in Germany, when he began experiencing severe headaches and acute sensitivity to light.[40] Kirchherr said later that some of the headaches left Sutcliffe temporarily blind.[34][36]
After Sutcliffe's death, Kirchherr wrote a letter to Millie Sutcliffe, apologising for being too ill to attend his funeral in Liverpool and saying how much she and Lennon missed him:
Sutcliffe displayed artistic talent at an early age.[1][44] Helen Anderson (a fellow student) remembered his early works as being very aggressive, with dark moody colours, which was not the type of painting she expected from such a quiet student.[6]
One of Sutcliffe's paintings was shown at the Walker Art Gallery in Liverpool as part of the John Moores exhibition from November 1959 until January 1960. After the exhibition, John Moores bought Sutcliffe's canvas for £75, which was then equal to 6-7 weeks' wages for an average working man.[9]
After meeting Kirchherr, Sutcliffe decided to leave The Beatles and enrolled at the Hamburg College of Art in June 1961, under the tutelage of Paolozzi who respected Sutcliffe's talent, and later wrote a report stating that although Sutcliffe had missed some lessons because of illness, he was considered by Paolozzi to be one of his "best students".[23][48][49]
Sutcliffe's few surviving works reveal influence from the British and European abstract artists contemporary with the Abstract Expressionist movement in the United States. His earlier figurative work is reminiscent of the kitchen sink school, particularly of John Bratby, though Sutcliffe was producing abstract work by the end of the 1950s, including ''The Summer Painting'', purchased by Moores. Rod Murray remembered that the painting was painted on a board, not a canvas, and had to be cut into two pieces (because of its size) and hinged. Murray added that only one of the pieces actually got to the exhibition but sold nonetheless.[50]
Sutcliffe's works bear some comparison with those of John Hoyland and Nicolas de Staël, though they are more lyrical. His later works are typically untitled, constructed from heavily impastoed slabs of pigment in the manner of de Staël, and overlaid with scratched or squeezed linear elements creating enclosed spaces. ''Hamburg Painting no. 2'' was purchased by Liverpool's Walker Art Gallery and is one of a series entitled "''Hamburg''" in which the surface and color changes produced atmospheric energy. European artists (including Paolozzi) were influencing Sutcliffe at the time.[51] The Walker Art Gallery has other works by Sutcliffe, which are "''Self-portrait''" (in charcoal) and "''The Crucifixion''".[52][53]
Lennon later hung a pair of Sutcliffe's paintings in his house (Kenwood) in Weybridge. McCartney had a Paolozzi sculpture in his Cavendish Avenue home.[54][55]
The Beatles' compilation album ''Anthology 1'', consisting mostly of previously unreleased recordings from the band's early years, was released in 1995. Sutcliffe is pictured on the front cover, as he was on ''Sgt. Pepper'' 28 years before. More importantly, he is featured playing bass with the Beatles on three songs that the band recorded in 1960: "Hallelujah, I Love Her So", "You'll Be Mine", and "Cayenne". These songs are, to date, the only officially sanctioned recordings of Sutcliffe playing with the Beatles.
Sutcliffe's role in the Beatles' early career, as well as the factors that led him to leave the group, is dramatised in the film ''Backbeat'', in which he was portrayed by Stephen Dorff. He was also portrayed by David Wilkinson in the film ''Birth of the Beatles'' and by Lee Williams in ''In My Life: The John Lennon Story'' (2000).
1. Spitz 2005. p105
2. Prescot Grammar School uniform liverpoolmuseums.org.uk - Retrieved: 13 May 2007
3. Photo of Sutcliffe in church choir liverpoolmuseums.org.uk - Retrieved: 13 May 2007
4. Spitz 2005. p105
5. Spitz 2005. p105
6. Spitz 2005. p107
7. Spitz 2005. p172
8. Painting by Sutcliffe in Percy Street flat liverpoolmuseums.org.uk - Retrieved: 13 May 2007
9. Miles 1998. p50
10. Cynthia Lennon – “John” 2006. p63
11. Sutcliffe's President Bass rockmine.com - Retrieved: 9 May 2007
12. Sutcliffe's cheque book - liverpoolmuseums.org.uk - Retrieved: 13 May 2007
13. Cynthia Lennon – “John” 2006. p64
14. Sutcliffe’s first guitar liverpoolmuseums.org.uk - Retrieved: 13 May 2007
15. Miles 1998. p50
16. Miles 1998. p53
17. Spitz 2005. p175
18. Cynthia Lennon – “John” 2006. p65
19. Renshaw Hall bar liverpoolmuseums.org.uk - Retrieved: 9 May 2007
20. Spitz 2005. pp184-185
21. Spitz 2005. pp173-174
22. An Evening With Pete Best, Part I: The Interview rickresource.com - Retrieved: 20 Jan, 2007
23. Miles 1998. p65
24. Cynthia Lennon “John” 2006. p93.
25. The BeatlesTimeline beatles.ncf.ca - Retrieved: 9 May 2007
26. Spitz 2005. p230
27. Spitz 2005. p242
28. Miles 1998. pp74-75
29. Miles 1998. p64
30. Spitz 2005. p224
31. Spitz 2005. p225
32. Miles 1998. p65
33. Spitz 2005. p235
34. Spitz 2005. p278
35. Spitz 2005. p305
36. Cynthia Lennon– “John”. p110.
37. Spitz 2005. p305
38. Spitz 2005. p240
39. Spitz 2005. p241
40. Sefton General Hospital report liverpoolmuseums.org.uk - Retrieved: 13 May 2007
41. Spitz 2005. p278
42. Cynthia Lennon– “John”. p110.
43. Spitz 2005. p105
44. Cynthia Lennon – “John” 2006. p47
45. Spitz 2005. p107
46. Miles 1998. p50
47. Miles 1998. p65
48. Hamburg identity card, 1961 liverpoolmuseums.org.uk - Retrieved: 13 May 2007
49. Eduardo Paolozzi’s Report liverpoolmuseums.org.uk - Retrieved: 13 May 2007
50. Spitz 2005. p168
51. 'Hamburg Painting No. 2' 1961 liverpoolmuseums.org.uk - Retrieved: 12 May 2007
52. Sutcliffe's self-portrait (in charcoal) liverpoolmuseums.org.uk - Retrieved: 13 May 2007
53. “The Crucifixion” by Sutcliffe liverpoolmuseums.org.uk - Retrieved: 12 May 2007
54. Miles 1998. p170
55. Miles 1998. p258
★
★
★ The Beatles: The Biography, Spitz, Bob, , , Little, Brown and Company (New York), 2006, ISBN 1845131606
★ The Quarrymen
★ The Beatles
★ Astrid Kirchherr
★ Houses and places of interest in Liverpool.
★ Stuart Sutcliffe and The Beatles exhibition at the Museum of Liverpool Life
★ Describes Pauline Sutcliffe's claims
★ Stuart - The Life and Art of Stuart Sutcliffe
★ Stuart Sutcliffe - The Lost Beatle
'Stuart Fergusson Victor Sutcliffe' (23 June 1940 – 10 April 1962) was a British musician and artist.
Until his early death Sutcliffe earned praise for his paintings, which mostly explored a style related to Abstract Expressionism. Sutcliffe was a friend of John Lennon, and was the original bassist of the English rock band The Beatles for two years. Sutcliffe and Lennon are credited with naming the group after Buddy Holly's band the Crickets. Sutcliffe enrolled in the Hamburg College of Art after leaving The Beatles and studied under future pop artist Eduardo Paolozzi.
Sutcliffe met photographer Astrid Kirchherr in Hamburg whilst playing there, and they were later engaged.
| Contents |
| Early years |
| The Beatles and Hamburg |
| Astrid Kirchherr |
| Death |
| Art |
| Anthology 1 |
| Film Portrayals |
| Notes |
| References |
| See also |
| External links |
Early years
Sutcliffe's self-portrait.
Sutcliffe's father, Charles Sutcliffe, was a naval officer, who was often at sea during his son's early years. His mother, Millie, was a schoolteacher. Sutcliffe had a younger sister named Pauline.
A small but delicately handsome boy, Sutcliffe was born at the Simpson Memorial Maternity Pavilion Hospital in 1940, in Edinburgh, Scotland and brought up at 22 Sandiway in the St Johns area of Huyton, Merseyside in England, attending the Prescot Grammar School.[1][2] Sutcliffe sang in the local church choir in Huyton.[3] When Sutcliffe's father did return home on leave, he invited his son and Rod Murray (Sutcliffe's room-mate) for a "real good booze-up" and slipped £10 into Sutcliffe's pocket before disappearing for another six months.[1]
Sutcliffe met John Lennon when they were both studying at the Liverpool College of Art. According to Lennon, Sutcliffe had a "marvellous art portfolio" at the age of fourteen and was a seriously talented painter who was one of the "stars" of the school.[1][6]
Sutcliffe lived in Percy Street before moving to Hillary Mansions at 3 Gambier Terrace, which was occupied by Beatniks.[7][8] The flat was near the new Anglican Cathedral in the run-down area of Liverpool 8, with bare lightbulbs and a mattress on the floor in the corner. Lennon moved in with Sutcliffe in early 1960.[9][10]
After talking to Sutcliffe one night at the Cashbah Coffee Club, owned by Pete Best's mother, Mona Best —- Lennon and Paul McCartney persuaded Sutcliffe to buy a Höfner 500/5 model, known in Europe as a ''President'' bass.[11][12] Sutcliffe's fingers would often be blistered during long rehearsals, as he had never played long enough for his fingers to become calloused, although he had previously played acoustic guitar.[13][14] Sutcliffe started acting as a booking agent for the group, and they often used his flat as a rehearsal room.[9]
In July of 1960, the British Sunday newspaper ''The People'' ran an article entitled, "The Beatnik Horror", which featured a photograph taken in the flat below Sutcliffe's, with a teenaged Lennon lying on the floor. Allan Williams had set up the photograph. He took over from Sutcliffe booking concerts for "The Silver Beetles", as they were then known, which was Lennon, McCartney and Sutcliffe.[16] The Beatles' subsequent name-change came from an afternoon in the Renshaw Hall bar when Sutcliffe, Lennon, and Cynthia Powell thought up names similar to Buddy Holly's band, The Crickets, and came up with ''The Beatals''.[17] Lennon later changed the name to "The Beatles", because he thought it sounded French and suggested ''Le Beat'', or ''Beat-less''.[18][19]
The Beatles and Hamburg
Sutcliffe's playing style was elementary, mostly sticking to root notes of chords.[20] Bill Harry, founder and editor of the ''Mersey Beat'' newspaper, complained to Sutcliffe that he should be concentrating on art and not music, as he thought that Sutcliffe was a competent but not brilliant bassist.[21] While Sutcliffe is often described in Beatles biographies as appearing very uncomfortable onstage, and as often playing with his back to the audience, Pete Best denies this, recalling Sutcliffe as usually good-natured and "animated" before an audience.[22] McCartney has said that Sutcliffe was a typical art student, with bad skin and pimples, although in Hamburg, his stature grew after he began wearing dark Ray-Ban sunglasses and tight trousers.[23]
On 5 December 1960, George Harrison was sent back to England for being under-age. McCartney and Best were deported for attempted arson at the Bambi Kino, which left Lennon and Sutcliffe in Hamburg.[24][25] Lennon took a train home, but as Sutcliffe had a cold he stayed in Hamburg.[26] Sutcliffe later borrowed airfare money from Astrid Kirchherr in order to fly to Liverpool in early January of 1961, though he returned to Hamburg in March with the other Beatles.[27]
At that point, Sutcliffe lent McCartney his President bass until the latter could earn enough money to buy a bass guitar of his own. Sutcliffe asked McCartney not to change the strings around, so McCartney had to play it upside down.[28] In 1967, The Beatles included a photo of Sutcliffe among those on the cover of the ''Sgt. Pepper's Lonely Hearts Club Band'' album (he appears at the extreme left, next to fellow-artist Aubrey Beardsley).
Astrid Kirchherr
Main articles: Astrid Kirchherr
Sutcliffe and Kirchherr in 1960.
Kirchherr was raised by her widowed mother, Nielsa Kirchherr, in Eimsbütteler Strasse in the wealthy Hamburg suburb of Altona.[29] Sutcliffe met Kirchherr in the Kaiserkeller club, where she went to watch The Beatles perform. After a photo session with them, Kirchherr invited the group to her mother's house for tea and showed them her bedroom, decorated in all black —- including the furniture -— with silver foil on the walls, and a large tree branch hanging from the ceiling. Sutcliffe began dating Kirchherr shortly thereafter.[30]
Sutcliffe wrote to friends that he was infatuated with Kirchherr, and asked her friends which colours, films, books, and painters she liked. Pete Best commented that the beginning of their relationship was, "like one of those fairy stories".[31] Kirchherr and Sutcliffe got engaged in November, 1960, and exchanged rings, as is the German custom.[23] Sutcliffe wrote to his parents that he was engaged to Kirchherr, something they were shocked to learn, as they assumed he would give up his career as an artist.[33]
Kirchherr and Sutcliffe traveled to Liverpool in the summer of 1961, as Kirchherr wanted to meet Sutcliffe's family and to see his home city before their marriage.[34]
Death
Stuart Sutcliffe collapsed in the middle of an art class in Hamburg. Nielsa Kirchherr had German doctors perform various tests, but they were unable to determine exactly what was causing the intense headaches from which he'd been suffering. Whilst living at the Kirchherrs' house in Hamburg, his condition grew steadily worse. After collapsing again, Sutcliffe was taken to a hospital by Kirchherr (who rode with him in the ambulance), but he died before reaching the hospital.[35][36]
On the 13 April 1962, Kirchherr met The Beatles at the Hamburg airport and told them that Sutcliffe had died from a brain hemorrhage a few days before.[35]
It has never been known precisely what caused the brain hemorrhage that took Sutcliffe's life. Some believe that the cause was an earlier head injury, sustained during a fight outside Lathom Hall after a live performance in January of 1961 (although Sutcliffe had been beaten up before).[38] According to former manager Allan Williams, Lennon and Best went to Sutcliffe's aid, fighting off his attackers before dragging him to safety. Sutcliffe sustained a fractured skull in the fight, and Lennon broke his little finger.[39]
Sutcliffe had refused medical attention at the time (and had not kept an X-ray appointment at the Sefton General Hospital). He saw a doctor only months later in Germany, when he began experiencing severe headaches and acute sensitivity to light.[40] Kirchherr said later that some of the headaches left Sutcliffe temporarily blind.[34][36]
After Sutcliffe's death, Kirchherr wrote a letter to Millie Sutcliffe, apologising for being too ill to attend his funeral in Liverpool and saying how much she and Lennon missed him:
Art
''Hamburg Painting no. 2''
One of Sutcliffe's paintings was shown at the Walker Art Gallery in Liverpool as part of the John Moores exhibition from November 1959 until January 1960. After the exhibition, John Moores bought Sutcliffe's canvas for £75, which was then equal to 6-7 weeks' wages for an average working man.[9]
After meeting Kirchherr, Sutcliffe decided to leave The Beatles and enrolled at the Hamburg College of Art in June 1961, under the tutelage of Paolozzi who respected Sutcliffe's talent, and later wrote a report stating that although Sutcliffe had missed some lessons because of illness, he was considered by Paolozzi to be one of his "best students".[23][48][49]
Sutcliffe's few surviving works reveal influence from the British and European abstract artists contemporary with the Abstract Expressionist movement in the United States. His earlier figurative work is reminiscent of the kitchen sink school, particularly of John Bratby, though Sutcliffe was producing abstract work by the end of the 1950s, including ''The Summer Painting'', purchased by Moores. Rod Murray remembered that the painting was painted on a board, not a canvas, and had to be cut into two pieces (because of its size) and hinged. Murray added that only one of the pieces actually got to the exhibition but sold nonetheless.[50]
Sutcliffe's works bear some comparison with those of John Hoyland and Nicolas de Staël, though they are more lyrical. His later works are typically untitled, constructed from heavily impastoed slabs of pigment in the manner of de Staël, and overlaid with scratched or squeezed linear elements creating enclosed spaces. ''Hamburg Painting no. 2'' was purchased by Liverpool's Walker Art Gallery and is one of a series entitled "''Hamburg''" in which the surface and color changes produced atmospheric energy. European artists (including Paolozzi) were influencing Sutcliffe at the time.[51] The Walker Art Gallery has other works by Sutcliffe, which are "''Self-portrait''" (in charcoal) and "''The Crucifixion''".[52][53]
Lennon later hung a pair of Sutcliffe's paintings in his house (Kenwood) in Weybridge. McCartney had a Paolozzi sculpture in his Cavendish Avenue home.[54][55]
Anthology 1
The Beatles' compilation album ''Anthology 1'', consisting mostly of previously unreleased recordings from the band's early years, was released in 1995. Sutcliffe is pictured on the front cover, as he was on ''Sgt. Pepper'' 28 years before. More importantly, he is featured playing bass with the Beatles on three songs that the band recorded in 1960: "Hallelujah, I Love Her So", "You'll Be Mine", and "Cayenne". These songs are, to date, the only officially sanctioned recordings of Sutcliffe playing with the Beatles.
Film Portrayals
Sutcliffe's role in the Beatles' early career, as well as the factors that led him to leave the group, is dramatised in the film ''Backbeat'', in which he was portrayed by Stephen Dorff. He was also portrayed by David Wilkinson in the film ''Birth of the Beatles'' and by Lee Williams in ''In My Life: The John Lennon Story'' (2000).
Notes
1. Spitz 2005. p105
2. Prescot Grammar School uniform liverpoolmuseums.org.uk - Retrieved: 13 May 2007
3. Photo of Sutcliffe in church choir liverpoolmuseums.org.uk - Retrieved: 13 May 2007
4. Spitz 2005. p105
5. Spitz 2005. p105
6. Spitz 2005. p107
7. Spitz 2005. p172
8. Painting by Sutcliffe in Percy Street flat liverpoolmuseums.org.uk - Retrieved: 13 May 2007
9. Miles 1998. p50
10. Cynthia Lennon – “John” 2006. p63
11. Sutcliffe's President Bass rockmine.com - Retrieved: 9 May 2007
12. Sutcliffe's cheque book - liverpoolmuseums.org.uk - Retrieved: 13 May 2007
13. Cynthia Lennon – “John” 2006. p64
14. Sutcliffe’s first guitar liverpoolmuseums.org.uk - Retrieved: 13 May 2007
15. Miles 1998. p50
16. Miles 1998. p53
17. Spitz 2005. p175
18. Cynthia Lennon – “John” 2006. p65
19. Renshaw Hall bar liverpoolmuseums.org.uk - Retrieved: 9 May 2007
20. Spitz 2005. pp184-185
21. Spitz 2005. pp173-174
22. An Evening With Pete Best, Part I: The Interview rickresource.com - Retrieved: 20 Jan, 2007
23. Miles 1998. p65
24. Cynthia Lennon “John” 2006. p93.
25. The BeatlesTimeline beatles.ncf.ca - Retrieved: 9 May 2007
26. Spitz 2005. p230
27. Spitz 2005. p242
28. Miles 1998. pp74-75
29. Miles 1998. p64
30. Spitz 2005. p224
31. Spitz 2005. p225
32. Miles 1998. p65
33. Spitz 2005. p235
34. Spitz 2005. p278
35. Spitz 2005. p305
36. Cynthia Lennon– “John”. p110.
37. Spitz 2005. p305
38. Spitz 2005. p240
39. Spitz 2005. p241
40. Sefton General Hospital report liverpoolmuseums.org.uk - Retrieved: 13 May 2007
41. Spitz 2005. p278
42. Cynthia Lennon– “John”. p110.
43. Spitz 2005. p105
44. Cynthia Lennon – “John” 2006. p47
45. Spitz 2005. p107
46. Miles 1998. p50
47. Miles 1998. p65
48. Hamburg identity card, 1961 liverpoolmuseums.org.uk - Retrieved: 13 May 2007
49. Eduardo Paolozzi’s Report liverpoolmuseums.org.uk - Retrieved: 13 May 2007
50. Spitz 2005. p168
51. 'Hamburg Painting No. 2' 1961 liverpoolmuseums.org.uk - Retrieved: 12 May 2007
52. Sutcliffe's self-portrait (in charcoal) liverpoolmuseums.org.uk - Retrieved: 13 May 2007
53. “The Crucifixion” by Sutcliffe liverpoolmuseums.org.uk - Retrieved: 12 May 2007
54. Miles 1998. p170
55. Miles 1998. p258
References
★
★
★ The Beatles: The Biography, Spitz, Bob, , , Little, Brown and Company (New York), 2006, ISBN 1845131606
See also
★ The Quarrymen
★ The Beatles
★ Astrid Kirchherr
External links
★ Houses and places of interest in Liverpool.
★ Stuart Sutcliffe and The Beatles exhibition at the Museum of Liverpool Life
★ Describes Pauline Sutcliffe's claims
★ Stuart - The Life and Art of Stuart Sutcliffe
★ Stuart Sutcliffe - The Lost Beatle
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