THE BOUNTY

'''The Bounty''' is a 1984 historical film made by Dino De Laurentiis Productions and distributed by Orion Pictures Corporation and Thorn EMI Screen Entertainment. It was directed by Roger Donaldson and produced by Bernard Williams with Dino De Laurentiis as executive producer. The screenplay was by Robert Bolt and was based on the book ''Captain Bligh and Mr. Christian'' (1972) by Richard Hough. The music score was composed by Vangelis and the cinematography was by Arthur Ibbetson.
The film stars Mel Gibson and Anthony Hopkins with Laurence Olivier, Edward Fox, Daniel Day-Lewis, Bernard Hill, Philip Davis, Liam Neeson, John Sessions and Neil Morrissey.
The film is based on the real life story of Captain William Bligh, whose cruelty leads to a mutiny, led by his Master's Mate, Fletcher Christian on his ship, the ''Bounty''.

Contents

Background and production

Plot

The mission

Bligh

The crew

The Bounty leaves Tahiti

The mutiny

Bligh's journey

Final voyage of the Bounty

Critical Response

Cast

See also

External links

Background and production

This is the fifth film version of the story of the mutiny on the ''Bounty''.
The first version, an Australian silent film, ''The Mutiny of the Bounty'' was made in 1916. The second, ''In the Wake of the Bounty'' (1933) was another Australian production, starring Errol Flynn in his film debut.
The third and more famous version, ''The Mutiny on the Bounty'' (1935), starring Clark Gable, Charles Laughton and Franchot Tone was made by MGM. The fourth, ''Mutiny on the Bounty'' (1962), also made by MGM, starred Marlon Brando, Trevor Howard and Richard Harris.
This version is generally regarded as a more revisionist as well as historically accurate depiction of the mutiny than the two earlier film versions.
This version was originally a longstanding project of director David Lean and his frequent collaborator, Robert Bolt, who worked on it from 1977 until 1980. It was originally to be released as a two-part film, but Lean could not find financial backing for both films after Warner Bros. withdrew from the project. He decided to combine it into one. The project suffered a further setback when Bolt suffered a massive stroke and was unable to continue writing. Melvyn Bragg ended up writing a considerable portion of the script. Lean was ultimately forced to abandon the project. [1]
The replica of the ''Bounty'' used in the film was built before the script was even completed.
The film was shot on location in Moorea, French Polynesia, New Zealand and at the Reform Club, Pall Mall, London.
Anthony Hopkins was one of two actors considered for the role of Captain Bligh by David Lean. The other was Oliver Reed. Christopher Reeve, Sting and David Essex were considered for the role of Fletcher Christian.

Plot

:''For the historical events, see Mutiny on the Bounty''
This version follows both the efforts of Fletcher Christian (Mel Gibson) to get his men beyond the reach of British retribution, and the epic voyage of Captain Bligh (Anthony Hopkins) to get his loyalists safely to East Timor in a tiny lifeboat.

The mission

Setting out from Britain in December 1787 for the Pacific island of Tahiti to gather breadfruit pods for transplantation in the Caribbean (as slave fodder), the Bounty sailed west to round the tip of south America, but failed, due to harsh weather, and had to take the longer eastern route. Finally arriving in Tahiti in October 1788, Bligh found that due to the delays the wind was against him for a quick return journey, so he decided to stay on the island for four months longer than originally planned.
In that time, it would be fair to say that ship discipline became problematic, and many of the crew developed a taste for the easy pleasures that island life afforded.

Bligh

In this movie, Bligh, who at the time of the voyage wasn't, technically, a full captain, but a lieutenant, isn't (initially) shown as a cruel tyrant, but instead is shown as a traditional British naval captain and a man of his times. While the discipline was sometimes harsh (though no harsher than on many naval ships of the time) Bligh seems to be no worse than the crew, and is portrayed as somewhat of a hero when he guides the overcrowded boat of loyal non-mutineers to safety without any firearms or navigational equipment.

The crew

The crew is portrayed in a different light than the previous films. They are shown as a group of typical 18th century sailors - a much more "rough and tumble" group, some of whom use the "might-is-right" principle to impose a hierarchy of sorts below decks. Their motivations in this film were not as noble as in the other two films. Previous films portrayed the crew's desire for freedom from Bligh's oppressive behavior; in this version of the film a desire to return to a life of ease and sexual excess is shown to be one of the primary motivations behind the mutiny. Also, they are shown as having more responsibility than they did in the other versions of the film.
=== Fletcher Christian ===
He is a much more complex character than in prior films. At first Christian and Bligh are friends, in fact Bligh asks Christian to sail for a second time with him. But both men turn against each other over the course of the film. Matters become worse when the ship leaves Tahiti as Fletcher had been forced to leave his wife behind. Christian's Tahitian wife is given as more of a reason that Fletcher led the mutiny than before. Fletcher shows regret over what had happened, and tells another mutineer that he wished to God that he had supplied Bligh with muskets.

The Bounty leaves Tahiti

The resumption of naval discipline, and a Bligh who has suddenly turned into a tyrant who will not tolerate any disobedience whatsoever, creates an atmosphere of tension and violence. Corporal punishment is meted out for the slightest offence. Many of the men, including Christian, are singled out for severe, even hysterical tongue-lashings by Bligh. His intention to round Cape Horn once again is the final straw as far as the crew is concerned.

The mutiny

Playing on Christian's obvious resentment against Bligh's treatment of both him and the men, the more militant members of the crew finally persuade Christian to take control of the ship. Bligh is roused from his bed and arrested, along with those considered loyal to him, and all of them are forced into the ship's launch, minimally supplied, and cast adrift.
Blissfully happy at their new-found freedom (though Christian feels remorse, and understands the implications of what's been done) they sail back to Tahiti to collect their wives, girlfriends, and native friends. Realising the folly of staying, though some do, they gather supplies and sail away to try and find a safe refuge.

Bligh's journey

Bligh, through courage and excellent seamanship - and also a return of his good character and leadership qualities - successfully manages to reach civilization after a very harrowing journey. One man was killed by savages as the crew stopped for supplies in a hostile island.

Final voyage of the Bounty

The search for a safe haven is long and seemingly impossible, as they all realise that any pursuing RN vessels will search all known islands and coastlines to find them. By this point, those that remained on board the Bounty are so frustrated that they are ready to rebel against Christian in order to turn the ship back towards Tahiti. After Christian forces the crew to continue on, they soon find Pitcairn Island, a place which Christian realises may not be marked on British maps of the region, as it is a relatively new discovery.
As the crew of the Bounty burn the ship to keep it from being found, the judgement of Bligh's court martial is read - Bligh is found to have not been responsible for the loss of the ''Bounty'', and is commended for the voyage of the open launch.

Critical Response

The film received mixed reviews, many liking the film for realism and historical accuracy as well as being an entertaining film. However, many were disappointed with the film, especially given its distinguished cast. Many critics singled out Gibson's performance as bland, particularly when compared to the performances given by Clark Gable and Marlon Brando in the two earlier MGM versions.
Roger Ebert gave the film a very impressive review, stating, "this BOUNTY is not only a wonderful movie, high-spirited and intelligent, but something of a production triumph as well."[2]
In the Solar Navigator, Nelson Kruschandl wrote:
:Despite the distinguished cast—including Daniel Day-Lewis and Liam Neeson in supporting roles and Laurence Olivier in a cameo appearance as Admiral Hood—the film had a tepid critical reception (the capsule review in Newsday read in its entirety as follows: "Man the bilge pumps") and was not a great commercial success. [3]

Cast

★ Mel Gibson - Master's Mate Fletcher Christian

★ Anthony Hopkins - Lt. William Bligh

★ Laurence Olivier - Admiral Hood

★ Edward Fox - Capt. Greetham

★ Daniel Day-Lewis - Sailing Master John Fryer

★ Bernard Hill - Boatswain William Cole

★ Phil Davis - Midshipman Edward "Ned" Young

★ Liam Neeson - Charles Churchill, Ship's Corporal

★ Wi Kuki Kaa - King Tynah

★ Tevaite Vernette - Mauatua

★ Philip Martin Brown - Able Seaman John Adams

★ Simon Chandler - David Nelson, Botanist


★ Malcolm Terris - Dr. Thomas Huggan, Ship's Surgeon

★ Simon Adams - Midshipman Peter Heywood

★ John Sessions - Steward John Smith

★ Andrew Wilde - Able Seaman William McCoy

★ Neil Morrissey - Able Seaman Matthew Quintal

★ Richard Graham - Gunner's Mate John Mills

★ Dexter Fletcher - Able Seaman Thomas Ellison

★ Pete Lee-Wilson - Carpenter William Purcell

★ Jon Gadsby - Quartermaster John Norton

★ Brendan Conroy - Robert Lamb, Butcher

★ Barry Dransfield - Able Seaman Michael Byrne

★ Steve Fletcher - Able Seaman James Valentine

See also

★ Mutiny

★ Mutiny on the Bounty

★ ''Mutiny on the Bounty (novel)''

★ ''In the Wake of the Bounty''

★ ''Mutiny on the Bounty (1935 film)''

★ ''Mutiny on the Bounty (1962 film)''

★ William Bligh

★ Fletcher Christian

External links

★

★ Mutiny on the Bounty - review of 1935, 1962 and 1984 films

★ Lengthy review - scholarly and historical, university-level analysis

★ Movie stills