THE DESERT SONG

'The Desert Song' is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and Otto Harbach.
The original production opened at the Casino Theatre on Broadway on November 30 1926 and ran for a very successful 465 performances.^[1] The piece was played regularly in New York in the 1980s by the Light Opera of Manhattan and is a popular piece for community light opera groups.

Contents

Productions

Roles

Synopsis

Musical numbers

References

External links

Productions

The leading man in the original Broadway production was Scottish baritone Richard Halliday and the heroine Vivienne Segal. To celebrate the centenary of Romberg’s birth (1987), the New York City Opera staged a lavish production with Richard White and Linda Michele. Although very old-fashioned by present standards, and wildly improbable in its storyline, ''The Desert Song'' is still occasionally performed and has been made into a motion picture four times.
In 1929 a lavish production with Technicolor sequences starring John Boles and Myrna Loy was produced. This version captured the spirit of the original Broadway production and became a huge hit. To capitalize on the success of the original picture, Warner Bros. released a two-reeler adaptation of the film in 1932 (entitled The Red Shadow) since they still owned the motion picture rights to the production. By the 1940s, the original 1929 had became illegal to view or exhibit in the United States due to its Pre-Code content which included sexual innuendo, lewd suggestive humor and open discussion of themes such as homosexuality. Apparently, the Technicolor sequences have survived only in black-and-white.
A second feature version was made in 1943, which was topically altered to have the hero fighting the Nazis. Filmed (entirely) in three-strip Technicolor, it starred Dennis Morgan and Irene Manning.
A second cleaned-up color remake was made in 1953, with most of the adult themes and humor being removed or sanitized. This version altered the plot to make General Birabeau the father of Margot, rather than the father of the Red Shadow, as in the play. It starred Kathryn Grayson and Gordon MacRae. Both the 1943 and the 1953 films changed the hero's name from the Red Shadow to El Khobar. In the 1953 version, El Khobar's disguise was that of a mild-mannered Latin teacher who tutored Margot and had to fend off her amorous advances (which were fairly discreet by modern standards).
Another clean version was adapted for live television in 1955 (with Gale Sherwood and Nelson Eddy, and Salvatore Baccaloni imported from the Metropolitan Opera to play Ali Ben Ali). One of the writers brought in to modernize some unplayable dialogue was the young Neil Simon.^[2]
The plot is an early version of "superhero in mild-mannered disguise loves girl-who-loves-the-superhero" plots such as ''Superman'' (compare the earlier tales of the Scarlet Pimpernel and Zorro).

Roles

★ Sid El Kar (tenor)

★ Hassi (baritone)

★ Mindar

★ Benjamin Kidd (comic baritone)

★ Captain Paul Fontaine (baritone or tenor)

★ Azuri (mezzo-soprano)

★ Margot Bonvalet (soprano)

★ General Birabeau (baritone)

★ Pierre Birabeau/Red Shadow (lyric baritone)

★ Susan (soprano or mezzo-soprano)

★ Ali Ben Ali (bass)

★ Clementina

★ Hadji

★ Chorus of Riffs, soldiers and inhabitants of the fortress

Synopsis

French General Birabeau has been sent to Morocco to root out and destroy the Riff, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
To her surprise, Margot's mysterious abductor treats her with every western consideration. When the Red Shadow comes face to face with General Birabeau, the old man challenges the rebel leader to a duel. Of course Pierre will not kill his own father, so he refuses to fight, losing the respect of the Riff. Azuri, the sinuous and secretive native dancing girl, might be persuaded to answer some of these riddles if only she can be persuaded by Captain Fontaine.
Meanwhile Benny, a reporter, and Susan provide comic relief. Eventually, the Red Shadow's identity is discovered, a deal is struck with the Riff, and Pierre and Margot live happily ever after.

Musical numbers

;Act I ★ High on A Hill ★ The Riff Song ★ Let Love Go ★ Margot ★ I'll be a Buoyant Girl ★ The Marching Song ★ Romance ★ It ★ The Desert Song

;Act II ★ One Alone ★ If One Flower Grows Alone in Your Garden :("Eastern and Western Love") ★ One Good Man Gone Wrong ★ The Sabre Song ★ The Song of the Brass Key

Two songs from ''The Desert Song'' are among the operetta and Broadway musical songs lampooned in the 1959 musical ''Little Mary Sunshine''. "The Riff Song" and "The Desert Song" are the respective targets of "The Forest Rangers" (it also parodies several other "gallant warriors" songs, such as "Stout-Hearted Men") "You're the Fairest Flower."

References

1. Musical Theatre Guide
2. Dan Dugan

External links

★ Guide to operetta:''The Desert Song''

★ "The Desert Song" lyrics

★ Plot synopsis and list of roles