 | One Hundred Secret Senses: A Reading by Amy Tan The best-selling novels of Amy Tan cross the water between her ancestral and contemporary homes, China and San Francisco, and speak powerfully to readers about the universal bonds and tensions between generations and cultures. Series: "Artists on the Cutting Edge" [6/1999] [Arts and Music] [Show ID: 3717] |
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 | Charlie Rose: November 9, 1995 First, author and Holocaust survivor Elie Wiesel talks about his memoir "All Rivers Run to the Sea", his childhood in Transylvania, and his experience at Auschwitz. Then, author Amy Tan discusses her third book, "The Hundred Secret Senses". She also talks to Charlie about the success of her first book, "The Joy Luck Club", her literary influences as a Chinese American, and her children's books. |
 | Amy Tan - Finding Meaning through Writing Complete video at: http://fora.tv/2008/07/10/On_Writing_Amy_Tan_in_Conversation_with_Roger_Rosenblatt Bestselling author Amy Tan recalls her childhood efforts at writing, and discusses how certain events in life have influenced her as an author. ----- Amy Tan speaks as a part of "Roger Rosenblatt and Friends: On Writing" during the 2008 Chautauqua Institution morning lecture series. Amy Tan is the author of The Joy Luck Club, The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, The Opposite of Fate, and Saving Fish from Drowning. She has also written two children's books, The Moon Lady and The Chinese Siamese Cat. The latter became a children's television series for PBS called "Sagwa." Amy is a member of the literary garage band, The Rock Bottom Remainders, for which she sings the Nancy Sinatra classic, "These Boots Are Made for Walking" to raise money for after-school literacy programs for inner city kids. Tan's rendition of the pop culture classic can be heard on the CD Stranger than Fiction, which benefits the PEN Writers Fund. |
 | Amy Tan - Writing from Personal Experience Complete video at: http://fora.tv/2008/07/10/On_Writing_Amy_Tan_in_Conversation_with_Roger_Rosenblatt Bestselling author Amy Tan discusses the importance of drawing on personal experiences when creating fictional stories and characters, and explains how her own family experiences have influenced her writing. ----- Amy Tan speaks as a part of "Roger Rosenblatt and Friends: On Writing" during the 2008 Chautauqua Institution morning lecture series. Amy Tan is the author of The Joy Luck Club, The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter, The Opposite of Fate, and Saving Fish from Drowning. She has also written two children's books, The Moon Lady and The Chinese Siamese Cat. The latter became a children's television series for PBS called "Sagwa." Amy is a member of the literary garage band, The Rock Bottom Remainders, for which she sings the Nancy Sinatra classic, "These Boots Are Made for Walking" to raise money for after-school literacy programs for inner city kids. Tan's rendition of the pop culture classic can be heard on the CD Stranger than Fiction, which benefits the PEN Writers Fund. |
 | Expanding Your Awareness (Infinite Self-Chapter 2) In case any of it was difficult to read, here is the entire text.. For the second step on our journey, I want you to consider the importance of expanding your awareness. Most people, even though seemingly alive, exist in a surreal state somewhere between asleep and comatose. Your initial awareness comes from the five senses, as well as from your reasoning, knowledge, and logic. Then there is the awareness you acquire from your experiences in this lifetime. But beyond your normal awareness is a more subtle awareness-an extrasensory perception. It is vital that you rekindle, strengthen, and claim that extrasensory perception (ESP), because the language of the Infinite Self is very subtle; its promptings are not necessarily obvious to the conscious mind. It operates at a very fast, highly subliminal level of energy. Without a little ESP, you may miss a vital turning point in your life, or you may not see the answer to a problem that is holding up your evolution as a spiritual being. Once you understand that everything-even inanimate objects-emit a feeling, then you can understand that you are a feeling as well. A thumbprint of energy is the collective emotion you've developed in this lifetime, along with whatever amount of God Force you have mustered so far. You're not so much what you think, but what you feel. Those philosophies that say think and grow rich are not necessarily wrong, but they don't quite go all the way. You have to FEEL and grow rich. From understanding that you're a feeling and that you're the God Force within, you have to grasp the idea that you can mentally direct that God Force. What that means is, you are a magnet for energy as well as a projector of energy. You live inside a personal thought-form that reflects your actions and words- but it also reflects your innermost attitudes and feelings. Most don't consider their thinking or their inner dialogue to be of great consequence. To them it is silent and secret, and it does not seem to impact their experiences of life directly. That is not so. External reality instantly changes to reflect not only what you are saying and doing, but what you are thinking and feeling silently within. Everything you say, every thought, even a passing glance at people in the street, generates a minute subtle emotional response within you. Do this: go to a busy street, and watch your reactions as people pass you by. You'll find that your mind comments and passes judgement on everything. You react to that judgement emotionally, experiencing desire, sorrow, or indifference. When someone repulses or scares you, you experience restriction. All these reactions come from just looking at people on the street. Next be aware of your dialogue. It seems obvious, but most are not really aware how self-destructive their dialogue is. Negative people don't see themselves that way. They don't see how negativity is changing their external reality to fit their mind-set and thus destroying the quality of their life. Listen to your dialogue and watch your thoughts. See how much of it is bitching and moaning and expressing weakness, and how much of it has the God Force within it, expressing hope, grattitude, love, and well-being. Negativity kills you, never forget that. It's a weed that eventually chokes you to death. As well as policing your thoughts and dialogue, you will want to keep an eye on the quality of your associations and actions. Stay away from people who discriminate and deprecate, or those who are involved in destructive or degrading actions. You don't need to judge them, but you don't have to be involved, either. Watch over your actions and make sure that you run your life in a positive and honorable way. Settle your debts, follow through on commitments, and treat people fairly. Don't allow your mind to suck you into actions that affirm weakness or that lower your energy and destroy your balance. Expanding your awareness comes from understanding that everything is a feeling, and from asking yourself constantly how things feel. It's like a muscle that perhaps you haven't used for years; as you begin to ask, it will strengthen quite quickly. Try this: ask the God Force to show you something in the next 24 hours, something you have never seen before-a perception, an intuition, a different way of looking at things that you've seen a hundred times before. Then watch carefully. SOmthing unusual will pop up-and you'll see that the seeming external world is, in fact, internal-and it's talking to you. It loves you in its detached way. |
 | Naked spirits multiple ghosts TX border war daytime haunting WATCH THE DOORWAYS OF THE MOTEL!!! THE PLACE IS ALIVE WITH THE DEAD. 12 or more THINGS make an appearance, at least 5 different types of manifestation. Nude, clothed, corn people, eyes and head. This is from some video camcorder stuff on a recent trip. READ ALL OF THIS, I am astounded. I swear to God I would never fake this. I am becoming very worried now about so much activity. Maybe you want a great big thing to jump out at you, but you better sharpen your senses a bit, even the extra ones, and you had BETTER not dismiss this REAL footage. Just look at "the dance" in this - I know you can. For some reason this uploaded to youtube nowhere near as good as what I am seeing from the direct file, hmmm... I wanted to film some abandoned places with old gas pumps for band video Oil Is Blood (has since been released). I went to play this back for some friends and they saw something I did not see. The first one and most distinct is a naked, flesh-toned ghost woman picking up something off the floor and moving fast to the right in the first doorway. As I drove down the row it could seem upon close examination there are up to a dozen THINGS moving, standing and looking out the empty doorways of the abandoned motel. Things with yellow to more orange flesh color, and some very dark. Did I see the same burning set of eyes in two different doorways? Now, I take into account that the passenger window is rolled up, and really only the lady seems like an apparition that looks to be INSIDE the first doorway, but some of them are moving and some are still. The corn people really look more plant than animal, and look they may be outside the doors, but I did not see any yellow plants like that while filming. And now, the night I am posting this, a friend walked into the room and saw something yet again. In the beginning of this film it looks like a man is buried up to his nose feet away from my broken side mirror! He looks like he is motioning to his right to get my attention, and he looks sunburned! Lord have mercy. Why in heck is this on my camera? There was a silver SUV that pulled up behind me a few hundred feet back practically a minute after I exited off I-10 past Esperanza into this wasteland. I did not catch it until I was about to get out of the car. I backed up instead and got a look at them and it was two big guys in the SUV. I asked if they knew who the place belonged to and they said no. I got out and started walking around to look in the buildings and was calling out HELLO ANYBODY, CAN I FILM HERE? I heard dogs barking; I fed some dogs behind a fence my lunchmeat and water, and got back to the car about 3 minutes later thinking that those dudes ARE watching me though... and turned the car around, turning on the camera and got all this. Its either nothing or something. As I was leaving, there was a man with a full junk truck that had a flat and he motioned for me to stop. I was about to but noticed that I was not far enough up the on ramp to be seen by anyone on the highway, and I was not far enough away from the two suspicious dudes so I blazed. You know, on the highway, people don't want to ask for help or close-in on you like that unless they are up to something. Most people want to keep to themselves. It happeded that the next exit 3 miles down was a border patrol checkpoint ALL VEHICLES EXIT. There was a lot of homeland security around and government vehicles there. So now I know why they watch the exit before the checkpoint, but I am not so clear on why it is severely haunted. Most people would not get out of a car there even if it had cheap gas for sale. I am certain the person with the dogs never wants to see people. It is a few miles from the Mexico border. I swear when I was there... The MATAMOROS drug cult came to mind even more than my thoughts of border wars and shadowy government... Once again, like the few unusual clips I have -- its all mine and it was just some of my post-industrial handicam footage that I take, and some stills and repeats off of that. The music is Hevi's Theme by Anfo Merc. As far as the area of Texas, yeah it's probably dangerous as hell if you stick around until night time. I recommend NOT to try and find this place if you are not ready for some up-close chaos from the dead and the living. My best hypothesis is that this is a perfect glitch of camera conditions and blur, or it could have been because of an artifact I found on my trip. Maybe they are all buried somewhere outback in that hundred acres of rusted machinery, road tourists, runaways, immigrants and they died naked or something and all ran up be seen. Thus they tell their own story. |
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