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'The Hunt of the Unicorn' is a series of seven tapestries dating from 1495–1505. The tapestries, often referred to as the 'Unicorn Tapestries', show a group of noblemen and hunters in pursuit of a unicorn.
Much of the tapestries' history is disputed and there are many theories about their original purpose and meaning, including suggestions that the seven tapestries were not originally hung together.
The two major interpretations of the tapestries hinge on pagan and Christian symbolism. The pagan interpretation focuses on the medieval lore of beguiled lovers, whereas Christian writings interpret the unicorn and its death as the Passion of Christ. The unicorn has long been identified as a symbol of Christ by Christian writers, allowing the traditionally pagan symbolism of the unicorn to become acceptable within religious doctrine. The original myths surrounding the Hunt of the Unicorn refer to a beast with one horn that can only be tamed by a virgin maiden; subsequently, Christian scholars translated this into an allegory for Christ's relationship with the Virgin Mary.
The tapestries were owned by the La Rochefoucauld family of France for several centuries. John D. Rockefeller, Jr. bought them in 1922 for about a million dollars and donated them to the Metropolitan Museum of Art in 1937. They now hang in The Cloisters which houses the museum's medieval collection. There is a similar set of tapestries called The Lady and the Unicorn series made around the same time located in the Musée National du Moyen Âge, otherwise known as the Musee de Cluny, in Paris.
Beginning in 1998, the tapestries were cleaned and restored. In the process, the linen backing was removed, the tapestries were bathed in water, and it was discovered that the colors on the back were in even better condition than those on the front (which are also quite vivid). A series of high resolution digital photographs were taken of both sides using a customized scanning rig designed by museum consultant Scott Geffert of Center for Digital Imaging Inc. and the museum's photography staff that suspended a Leica S1Pro linear array scan camera and lighting over the delicate textile. The front and back of the tapestries were photographed in approximately three foot square segments. The largest tapestry required up to 24 individual 5000X5000 pixel images. Merging the massive data stored in these photos required the efforts of two famous mathematicians, the Chudnovsky brothers. This project is just one of many technical photography efforts led by Barbara Bridgers, manager of The Metropolitan Museum of Art's Photography Studio.

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External links

Gallery

External links

★ Metropolitan Museum of Art Unicorn tapestries website

★ New Yorker article ''Capturing the Unicorn on digital photography of the Unicorn tapestries, from the 2005-04-11 issue.

★ Musée National du Moyen Âge tapestries