THE LORD OF THE RINGS FILM TRILOGY

'''The Lord of the Rings'' film trilogy' comprises three live action fantasy epic films; '' (2001), '' (2002) and '' (2003). For simplicity, the titles are often abbreviated to 'LotR', with 'FotR', 'TTT' and 'RotK' for each of the respective films.^[1]
Set in the fictional universe of Middle-earth, the three films follow the young Hobbit Frodo Baggins as he and a Fellowship embark on a quest to destroy the One Ring, and thus ensure the destruction of the Dark Lord Sauron. However, the Fellowship becomes broken, and Frodo continues the quest together with his loyal companion Sam and the treacherous Gollum. Meanwhile the Wizard Gandalf and Aragorn, heir in exile to the throne of Gondor, unite and rally the Free Peoples of Middle-earth in several battles cumulating in the War of the Ring. The Wizard Saruman is defeated, The Ring is destroyed, and Sauron and his forces are vanquished.
The films were written, produced and directed by Peter Jackson, co-written by Fran Walsh and Philippa Boyens and distributed by New Line Cinema. The trilogy is based on the book ''The Lord of the Rings'' by J. R. R. Tolkien and follows its general storyline, despite some deviations. Considered to be one of the biggest movie projects ever undertaken with an overall budget of $280 million, the entire project took eight years, with the filming for all three films done simultaneously and entirely in Jackson's native New Zealand.
The trilogy was a large financial success, with the films being the 14^th, 7^th and 2^nd most successful of all time, respectively, unadjusted for inflation. The films were critically acclaimed, winning 17 Academy Awards in total, as well as wide praise for the cast and innovative practical and digital special effects.^[2][3][4] Each film in the trilogy also had Special Extended Editions (SEE), released a year after the theatrical release on DVD.

Contents

Development

Production design

Filming

Cast

Special effects

Post-production

Editing

Deleted scenes

Music

Sound

Releases

Public and critical response

Comparison of worldwide box office figures

Academy Awards

Reactions to changes in the movies from the book

Three films or one?

Legacy

Notes

External links

Development

Director Peter Jackson first came into contact with ''The Lord of the Rings'' when he saw Ralph Bakshi's 1978 film, which he found confusing. Afterwards, he read a tie-in edition of the book^[5] during a twelve-hour train journey from Wellington to Auckland when he was seventeen. Jackson's reaction was, "I can't wait until somebody makes a movie of this book because ''I'd'' like to see it!"^[6]
In 1995, Jackson was finishing ''The Frighteners'' and considered ''The Lord of the Rings'' as a new project, wondering "why nobody else seemed to be doing anything about it". With the new developments in computer generated imagery following ''Jurassic Park'', Jackson set about planning a fantasy film that would be relatively serious and feel "real". By October, he and his partner Fran Walsh teamed up with Miramax boss Harvey Weinstein to negotiate with Saul Zaentz who had held the rights to the book since the early 1970s, pitching an adaptation of ''The Hobbit'' and two films based on ''The Lord of the Rings''. Negotiations then stalled when Universal Studios offered Jackson a remake of ''King Kong''.^[7] Weinstein was furious, and further problems arose when it turned out Zaentz did not have distribution rights to ''The Hobbit''; United Artists, which was in the market, did. By April 1996 the rights question was still not resolved. Jackson decided to move ahead with ''King Kong'' before filming ''The Lord of the Rings'', prompting Universal to enter a deal with Miramax to receive foreign earnings from ''The Lord of the Rings'' whilst Miramax received foreign earnings from ''King Kong''.
When Universal cancelled ''King Kong'' in 1997,^[8] Jackson and Walsh immediately received support from Weinstein and began a six-week process of sorting out the rights. Jackson and Walsh asked Costa Botes to write a synopsis of the book and they began to re-read the book. Two to three months later, they had written their treatment.^[9] The first film would have dealt with what would become '', '' and the beginning of '', ending with the death of Saruman, and Gandalf and Pippin going to Minas Tirith. In this treatment Gwaihir and Gandalf visit Edoras after escaping Saruman, Gollum attacks Frodo when the Fellowship is still united, and Farmer Maggot, Glorfindel, Radagast, Elladan and Elrohir are present. Bilbo attends the Council of Elrond, Sam looks into Galadriel's mirror, Saruman is redeemed before he dies and the Nazgûl just make it into Mount Doom before they fall. They presented their treatment to Harvey and Bob Weinstein, the latter of whom they focused on impressing with their screenwriting as he had not read the book. They agreed upon two films and a total budget of $75 million.
During mid-1997,^[10] Jackson and Walsh began writing with Stephen Sinclair. Sinclair's partner, Philippa Boyens, was a major fan of the book and joined the writing team after reading their treatment. It took 13-14 months to write the two film scripts, which were 147 and 144 pages respectively. Sinclair left the project due to theatrical obligations. Amongst their revisions, Sam, Merry and Pippin are caught eavesdropping and forced to go along with Frodo. Gandalf's account of his time at Orthanc was pulled out of flashback and Lothlórien was cut with Galadriel attending the Council of Elrond. Denethor, Boromir's father, also attends the Council, and other changes included having Arwen rescue Frodo, and the action sequence involving the cave troll. Arwen was even going to kill the Witch-king. Most significantly, there was an all new sequence. A Ringwraith kills Saruman and attacks Gandalf at Orthanc. Seeing this from the Seeing Seat, now at Emyn Muil rather than Amon Hen, Frodo puts on the Ring and draws him all the way to the Seat on his Fell beast. Frodo manages to save Sam and stabs the wraith in his heart.
Trouble struck when Marty Katz was sent to New Zealand. Spending four months there, he told Miramax that the films were more likely to cost $150 million, and with Miramax unable to finance this, and with $15 million already spent, they decided to merge the two films into one. On June 17 1998, Bob Weinstein presented a treatment of a single two-hour film version of the book. He suggested cutting Bree and the Battle of Helm's Deep, "losing or using" Saruman, merging Rohan and Gondor with Éowyn as Boromir's sister, shortening Rivendell and Moria as well as having Ents prevent the Uruk-hai kidnapping Merry and Pippin. Upset by the idea of "cutting out half the good stuff" Jackson balked, and Miramax declared that any script or Weta Workshop's work was theirs. Jackson went around Hollywood for four weeks, showing a thirty-five minute video of their work, before meeting with Mark Ordesky of New Line Cinema.^[11] At New Line Cinema, Robert Shaye viewed the video, and then asked why they were making two films when the book was published as three volumes; he wanted to make a film trilogy. Now Jackson, Walsh and Boyens had to write three new scripts.
The expansion to three films allowed a lot more creative freedom, although Jackson, Walsh and Boyens had to restructure their script accordingly. Each film is not exactly based on each volume of the book, but rather they represent a three part adaptation, as Jackson takes a more chronological approach to the story, whilst Tolkien retold chunks of his fictional history. Frodo's quest is the main focus, and Aragorn is the main subplot,^[12] and many sequences (such as Tom Bombadil and the Scouring of the Shire) that do not contribute directly to those two plots were left out. Much effort was put into creating satisfactory conclusions and making sure exposition did not bog down the pacing. Amongst new sequences, there are also expansions on elements Tolkien kept ambiguous, such as the battles and the creatures.
Above all, most characters have been altered for extra drama. Aragorn, Théoden and Treebeard have added or modified elements of self-doubt, whilst Galadriel, Elrond and Faramir have been darkened. Boromir and Gollum are (arguably) relatively more sympathetic, whilst some characters such as Legolas, Gimli, Saruman and Denethor have been simplified. Some characters, such as Arwen and Éomer, are given actions from minor characters such as Glorfindel and Erkenbrand, and generally lines of dialogue are somewhat preserved or switched around between locations or characters depending on suitability of the scenes. New scenes were also added to expand on characterization. In the meantime during shooting, the screenplays would undergo many daily transformations, due to contributions from cast looking to further explore their characters. Most notable amongst these rewrites was the character Arwen, who was originally planned as a warrior princess, but reverted back to her book counterpart, who remains physically inactive in the story (though she sends moral and military support).^[13]

Production design

Alan Lee at Worldcon 2005 in Glasgow, August 2005.

Main articles: Production design of The Lord of the Rings film trilogy

Jackson began storyboarding the trilogy with Christian Rivers in August 1997 and assigned his crew to begin designing Middle-earth at the same time.^[14] Jackson hired longtime collaborator Richard Taylor to lead Weta Workshop on five major design elements: armour, weapons, prosthetics/make-up, creatures and miniatures. In November 1997,¹⁰ famed Tolkien illustrators Alan Lee and John Howe joined the project. Most of the imagery in the films is based on their various illustrations.^[15] Grant Major was charged with the task of converting Lee and Howe's designs into architecture, creating models of the sets, whilst Dan Hennah worked as art director, scouting locations and organizing the building of sets.
Jackson's vision of Middle-earth was described as being "Ray Harryhausen meets David Lean" by Randy Cook.^[16] Jackson wanted a gritty realism and historical regard for the fantasy, and attempted to make the world rational and believable. For example, the New Zealand army helped build Hobbiton months before filming began so the plants could really grow.^[17] Creatures were designed to be biologically believable, such as the enormous wings of the Fell beast to help it fly.^[18] In total, 48,000 pieces of armour, 500 bows and 10,000 arrows were created by Weta Workshop.^[19] They also created many prosthetics, such as 1800 pairs of Hobbit feet for the lead actors,¹⁰ as well as many ears, noses and heads for the cast, and around 19,000 costumes were woven and aged.¹⁰ Every prop was specially designed by the Art Department, taking the different scales into account.¹⁰

Filming

Principal photography for all three films was conducted concurrently in New Zealand from October 11, 1999 through to December 22, 2000 for 274 days. Pick-up shoots were conducted annually from 2001 to 2004. The trilogy was shot at over 150 different locations¹⁹, with seven different units shooting, as well as soundstages around Wellington and Queenstown. As well as Jackson directing the whole production, other unit directors included John Mahaffie, Geoff Murphy, Fran Walsh, Barrie Osbourne, Rick Porras and any other assistant director, producer or writer available. Jackson monitored these units with live satellite feeds, and with the added pressure of constant script re-writes and the multiple units interpreting his envisioned result, he only got around four hours of sleep a night.¹³ Due to the remoteness of some of New Zealand's untamed landscapes, the crew would also bring survival kits in case helicopters couldn't reach the location to bring them home in time.¹⁰

Cast

★ Elijah Wood as Frodo Baggins

★ Sean Astin as Samwise Gamgee

★ Viggo Mortensen as Aragorn

★ Ian McKellen as Gandalf the Grey/White

★ Dominic Monaghan as Merry

★ Billy Boyd as Pippin

★ Orlando Bloom as Legolas

★ John Rhys-Davies as Gimli & voices Treebeard

★ Sean Bean as Boromir

★ Andy Serkis as Sméagol and voice and motion-capture movements of Gollum

★ Sala Baker portrays Sauron

★ Christopher Lee as Saruman

★ Bernard Hill as Théoden

★ Miranda Otto as Éowyn

★ Karl Urban as Éomer

★ David Wenham as Faramir

★ Hugo Weaving as Elrond

★ Liv Tyler as Arwen

★ Ian Holm as Bilbo Baggins

★ Cate Blanchett as Galadriel

★ Marton Csokas as Celeborn

★ Craig Parker as Haldir

★ Lawrence Makoare as Lurtz

★ Brad Dourif as Wormtongue

★ Nathaniel Lees as Uglúk

★ John Noble as Denethor

★ Lawrence Makoare plays the Witch-king of Angmar

★ Paul Norell as the King of the Dead

★ Bruce Spence as the Mouth of Sauron

★ Harry Sinclair as Isildur

★ Peter McKenzie as Elendil

★ Mark Ferguson as Gil-galad

Special effects

Main articles: Special effects of The Lord of the Rings film trilogy

The first film has around 540 effects shots, the second 799, and the third 1488 (2730 in total). The total increases to 3420 with the extended editions. 260 visual effects artists began work on the trilogy, and the number doubled by ''The Two Towers''. The crew, led by Jim Rygiel and Randy Cook, worked long and hard hours, often overnight, to produce special effects within a short space of time. Jackson's overactive imagination was a driving force. For example, several major shots of Helm's Deep were produced within the last six weeks of post-production of ''The Two Towers'', and the same happened again within the last six weeks on ''The Return of the King''.

Post-production

Post-production would have the benefit for a full year on each film before their respective December releases, often finishing in October-November, with the crew immediately going to work on the next film. Later on, Jackson would move to London to advise the score and continued editing, whilst having a computer feed for discussions to The Dorchester Hotel, and a "fat pipe" of internet connections from Pinewood Studios to look at the special effects. He had a Polycom video link and 5.1 surround sound to organise meetings, and listen to new music and sound effects generally wherever he was. The extended editions also had a tight schedule at the start of each year to complete special effects and music.

Editing

To avoid pressure, Jackson hired a different editor for each film. John Gilbert worked on the first film, Mike Horton and Jabez Olssen on the second, and longtime Jackson collaborators Jamie Selkirk and Annie Collins on the third. Daily rushes would often last up to four hours, with scenes being done throughout 1999–2002 for the rough (4 1/2 hours) assemblies of the films.¹⁰ In total, six million feet of film (over 1,800 km)¹⁹ was edited down to the 11 hours and 23 minutes (683 minutes) of Extended DVD running time. This was the final area of shaping of the films, when Jackson realised that sometimes the best scripting could be redundant on screen, as he picked apart scenes every day from multiple takes.
Editing on the first film was relatively easygoing, with Jackson coming up with the concept of an Extended Edition later on, although after a screening to New Line they had to re-edit the beginning for a prologue. ''The Two Towers'' was always acknowledged by the crew as the most difficult film to make, as "it had no beginning or end", and had the additional problem of inter-cutting storylines appropriately. Jackson even continued editing the film when that part of the schedule officially ended, resulting in some scenes, including the reforging of Andúril, Gollum's back-story, and Saruman's demise, being moved to ''The Return of the King''. Later, Saruman's demise was controversially cut from the cinema edition (but included in the extended edition) when Jackson felt it was not starting the third film effectively enough.^[20] As with all parts of the third film's post-production, editing was very chaotic. The first time Jackson actually saw the completed film was at the Wellington premiere.

Deleted scenes

Many filmed scenes still remain unused, not included even in the Extended Editions. The main reason they weren't included was because they tended to change the plot from Tolkien's original storyline, therefore being unfaithful to the books.

★ Additional footage from the Battle of the Last Alliance in the FotR Prologue.

★ An obscure shot from the trailers of two Elven girls playing about in Rivendell.

★ Dialogue from the Council of Elrond, such as Gandalf explaining how Sauron forged the One Ring.¹⁰

★ An attack by Moria Orcs on Lothlórien after the Fellowship leave Moria. Jackson replaced this with a more suspenseful entrance for the Fellowship. Much of the lost footage can be seen as promotional material on the FotR theatrical DVD and tie-in books, documentary footage on the Extended Editions, and cards.

★ More Arwen footage, including a flashback scene of her first meeting with a beardless Aragorn (seen in the Two Towers teaser).

★ Faramir having a vision of Frodo becoming like Gollum.¹³

★ Famous footage of Arwen at Helm's Deep, cut by Jackson during a revision to the film's plot. Foreshadowing this sequence were scenes where Arwen and Elrond visit Galadriel at Lothlórien (seen in ''The Two Towers'' teaser trailer). The scene was edited down to a telepathic communication between Elrond and Galadriel.¹³

★ Éowyn defending the refugees in the Glittering Caves from Uruk-hai intruders.^[21]

★ An unknown scene displayed in ''The Two Towers'' preview of Éomer lowering a spear while riding his horse.

★ A line of dialogue during the death of Saruman, in which he reveals that Wormtongue poisoned Théodred, giving further context as to why Wormtongue kills Saruman and Legolas in turn kills Wormtongue.

★ A conversation between Elrond and Arwen in a library in Rivendell, after Arwen decides to wait for Aragorn. Elrond leaves saying "I cannot protect you anymore." ^[22]

★ The death of Gamling.

★ Aragorn having his armor fitted during the preparations for the Battle of the Black Gate. This was the final scene filmed during principal photography.¹⁶

★ Sauron fighting Aragorn at the Black Gate. A computer-generated Troll was placed over Sauron due to Jackson feeling the scene was inappropriate. Sauron is also seen in a beautiful form as Annatar, giver of gifts.¹⁶

★ Also at the Black Gate sequence, Pippin was seen in the trailer holding a wounded Merry, a scene which takes place after the Battle of the Pelennor Fields upon Pippin discovering Merry under the mûmak.

★ Further epilogue footage, including that of Legolas and Gimli, as well as Éowyn and Faramir's wedding and Aragorn's death and funeral.^[23]
Peter Jackson has stated that he would like to include some of these unused scenes in a future 'Ultimate Edition' home video release (probably High Definition) of the film trilogy. They will not be re-inserted into the movies but available for viewing separately. This edition will also include outtakes.^[24]

Music

Main articles: Music of The Lord of the Rings film trilogy

Howard Shore composed the trilogy's music. He was hired in August 2000^[25] and visited the set, and watched the assembly cuts of Films 1 and 3. Although the first film had some of its score done in Wellington,¹⁰ the trilogy's score was mostly recorded in Watford Town Hall and mixed at Abbey Road Studios. Jackson planned to advise the score for six weeks each year in London, although for ''The Two Towers'' he stayed 12. As a Beatles fan, Jackson had a photo tribute done there on the zebra crossing.¹³
The soundtrack is primarily played by the London Philharmonic Orchestra, and many artists such as Ben Del Maestro, Enya, Renee Fleming, Sir James Galway and Annie Lennox contributed. Even actors Billy Boyd, Viggo Mortensen, Liv Tyler, Miranda Otto (extended cuts only for the latter two) and Peter Jackson (for a single gong sound in the second film) contributed to the score. Fran Walsh and Philippa Boyens also wrote the lyrics to various music and songs, which David Salo translated into Tolkien's languages. The third film's end song, ''Into the West'', was a tribute to a young filmmaker Jackson and Walsh befriended named Cameron Duncan, who died of cancer in 2003.¹⁶
Shore composed a main theme for The Fellowship rather than many different character themes, and its strength and weaknesses in volume are depicted at different points in the trilogy. On top of that, individual themes were composed to represent different cultures. Infamously, the amount of music Shore had to write every day for the third film increased dramatically to around seven minutes.¹⁶

Sound

Sound technicians spent the early part of the year trying to find the right sounds: animal sounds like tigers and walruses were bought. Sometimes human voices were used, such as Fran Walsh as the Nazgûl scream and David Farmer as some Warg howls. Some sounds were unexpected: a donkey screech is the Fell Beast, and the ''mûmakil'' roar comes from the beginning and end of a lion. In addition, there was ADR for most of the dialogue.
The technicians worked with New Zealand locals to get many of the sounds. They re-recorded sounds in abandoned tunnels for an echo-like effect in the Moria sequence. 10,000 New Zealand cricket fans provided the sound of the Uruk-hai army in ''The Two Towers'', with Jackson acting as conductor during a single cricket break.¹³ They spent time recording sounds in a graveyard at night, and also had construction workers drop stone blocks for the sounds of boulders firing and landing in ''The Return of the King''. Mixing generally took place between August and November at "The Film Mix", before Jackson commissioned building a new studio in 2003. Annoyingly, the building wasn't fully completed as they started mixing for ''The Return of the King''.¹⁶

Releases

The online promotional trailer for the trilogy was first released on April 27 2000 and shattered records for download hits, registering 1.7 million hits in the first 24 hours of its release.^[26] The trailer used a selection from the soundtrack for Braveheart, and The Shawshank Redemption among other cuts. In 2001, 24 minutes of footage from the trilogy, primarily the Moria sequence, was shown at the Cannes Film Festival, and was very well received.^[27] The showing also included an area designed to look like Middle-earth.¹⁹ A full description of the footage can be found here: [1]
'' was released December 19, 2001. It grossed $47 million in its U.S. opening weekend and made around $871 million worldwide. A preview of ''The Lord of the Rings: The Two Towers'' was attached at the end of the cinema release for the film.^[28]
A promotional trailer was later released. The trailer contained some music re-scored from the film ''Requiem for a Dream''.^[29] '' was released December 18, 2002. It grossed $62 million in its first U.S. weekend and out-grossed its predecessor, grossing $926 million worldwide.
The promotional trailer for '' was debuted exclusively before the New Line Cinema film ''Secondhand Lions'' on September 23, 2003.^[30] Released December 17 2003, its first U.S. weekend gross was $72 million, and became the second film (after ''Titanic'') to gross over $1 billion worldwide.
Each film was released on standard two disc edition DVDs containing previews of the next film. The success of the theatrical cuts brought about four disc Extended Editions, with new editing, added special effects and music. With the films and special features spread over two discs apiece, they were issued as follows:

★ ''The Lord of the Rings: The Fellowship of the Ring'', November 12, 2002. Containing 30 minutes more footage, in a green sleeve. It contains an Alan Lee painting of the Fellowship entering Moria, and the Moria Gate on the back of the sleeve. An Argonath styled bookend was issued within a Collector's Edition.

★ ''The Lord of the Rings: The Two Towers'', November 18, 2003. It contains 44 minutes more footage. A Rohirrim sun symbol decorates the back of its red sleeve and a Lee painting of Gandalf the White's entrance. The Collector's Edition contained a Sméagol statue, with a crueler looking statue of his Gollum persona available for order during a limited time.

★ ''The Lord of the Rings: The Return of the King'' December 14, 2004. It has 50 minutes more footage, and a blue sleeve with the White Tree of Gondor. The Lee painting is of the Grey Havens. The Collector's Edition included a model of Minas Tirith, with Minas Morgul available for order during a limited time.
The Special Extended DVD Editions also had in-sleeve maps of the Fellowship's travels. They have also played at movie theaters, most notably for a December 16 2003 marathon screening culminating in a midnight screening of the third film.
On August 28 2006 both versions were put together in a Limited Edition "branching" version plus a new feature-length documentary by Costa Botes. The complete trilogy was released in a 6 Disc set on November 14th, 2006.

Public and critical response

The ''Lord of the Rings'' film trilogy ^[31] is verified to be the currently highest grossing motion picture trilogy worldwide of all time, besting such other film franchises as the ''Star Wars'' original trilogy and The Godfather. The film trilogy also tied a record for the total number of Academy Awards won.
The majority of critics have also praised the trilogy, with Kenneth Turan of the Los Angeles Times writing that "''the trilogy will not soon, if ever, find its equal''".^[32] In particular, performances from Ian McKellen,^[33] Sean Astin,^[34] Sean Bean, Andy Serkis and Bernard Hill stood out for many in audience polls, and special effects for the battles and Gollum were praised. A few critics such as Roger Ebert of the Chicago Sun-Times did not rank the trilogy so highly, and while praising the special effects, Ebert was critical of the story, regarding it as "silly to carry the emotional weight" ^[35], and as such none of the films appeared in his "Top 10" lists for their respective years^[36]. Some were also critical of the films' pacing and length, "It's a collection of spectacular set pieces without any sense of momentum driving them into one another" according to the Philadelphia Weekly.^[37] Overall however, the films received a positive 93% critics rating on rottentomatoes.com, (93% for FotR and RotK, 97% for TTT) a consensus amongst film critics.
The trilogy appears in many "Top 10" film lists, such as the Dallas-Fort Worth Film Critics Association's Top 10 Films, Time Magazine's All-Time 100 Movies, James Berardinelli's Top 100,^[38] and The Screen Directory's "Top Ten Films of All Time" (considering the trilogy as "one epic film split into three parts").^[39]. In 2007, ''USA Today'' named the trilogy as the most important films of the past 25 years.^[40]

Comparison of worldwide box office figures

The following movies were all released with but a few years of each other:

★ ''The Lord of the Rings'' film trilogy: $2.913 billion

★ ''Pirates of the Caribbean'' trilogy (as of August 6, 2007): $2.672 billion

★ ''Harry Potter'' film series (first 3 movies): $2.643 billion

★ ''Spider-Man'' trilogy: $2.488 billion

★ ''Star Wars: Episodes I'', ''II'', and ''III'': $2.415 billion ^[41]

Academy Awards

''The Lord of the Rings: The Return of the King'' movie poster (2003)

The three films together were nominated for a total of 30 Academy Awards, of which they won 17, a record for any movie trilogy. On its own, ''The Return of the King'' tied the previous record of eleven academy awards and won in every category it was nominated in, an extremely rare feat. Return of the King also tied a record for the total number of Academy Awards won, 11, with Ben-Hur and Titanic. Although the three films failed to win any acting awards from the Academy, Ian McKellen earned the series its sole Academy acting nomination for the 2001 release of The Fellowship of the Ring.

★ ''The Fellowship of the Ring'' — Nominations: 13, Wins: 4

★ ''The Two Towers'' — Nominations: 6, Wins: 2

★ ''The Return of the King'' — Nominations: 11, Wins: 11

Award	Awards Won
	The Fellowship of the Ring	The Two Towers	The Return of the King
'Art Direction'	Nomination	Nomination	Win
'Cinematography'	Win
'Costume Design'	Nomination		Win
'Directing'	Nomination		Win
'Film Editing'	Nomination	Nomination	Win
'Makeup'	Win		Win
'Music' (Original Score)	Win		Win
'Music' (Original Song)	Nomination "May It Be"		Win "Into the West"
'Best Picture'	Nomination	Nomination	Win
'Sound Editing'		Win
'Sound Mixing'	Nomination	Nomination	Win
'Supporting Actor'	Nomination Ian McKellen
'Visual Effects'	Win	Win	Win
'Writing' (Previously Produced or Published)	Nomination		Win

As well as Academy Awards, each film of the trilogy scored MTV Movie Awards' Best Film, and the Hugo Awards for Best Dramatic Presentation categories. The first and third films also won the Best Film BAFTAs. It must also be noted that the soundtrack for the Two Towers did not receive a nomination because of the rule prohibiting a soundtrack including music from a previous soundtrack to be eligible for nomination. This rule was overturned in time for ''The Return of the King'' to receive the Oscar for Best Music Score.

Reactions to changes in the movies from the book

While the films were generally well received, some readers of the book decried certain changes made in the adaptation, including changes in tone and themes;Croft, Janet B. The Mines of Moria: "Anticipation" and "Flattening" in Peter Jackson's The Fellowship of the Ring. From http://faculty-staff.ou.edu, last retrieved on 21 August 2006^[42] various changes made to characters such as Aragorn, Arwen, Denethor, Faramir and Gimli, as well as to the main protagonist Frodo himself;''Filming Issues With ''The Two Towers'' Movie'' at oddlots.digitalspace.net, last retrieved on 5 August 2006 changes made to events (such as the Elves participating at the Battle of Helm's Deep, and Faramir taking the hobbits to Osgiliath);^[43] and the deletion of the penultimate chapter of Tolkien's work, "The Scouring of the Shire",^[44] a part he felt thematically necessary. For example, Wayne G. Hammond, a noted Tolkien scholar, has said of the first two films:
Some fans of the book who disagreed with such changes have released their fan edits of the films, which removed many of the changes to bring them closer to the original. The theatrical version of '' has received this treatment, and a combined 8-hour version of the trilogy exists, called "".
Supporters of the film trilogy assert that it is a worthy interpretation of the book, most changes stemming from the filmmakers putting the book into a modern context; connected to this is their perceived need for developing characters further.^[45] It is important to note that many who worked on the trilogy are fans of the book, including Christopher Lee, who alone among the cast had actually met Tolkien in person,^[46] and Boyens once noted that no matter what, it is simply their interpretation of the book. Jackson once said that to simply summarise the story on screen would be a mess, and in his own words, "''Sure, it's not really The Lord of the Rings... but it could still be a pretty damn cool movie.''"^[47][48] Other fans also claim that despite any changes, they do not matter within the context of stand-alone films, and nonetheless they serve as a tribute to the book and yet appeal to those who have not read it, and even lead some to. The Encyclopedia of Arda's Movie Guide states:

Three films or one?

Because the films were shot together and then edited into three separate films released theatrically over a span of three successive years, a significant number of fans and critics have come to regard the trilogy as a single film. They argue that as with the book, which was meant to be a single novel but was first released in three parts for marketing and budget reasons (leading to the common but erroneous label of "trilogy"), Jackson's trilogy is one long 10-hour film. When Time magazine placed the trilogy in its top 100 list it was done under a single heading. While this grouping into a single entity is debated it is not unusual as Krzysztof Kieślowski's ''The Decalogue'' was originally released as ten separate short films with intersecting themes and characters but now is regarded by the majority of critics as a single work. Satyajit Ray's ''The Apu Trilogy'' is also grouped together quite often. Recently, when coming top of an Australian film poll, the trilogy was regarded as one.^[49]

Legacy

The release of the films saw a surge of interest in ''The Lord of the Rings'' and Tolkien's other works, vastly increasing his impact on popular culture. Lord of the Gold Ring Gilsdorf, Ethan For example, in 2003, the BBC conducted a poll to find the U.K.'s favourite book, and ''The Lord of the Rings'' won, at the height of anticipation for the third film.^[50] Despite higher sales, it was rumoured that the Tolkien family became split on the trilogy, with Christopher Tolkien and Simon Tolkien feuding over whether or not it was a good idea to adapt.^[51] Christopher Tolkien has since denied these claims saying, "My own position is that ''The Lord Of The Rings'' is peculiarly unsuitable to transformation into visual dramatic form. The suggestions that have been made that I 'disapprove' of the films, vent to the extent of thinking ill of those with whom I may differ, are wholly without foundation." He added that he had never "expressed any such feeling".^[52] Capitalizing on the trilogy's success, a musical adaptation of the book was launched in Toronto in 2006, but it closed after mostly poor reviews. The success of the films has also spawned the production of video games and many other kinds of merchandise.
Jackson has become his own mogul like Steven Spielberg and George Lucas, and has befriended some industry heavyweights like Bryan Singer, Frank Darabont and James Cameron. He founded his own film production company Wingnut Films, and Wingnut Interactive, a video game company. He was also finally given a chance to remake ''King Kong'' in 2005; although it was not as successful, it nevertheless still received critical acclaim. On a personal level, he found it hard to leave the trilogy and still keeps the Bag End set (as a guest house) and Rivendell miniatures.^[53] He has also become a "favourite son" of New Zealand.^[54] Howard Shore also found leaving difficult, and in 2004 toured with ''The Lord of the Rings Symphony'', consisting of two hours of the score.
Alongside the ''Harry Potter'' films, the trilogy has also renewed interest in the fantasy film genre. Around the same time, fellow New Zealand director Andrew Adamson began ''The Chronicles of Narnia'' film series, credited by many to be stylistically influenced by ''The Lord of the Rings'', being also shot in New Zealand and having art direction from Weta Workshop, as well as its own extended edition. MGM wishes to make an adaptation of ''The Hobbit'' in co-operation with New Line, although Jackson is not signed on due to a dispute with the studio.^[55]
Motion capture was used for characters in ''King Kong'', ''I, Robot'' and ''. ''Kingdom of Heaven'' is one of many epics to use the MASSIVE technology. In non-filmic terms, tourism for New Zealand is up, possibly due to its exposure in the trilogy,^[56] with the tourism industry in the country waking up to an audience's familiarity.^[57]

Notes

1. Abbreviations
2. The Lord of the Rings: The Fellowship of the Ring
3. The Lord of the Rings: The Two Towers
4. The Lord of the Rings: The Return of the King
5. Peter Jackson
6. Sibley (2001), p.11-12
7. Peter Jackson: A Film-maker's Journey, Brian Sibley, , , Harper Collins, , ISBN 0-00-717558-2
8. The 'Rings' movies, a potted history
9. Peter Jackson: A Film-maker's Journey, Brian Sibley, , , Harper Collins, , ISBN 0-00-717558-2
10.
11. Sibley (2006), p.388-92
12. An interview with Peter Jackson
13.
14. The Art of the Two Towers, , Gary, Russell, Harper Collins, ,
15. The Art of Film
16.
17. Hobbiton is being built
18. Peter Jackson From Gore to Mordor - Ray Harryhausen visits Middle-earth, , Lawrence, French, Nexus, , ISBN 0-85965-356-0
19. The Making of the Movie Trilogy, , Brian, Sibley, Harper Collins, ,
20. Hey, what happened to Saruman?
21. ''The Fellowship of the Ring'' DVD preview of ''The Two Towers'' (2002)
22. ''The Return of the King'' trailer
23. There and Back Again: A Geek's Adventures in Middle-earth, CHAPTER FOUR!
24. Peter Jackson talks of Lord of the Rings Ultimate Box Set
25. Lord of the Rings Composer Confirmed Paul Davidson
26. http://www.xenite.org/faqs/lotr_movie/download-press-release.html
27. http://uk.movies.ign.com/articles/200/200155p1.html
28. ''A Longer ''Fellowship'' Ending?'' by Paul Davidson, last retrieved on 5 August 2006
29. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20021117/ANSWERMAN/211170301
30. [http://www.movieweb.com/news/14/1714.php MovieWeb.com's News for 23 September, 2003, last retrieved on 5 August, 2006
31. ''Remaking ''King Kong'' an honor for Jackson'' by John Horn, last retrieved on 5 August 2006
32. ''Return of the King'' review at CalendarLive.com by Kenneth Turan, last retrieved on 5 August 2006
33. http://www.imdb.com/poll/results/2001-12-03
34. http://www.imdb.com/poll/results/2004-02-04
35. Review of ''The Lord of the Rings: The Return of the King'' from http://rogerebert.suntimes.com/
36. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20041215/COMMENTARY/41215001/1023
37. ''Ringing Hollow'' by Sean Burns, last retrieved on 28 January 2007
38. Berardinelli's All-Time Top 100 James Berardinelli
39. Top Ten Films of All Time accessed February 10 2007
40. Hollywood highlights: 25 movies with real impact
41. boxofficemojo.com – Worldwide Box Office Figures
42. Chance, Jane.
Is there a text in this Hobbit? Peter Jackson's The Fellowship of the Ring. Originally for ''Literature Film Quarterly'', 2002. Last retrieved on 25 August 2006
43. "Broken Promises: the failure of the Jackson-Boyens-Walsh films, focusing on The Two Towers at oddlots.digitalspace.net, last retrieved on 4 September 2006
44. Irrelevant and Anticlimactic? The "Scouring" Considered, for Readers and Others at oddlots.digitalspace.net, last retrieved on 4 September 2006
45. http://www.angelfire.com/film/rings/essays/changes.html
46. "Biography for Christopher Lee." http://www.imdb.com/name/nm0000489/bio
47. 20 Questions with Peter Jackson. Last retrieved 16 September 2006
48. http://www.theonering.com/landing_pages/25,3.html
49. http://www.abc.net.au/news/newsitems/200512/s1523327.htm
50. http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/3317081.stm
51. http://www.nzherald.co.nz/feature/story.cfm?c_id=594&ObjectID=231286
52. http://news.bbc.co.uk/2/hi/entertainment/1697884.stm
53. http://www.ew.com/ew/report/0,6115,1538494_1_0_,00.html
54. http://www.nzherald.co.nz/feature/story.cfm?c_id=594&ObjectID=584301
55. Peter Jackson and Fran Walsh talk The Hobbit "Xoanon"
56. http://www.theculturedtraveler.com/Archives/AUG2005/Movies_New_Zeland.htm
57. http://www.newzealand.com/travel/about-nz/culture/lotr/nz-home-of-middle-earth-feature.cfm

External links

★ Official site of the films

★ Old news regarding the making of the trilogy

★ A huge gallery of images from the trilogy

★ A fansite that tracked the series since its conception. Also includes the shooting schedule

★ A brief timeline of production

★ ''The Lord of the Rings'' film trilogy at the ''Arts & Faith Top 100 Spiritually Significant Films'' list

★ What To Do With The Time That Is Given: Vocation in ''The Lord of the Rings'' Essay length review of the film cycle as compared with the original book on the theme of vocation, or calling. Originally published in ''The Mars Hill Review''.

★ The Nitpickers Guide to LOTR A look at the film deviations from the book.