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EspañolUNDER A TEXAS MOON (FILM)
(Redirected from Under A Texas Moon)
'''Under A Texas Moon''' is a 1930 musical western film photographed entirely in Technicolor. It was based on the novel ''Two-Gun Man'' (from 1929) which was written by Stewart Edward White. It was the second all-color all-talking feature to be filmed entirely outdoors as well as being the second western in color. The film features one theme song by the title of "Under A Texas Moon."
★ Frank Fay as Don Carlos
★ Raquel Torres as Raquella
★ Myrna Loy as Lolita Romero
★ Armida as Dolores
★ Noah Beery as Jed Parker
★ Georgie Stone as Pedro
★ George Cooper as Philipe
★ Charles Sellon as José Romero
★ Jack Curtis as Buck Johnson
★ Sam Appel as Pancho Gonzalez
★ Tully Marshall as Gus Aldrich
★ Mona Maris as Lolita Roberto
★ Francisco Marán as Antonio
The film survives as a single nitrate Technicolor print, faithfully copied by UCLA. The Technicolor gives the film a rich and glowing look. The whites are pearly, the reds rich and earthy, lending gorgeous close-ups of sun tanned female cast members.
'''Under A Texas Moon''' is a 1930 musical western film photographed entirely in Technicolor. It was based on the novel ''Two-Gun Man'' (from 1929) which was written by Stewart Edward White. It was the second all-color all-talking feature to be filmed entirely outdoors as well as being the second western in color. The film features one theme song by the title of "Under A Texas Moon."
Sheet music featuring the theme song.
| Contents |
| Cast (in credits order) |
| Preservation |
Cast (in credits order)
★ Frank Fay as Don Carlos
★ Raquel Torres as Raquella
★ Myrna Loy as Lolita Romero
★ Armida as Dolores
★ Noah Beery as Jed Parker
★ Georgie Stone as Pedro
★ George Cooper as Philipe
★ Charles Sellon as José Romero
★ Jack Curtis as Buck Johnson
★ Sam Appel as Pancho Gonzalez
★ Tully Marshall as Gus Aldrich
★ Mona Maris as Lolita Roberto
★ Francisco Marán as Antonio
Preservation
Poster for the film.
The film survives as a single nitrate Technicolor print, faithfully copied by UCLA. The Technicolor gives the film a rich and glowing look. The whites are pearly, the reds rich and earthy, lending gorgeous close-ups of sun tanned female cast members.
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