 | DAAD Hi!Potentials Program @ University of Karlsruhe Engenharia mecânica na Universidade Técnica de Karlsruhe, Alemanha. Programa do Serviço de Intercâmbio Acadêmico Alemão (DAAD). |
 | Maldoror - One Screen Version (demo) MALDOROR. Installation video for three screens inspired by "Les Chants de Maldoror". Written and directed by Daniel ALZATE-ROMERO and Lucio MOLINARI. Co-production of the EUFORICA-DESIGN association and R. ROMERO. With the participation of the "Atélier d'expérimentation cinématographique of the University of Paris" the HfM of Karlsruhe and the "Sonic Art Research Center" of Belfast. 2006 A man looks into the sky, in a moment of enlightenment he takes conscience of his presence and moves magnetically through space. There, he finds a mysterious image of himself, making this meeting the epicenter of a triple act of martyrium. Time and space are composed and decomposed through a multi-screen device. His flesh and the void become the visual substance which put the disfiguration of this bust-man in scene, his autodestruction is the vestige of the meeting of the individual and his Thanatos. The supernatural will and the surreal character of this being are expressed trough abstract and synthetic images. The real and the virtual are confounded alternatively with the same dynamic as the good and the evil succeed throughout the cosmic cycle. |
 | Antonio Vivaldi - Largo Concerto C-Major electric guitar Antonio Vivaldi - Largo from Concerto C-Major, played by Boris Björn Bagger (http://www.borisbagger.de ) with electric and 12 string guitar, this arrangement is as sheet music available http://www.edition49.de arranged for melody instrument and guitar Boris Björn Bagger is teaching guitar at the University of music in Karlsruhe / Germany, http://www.hfm-karlsruhe.de You can see the video in a good quality here (synchronized) http://www.zzz.ee/edition49/videos/vivaldi-c-major.wmv Boris Björn Bagger is teaching guitar at the University of Music Karlsruhe / Germany http://www.hfm-karlsruhe.de |
 | Franz v. Suppe M. Hammerschmitt Zehn Mädchen und (k)ein Mann Zehn (Elf)! Mädchen und (k)ein Mann, Operette frei nach Franz von Suppé (1819-1895) für 10 Sängerinnen und ein / zwei Sänger und Klavier (ad libitum Flöte und Violine auf der Bühne) bearbeitet von Matthias Hammerschmitt. Eine Kömodie für alle Bühnen, die unter Männermangel leiden, erfolgreiche Aufführung durch die Opernschule der Musikhochschule Karlsruhe, Texte Musik Hammerschmitt, Matthias / Dialogtexte Marianne Berglöf, http://www.edition49.de/composers/m_hammerschmitt , Eine Kömodie für alle Bühnen, die unter Männermangel leiden, erfolgreiche Aufführung durch die Opernschule der Musikhochschule Karlsruhe, Noten erhältlich / sheet music available http://www.edition49.de, Viele interesssante arrangements hier / many interesting arrangements here http://www.edition49.de/shop , This is a live production (excerpts) of the university of music Karlsruhe / Germany |
 | Ich hasse die TU (TH) Videoclip filmed at the famous University of Karlsruhe including geeks, nerds and eierköpfe. Pay attention to the lyrics and read between the lines. |
 | Antonio Vivaldi, Mandolin Concerto, 1st Movement Detlef Tewes (mandolin, http://www.detlef-tewes.de ), mandolin orchestra of Ettlingen / Germany http://www.mandolinenorchester-ettlingen.de , conductor Boris Björn Bagger (http://www.borisbagger.de ), Boris Bagger is teacher for guitar at the University of Music, Karlsruhe / Germany, http://www.hfm-karlsruhe.de sheet music available http://www.edition49.de New CD available with Detlef Tewes & Boris Björn Bagger Mozart - World premiere recordings sold more than 10 000 times new arrangements for mandolin and guitar Detlef Tewes & Boris Björn Bagger - a fantastic CD - 5 stars are not enough! order here http://www.edition49.de/shop More infos and informations about this CD http://www.borisbagger.de/mozart-cd-mandoline-und-gitarre.htm Thanks for visiting our pages |
 | Detlef Tewes & Boris Björn Bagger -Czardas by Vittorio Monti Detlef Tewes - http://www.detlef-tewes.de & Boris Björn Bagger - http://www.borisbagger.de is teaching guitar at the University of Music in Karlsruhe / Germany, http://www.hfm-karlsruhe.de are playing the original piece written for mandolin and guitar Czardas by Vittorio Monti, sheet music and CD available here / Noten und CD hier erhältlich http://www.edition49.de/shop Here you find a lot of interesting pieces for mandolin and guitar |
 | Microscope Embedded Neurosurgical Training System This is the first prototype of a training system for Neurosurgery. It's using a real operating microscope and a haptic interface for a force feedback. For more information: http://wwwipr.ira.uka.de/~megi/ Medical group of Institut for Control Process and Robotics, University of Karlsruhe (Germany) Contact person: Alessandro De Mauro |
 | City Center Karlsruhe From University, over Kaiserallee, to Ettlingen Tor. A tour in the city center of Karlsruhe, southwest Germany, on the tram line 2. |
 | Friedrich A. Kittler. European Graduate School EGS 2005 1/6 http://www.egs.edu/ Friedrich A. Kittler lecturing at European Graduate school. The relation of Art and Techne, covering historic events from the ancient Greek world to todays new media art forms, computer, genesis, mythology, history. European Graduate School, Media Studies Department Program, EGS, Saas-Fee, Switzerland, 2005. Friedrich A. Kittler, born 1943 in Rochlitz, Saxony, is a literary scientist and a media theorist. His research and work is focusing on media, history, communications, technology, and the military. He worked as visiting assistant professor at several universities in the United States, including the University of California, Berkeley, the University of California, Santa Barbara and Stanford University. From 1986 to 1990, he headed the DFG's Literature and Media Analysis project in Kassel and in 1987 he was appointed Professor of Modern German Studies at the Ruhr University. In 1993 he was appointed to the chair for Media Aesthetics and History at the Humboldt University of Berlin. In 1993, Kittler was awarded the "Siemens Media Arts Prize" (Siemens-Medienkunstpreis) by ZKM Karlsruhe (Zentrum für Kunst und Medientechnologie, or "Centre for Art and Media Technology") for his research in the field of media theory. He was recognized in 1996 as a Distinguished Scholar at Yale University and in 1997 as a Distinguished Visiting Professor at Columbia University in New York. Kittler is a member of the Hermann von Helmholtz Centre for Culture and the research group "Bild Schrift Zahl" ("Picture Writing Number") (DFG). Kittler sees an autonomy in technology and therefore disagrees with Marshall McLuhan's reading of the media as "extensions of man": "Media are not pseudopods for extending the human body. They follow the logic of escalation that leaves us and written history behind it. He is the author of 2006: Musik und Mathematik. Band 1: Hellas, Teil 1: Aphrodite. Wilhelm Fink Verlag, Paderborn; 2004: Unsterbliche. Nachrufe, Erinnerungen, Geistergespräche. Wilhelm Fink Verlag, Paderborn; 2002: Zwischen Rauschen und Offenbarung. Zur Kultur- und Mediengeschichte der Stimme (as publisher). Akademie Verlag, Berlin; 2002: Optische Medien. Merve: Berlin; 2001: Vom Griechenland (with Cornelia Vismann; Internationaler Merve Diskurs Bd.240). Merve: Berlin; 2000: Nietzsche -- Politik des Eigennamens: wie man abschafft, wovon man spricht (with Jacques Derrida). Berlin; 2000: Eine Kulturgeschichte der Kulturwissenschaft. München; 1999: Hebbels Einbildungskraft -- die dunkle Natur. Frankfurt, New York, Vienna; 1998: Zur Theoriegeschichte von Information Warfare; 1998: Hardware das unbekannte Wesen; 1997: Literature, Media, Information Systems: Essays (published by John Johnston). Amsterdam; 1993: Draculas Vermächtnis: Technische Schriften. Leipzig: Reclam; Essays zu den "Effekten der Sprengung des Schriftmonopols", zu den Analogmedien Schallplatte, Film und Radio sowie "technische Schriften, die numerisch oder algebraisch verfasst sind"; 1991: Dichter -- Mutter -- Kind. Munich; 1990: Die Nacht der Substanz. Bern; 1986: Grammophon Film Typewriter. Berlin: Brinkmann & Bose; (English edition: Gramophone Film Typewriter, Stanford 1999); 1985: Aufschreibesysteme 1800/1900. Fink: Munich; (English edition: Discourse Networks 1800 / 1900, with a foreword by David E. Wellbery. Stanford 1990); 1979: Dichtung als Sozialisationsspiel. Studien zu Goethe und Gottfried Keller (with Gerhard Kaiser). Göttingen; and 1977: Der Traum und die Rede. Eine Analyse der Kommunikationssituation Conrad Ferdinand Meyers. Bern-Munich |
 | Sandy Stone. A Meatgrinder Called University. 2007 1/12 http://www.egs.edu/ Allucquére Rosanne Sandy Stone, philosopher of the body, performance artist, researcher in neurology and anthropologist of the virtual world, antichrist, and transsexual talking about her work, projects, performances, art, science, philosophy, and lecturing about academe, history of the actlab, academic disputes and infights, meatgrinders called university, keeping style, google earth, surveillance society, nanotechnology, macro, micro, nano, food, mathematics. Public open video philosophy lecture for the faculty and students of the European Graduate School, Media and Communication Studies Department Program, EGS, Saas-Fee, Switzerland, Europe, 2007. Allucquére Rosanne Stone Sandy Stone Ph.D. Wolfgang Köhler Chair at EGS, and is the Wolfgang Köhler Professor, department of Radio-TV-Film, and Director, Advanced Communication Technology Lab, University of Texas at Austin. Director of the Group for the Study of Visual Systems at the Center of Cultural Studies, University of California at Santa Cruz. Sandy Stone has has organized several international conferences on cyberspace in Santa Cruz, Austin, Banff/Canada, and Karlsruhe, Germany, between 1991-1995. Author of The War of Desire and Technology at the Close of the Mechanical Age. In 1974 Stone settled in Santa Cruz, California, and undertook gender reassignment with the Stanford Gender Dysphoria Program in Palo Alto. During this period she published pseudonymously in "The Magazine of Fantasy and Science Fiction" and "Galaxy" magazine. Later she became a member of the Olivia Records collective, a popular women's music label. In 1987 Stone was accepted in the History of Consciousness program at the University of California, where she studied with Donna Haraway and James Clifford. Stone wrote the seminal essay "The Empire Strikes Back: A Posttranssexual Manifesto" while Haraway's student. The paper was influenced by Haraway's A Manifesto For Cyborgs (later retitled "A Cyborg Manifesto" and first published in Social Text, 1984) and by the turbulent political foment in feminism of that period, but primarily as a reaction to what Stone perceived as a transphobic strain in feminist academia exemplified by Raymond's book. "The Empire Strikes Back" later became the center of an extensive citation network of transgendered academics and a foundational work for transgendered researchers and theorists. The central point of the essay was that transgendered persons were ill-served by hiding their status, and that coming out -- which Stone called "reading oneself aloud" -- would inevitably lead to self-empowerment. Thus Empire Strikes Back rearticulated what was at the time a radical gay-lesbian political statement into a transgendered voice. The importance of this move lay in the political circumstance of the 1980s vis-a-vis mainstream gay and lesbian political action at the national level in the United States. During this period, mainstream gay and lesbian activists generally suppressed transgender issues and visible transgendered activists, fearing that they would frighten the uncertain and still shaky liberal base during a delicate period of consolidation. At this critical juncture, and against mainstream efforts to silence fringe voices, Empire Strikes Back galvanized a largely scattered and disorganized population of young transgendered scholars and focused the attention of this demographic on the need for self-assertion within a largely reactionary institutional structure. Public open lecture with students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, Sandy Stone 2007 |
 | A. Vivaldi, Guitar Concerto in D, 2nd Mvt, Boris Bagger Antonio Vivaldi, Guitar Concerto in D, 2nd Mvt, played and arranged by Boris Björn Bagger, classical guitar - http://www.borisbagger.de, Boris Björn Bagger is teaching guitar at the University of Music in Karlsruhe / Germany, http://www.hfm-karlsruhe.de live concert in Tallinn / Estonia, 30.9.2005, conductor: Leslie B. Dunner (USA), Estonian National Symphony Orchestra (http://www.erso.ee ), sheet music & CD available here: http://www.edition49.de (arrangements for several instruments are available) |
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