VICTOR DE SABATA DISCOGRAPHY
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This discography aims to include all published recordings featuring the conducting of Victor de Sabata.
# Archipel ARPCD 0027-3, booklet notes
# Nuova Era 2210, Booklet note. See also [181]
# Nuova Era 2297, Booklet note. See also [182]
# Nuova Era 2319, Booklet note. See also [183]
# Testament SBT 1108, booklet notes
# Urania URN 22.105, booklet notes
# Urania URN 22.105, booklet notes
# Urania URN 22.142, booklet notes
# Pearl GEMS 0054, booklet notes
# "Rehearsal" consists of brief remarks by de Sabata followed by a complete uninterrupted runthrough
Sorted by composer and work
Barber
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 18 March 1950 | Barber | ''School for Scandal (Overture)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 2297, Archipel ARPCD 0135 |
Beethoven
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 2-3 May 1946 | Beethoven | ''Third Symphony (Eroica)'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Istituto Discografico Italiano IDIS 6361, Iron Needle IN 1410, Arkadia 105788, Grammofono 2000 78686-7 | [1], [2], [3], [4] |
| 16 March 1950 | Beethoven | ''Fifth Symphony'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Urania URN 22.142, Tahra TAH 449, Nuova Era 013.6316 | |
| 23-25, 29 January, 3 February 1947 | Beethoven | ''Sixth Symphony (Pastoral)'' | Orchestra of Santa Cecilia | Studio recording for HMV, Teatro Argentina, Rome | Grammofono 2000 AB 78852, Naxos 8.110859, Arkadia 105788 | [5] |
| 18 March 1951 | Beethoven | ''Eighth Symphony'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6338, Istituto Discografico Italiano IDIS 6361 |
Berlioz
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| May 1946 | Berlioz | ''Le Carnaval Romain Overture'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Magic Master 37086, Iron Needle IN 1410, Grammofono 2000 78686-7 | [6], [7] |
| 1 August 1953 | Berlioz | ''Le Carnaval Romain overture'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Nuova Era 2319, Dynamic IDIS6416 | [8], |
Brahms
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| February 1953 | Brahms | ''Third Symphony (finale) (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200, Nuova Era 2319 | [9], [10] |
| April 1939 | Brahms | ''Fourth Symphony'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Magic Master 37086, Andante 1030, Istituto Discografico Italiano IDIS 6406/07, Grammofono 2000 78686-7 | , [11], [12], [13] |
| 16 March 1950 | Brahms | ''Violin Concerto'' | Nathan Milstein (violin), New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6316, Tahra TAH 449, Archipel ARPCD 0086 |
De Sabata
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 29-30 December 1933 | De Sabata | ''Juventus'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [14] |
Debussy
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 7 February 1947 | Debussy | ''Jeux'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Rome | Testament SBT 1108, Pristine Audio PASC046 | , [15] |
| 28 February - 1 March 1948 | Debussy | ''La Mer'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV (not issued until 1997), Teatro Argentina, Roma | Testament SBT 1108 | |
| 1 February 1948 | Debussy | ''Nocturnes (Nuages)'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Roma | Testament SBT 1108 | |
| 24 February 1948 | Debussy | ''Nocturnes (Fetes)'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Roma | Testament SBT 1108 |
Dukas
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 12 March 1950 | Dukas | ''The Sorcerer's Apprentice'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 6350, Originals 821 |
Dvořák
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 26 March 1950 | Dvořak | ''Ninth Symphony (From the New World)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Istituto Discorafico Italiano IDIS 336, Nuova Era 2297 |
Franck
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 12 March 1950 | Franck | ''Symphony in D minor'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Istituto Discografico Italiano IDIS 336, Nuova Era 6350 |
Ghedini
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 5 March 1950 | Ghedini | ''Marinaresca e baccanale'' | New York Philharmonic | Live recording, Carnegie Hall, New York, 3pm | Nuova Era 2219, Archipel ARPCD 0135 | [16] |
Giordano
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 6 March 1949 | Giordano | ''Andrea Chénier (excerpts)'' | Mario del Monaco (Andrea Chénier), Renata Tebaldi (Madeleine), Paolo Silveri (Gerard), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Fono Enterprise 1058, Myto MCD 90634 | [17], [18] |
Glazunov
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 28 December 1933 | Glazunov | ''From the Middle Ages (suite)'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [19] |
Kodály
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| April 1939 | Kodály | ''Dances of Galanta'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Urania 155, Istituto Discografico Italiano IDIS 6406/07, Grammofono 2000 78686-7 | , [20] |
Mosolov
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 30 December 1933 | Mosolov | ''Iron Foundry'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [21] |
Mozart
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| December 1941 | Mozart | ''Requiem (complete)'' | Pia Tassinari (soprano), Ebe Stignani (mezzo soprano), Ferruccio Tagliavini (tenor), Italo Tajo (bass), Orchestra e Coro di Torino dell'EIAR | Live recording, Basilica di Santa Maria degli Angeli, Rome | Iron Needle IN 1390, Cetra 40001, Naxos 8.111064 | [22], [23],[24] |
Puccini
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 7 December 1949 | Puccini | ''La bohème (excerpts)'' | Gianni Pogi (Rodolfo), Margherita Carosio (Mimì), Paolo Silveri (Marcello), Alda Noni (Musetta), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Myto MCD 90634 | [25], [26] |
| 12 April 1953 | Puccini | ''Tosca (Aria Vissi d'arte)'' | Renata Tebaldi (soprano), Orchestra of La Scala, Milan | Live recording, Teatro alla Scala, Milan | Nuova Era 2319 | [27], |
| 10-14, 16, 18-21 August 1953 | Puccini | ''Tosca (complete)'' | Maria Callas (Floria Tosca), Giuseppe di Stefano (Mario Caravadossi), Tito Gobbi (Scarpia), Chorus and orchestra of La Scala | Studio recording for HMV, Teatro alla Scala, Milan | EMI 7243 5 62890 2 4 (and many others), Naxos 8.110256-57, Regis 2065 | [28] |
Rachmaninoff
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 12 March 1950 | Rachmaninoff | ''Rhapsody on a Theme of Paganini'' | Artur Rubinstein (piano), New York Philharmonic | Live recording, Carnegie Hall, New York | Aura 252, Archipel ARPCD 0135, Originals ORI 821, Nuova Era 2232 |
Ravel
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 5 March 1950 | Ravel | ''Boléro'' | New York Philharmonic | Live recording, Carnegie Hall, New York, 3pm | Nuova Era 2219, Archipel ARPCD 0135, | [29] |
| 26 March 1950 | Ravel | ''Ma Mere l'Oye (suite)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Archipel ARPCD 0135, Originals 821, Nuova Era 2219 | |
| 1 August 1953 | Ravel | ''La valse'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Archipel ARPCD 0135, Nuova Era 2219, Dynamic IDIS6416 | [30] |
Respighi
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| April 1939 | Respighi | ''Feste Romane'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Istituto Discografico Italiano IDIS 6406/07 | , [31] |
| 23-24 January 1947 | Respighi | ''Fountains of Rome'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Rome | Testament SBT 1108, EMI References 7243 56550629, Naxos 8.111049-50 | , [32], [33] |
| 12 March 1950 | Respighi | ''Pines of Rome'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Urania URN 22.142, Nuova Era 2232 |
Rossini
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 3 February 1952 | Rossini | ''Barber of Seville (complete)'' | Gino Bechi (Figaro), Dora Gatta (Rosina), Cesare Valletti (Almaviva), Melchiorre Luise (Bartolo), Nicola Rossi-Lemeni (Basilio), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Walhall WLCD 0061 | [34] |
| February 1953 | Rossini | ''La gazza ladra (overture) (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200 | [35] |
| February 1948 | Rossini | ''William Tell (overture)'' | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 AB 78852, EMI References 7243 56550629, Naxos 8.111049-50 | [36], [37] |
Schumann
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 18 March 1951 | Schumann | ''Piano Concerto'' | Claudio Arrau (piano), New York Philharmonic | Live recording, Carnegie Hall, New York | Aura 252, Music and Arts 1174, Archipel ARPCD 0086 |
Sibelius
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| May 1946 | Sibelius | ''En Saga'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Decca LP 6BB 236/7 | [38], [39] |
| 5 March 1950 | Sibelius | ''First Symphony'' | New York Philharmonic | Live recording, Carnegie Hall, New York, 3pm | Nuova Era 2210, Urania 155 | , [40] |
| May 1946 | Sibelius | ''Valse Triste'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Grammofono 2000 78686-7 | [41] |
Richard Strauss
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| April 1939 | Richard Strauss | ''Death and Transfiguration'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Istituto Discografico Italiano IDIS 6406/07 | , [42], [43] |
| 1 August 1953 | Richard Strauss | ''Death and Transfiguration'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Nuova Era 2210, Dynamic IDIS6416, Archipel ARPCD 0135 | [44] |
| November/December 1948 | Richard Strauss | ''Don Quixote'' | Aldo Parisot (cello), Pittsburgh Symphony Orchestra | Live recording, Pittsburgh | Urania URN 22.105 | , [45] |
| February 1953 | Richard Strauss | ''Dance of the Seven Veils (from Salome) (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200, Nuova Era 2319, Archipel ARPCD 0135 | [46] |
Stravinsky
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 9 September 1947 | Stravinsky | ''Chant du Rossignol'' | Stockholm Philharmonic Orchestra | Live recording, Stockholm | Urania 155, Archipel ARPCD 0135, Nuova Era 2319 | |
| 28 December 1933 | Stravinsky | ''Fireworks'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [47] |
Verdi
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 7 June 1936 | Verdi | ''Aïda (excerpts) (sung in Swedish and German)'' | Jussi Bjoerling, (Radamès), Maria Nemeth, Kerstin Thorborg, Alexander Svied, Ludwig Hofmann, Orchestra and chorus of the Vienna State Opera | Live recording, Vienna | Koch Schwann 3-1454-2 ("Edition Wiener Staatsoper Live, Volume 4") | [48], [49] |
| 22 June 1937 | Verdi | ''Aïda (complete)'' | Gina Cigna (Aida), Beniamino Gigli, (Radamès), Orchestra and chorus of La Scala | Live recording, Berlin | Eklipse EKR 53 | [50], [51], [52], [53] |
| 14 May 1938 | Verdi | ''Aïda (excerpts)'' | Gina Cigna (Aïda), Beniamino Gigli, (Radamès), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala | Music and Arts 1104 | [54] |
| April 1939 | Verdi | ''Aïda (prelude)'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Istituto Discografico Italiano IDIS 6406/07 | [55] |
| 7 June 1951 | Verdi | ''Falstaff (complete)'' | Mariano Stabile (Falstaff), Renata Tebaldi, Cloë Elmo (Quickly), Chorus and orchestra of La Scala | Live recording, Teatro alla scala, Milan | Opera d'Oro 1214, Urania 176, Nuova Era 2220/21, Premiere Opera CDNO 2932 | [56] |
| 26 May 1952 | Verdi | ''Falstaff (complete)'' | Mariano Stabile (Falstaff), Renata Tebaldi (Alice), Cloë Elmo (Quickly), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Music and Arts CD 1104, Cantus Classics 500.408 | [57], [58] |
| 7 December 1952 | Verdi | ''Macbeth (complete)'' | Maria Callas (Lady Macbeth), Enzo Mascherini (Macbeth), Italo Tajo (Banquo), Orchestra and Chorus of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 2202/3, EMI CMS 5 66447 2, Hunt 2CDSLMH 34027, Legendary LR-CD-1003-2, Movimento Musica 051.022, Arkadia CDMP 427.2, G.O.P. 750-CD2, Canale 539003/4, Documents 221886-303 | [59], [60] |
| 1 February 1938 | Verdi | ''Otello (excerpts)'' | Maria Caniglia (Soprano), Francesco Merli (Tenor), Piero Biasini (Baritone) , Orchestra and chorus of La Scala | Live recording, Teatro alla Scala | Music and Arts 1104 | [61] |
| 5 February 1949 | Verdi | ''Otello (aria "Willow Song")'' | Renata Tebaldi, Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Fono Enterprise 1058 | [62] |
| 12 December 1940 | Verdi | ''Requiem (excerpts)'' | Beniamino Gigli (Tenor), Ebe Stignani (Mezzo-soprano), Maria Caniglia (Soprano), Tancredi Pasero (Bass), RAI Chorus and Orchestra | Live recording | Enterprise RY 77 | [63], [64] |
| 14 December 1940 | Verdi | ''Requiem (excerpts)'' | Beniamino Gigli (Tenor), Ebe Stignani (Mezzo soprano), Maria Caniglia (Soprano), Tancredi Pasero (Bass), EIAR Symphony Orchestra and Chorus, Orchestra da Camera di Roma | Live recording, Basilica di Santa Maria degli Angeli, Rome | Legato LCD 178-2, Arkadia CDMP 446 | [65], [66], [67] |
| 27 January 1951 | Verdi | ''Requiem (complete)'' | Renata Tebaldi (soprano), Nell Rankin (mezzo-soprano), Giacinto Prandelli (tenor), Nicola Rossi-Lemeni (bass), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 6346/47, Urania URN 22.189, Great Opera Performances GOP 825 | [68] |
| 18-22, 25-27 June 1954 | Verdi | ''Requiem (complete)'' | Elisabeth Schwarzkopf (soprano), Oralia Dominguez (mezzo-soprano), Giuseppe di Stefano (tenor), Cesare Siepi (bass), Chorus and orchestra of La Scala | Studio recording for HMV, Teatro alla Scala, Milan | EMI 653565 5062, EMI Refreences 7243 56550629, Naxos 8.111049-50, Opera d'Oro OPD 1314 | [69], [70], [71] |
| February – March 1948 | Verdi | ''La traviata (Act 1 and Act 3 Preludes)'' | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 AB 78852, EMI References 7243 56550629, Naxos 8.111049-50 | [72], [73] |
| February 1947 | Verdi | ''I vespri siciliani (Overture)'' | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 AB 78852, Malibran CDRG 174, EMI References 7243 56550629, Naxos 8.111049-50 | [74], [75], [76] |
| 1 August 1953 | Verdi | ''I vespri siciliani (overture)'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Nuova Era 2319, Originals ORI 821, Dynamic IDIS6416 | [77], |
Wagner
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 25 March 1951 | Wagner | ''Götterdämmerung (immolation scene)'' | Eileen Farrell (soprano), New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6637, Arkadia/Hunt 512, Arkadia CDHP 512.1, Urania 22167 | |
| 25 March 1951 | Wagner | ''Die Meistersinger (prelude)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6637, Arkadia/Hunt 512, Arkadia CDHP 512.1, Urania 22167 | |
| 25 March 1951 | Wagner | ''Parsifal (Prelude and Good Friday music)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6637, Arkadia/Hunt 512, Arkadia CDHP 512.1, Urania 22167 | |
| 11 December 1930 | Wagner | ''Tristan und Isolde (excerpts) (sung in Italian)'' | Giuseppina Cobelli (Isolde), Renato Zanelli (Tristan), Orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Pearl GEMS 0054, Symposium 1102 | , [78] |
| April 1939 | Wagner | ''Tristan und Isolde: Prelude and Liebestod'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Uhttp://worldcat.org/search?q=victor+de+sabata&qt=owc_searchrania 155, Magic Master 37086, Iron Needle IN 1410, Istituto Discografico Italiano IDIS 6406/07, Grammofono 2000 78686-7 | , [79], [80], [81] |
| 14 April 1948 | Wagner | ''Tristan und Isolde (excerpts)'' | Kirsten Flagstad (Isolde), Max Lorenz (Tristan), Rosette Anday (Brangäne)Paul Schöffler (King Mark), Orchestra and chorus of La Scala ''(Note: Urania booklet notes falsely claim the performance to be from 1947 with Einar Beyron as Tristan and Elsa Calveti as Brangäne) | Live recording, Teatro alla Scala, Milan | Urania URN 22.105, Simax 1820 | , [82] |
| 25 March 1951 | Wagner | ''Tristan und Isolde (prelude and liebestod)'' | Eileen Farrell (soprano), New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6637, Arkadia/Hunt 512, Arkadia CDHP 512.1, Urania 22167 | |
| 13 December 1951 | Wagner | ''Tristan und Isolde (complete)'' | Gertrud Grob-Prandl (Isolde), Max Lorenz (Tristan), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Archipel ARPCD 0027-3 | , [83] |
| May 1946 | Wagner | ''Ride of the Valkyries'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Magic Master 37086, Iron Needle IN 1410, Grammofono 2000 78686-7 | [84], [85] |
| February 1953 | Wagner | ''Ride of the Valkyries (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200 | [86] |
Wolf-Ferrari
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| February – March 1948 | Wolf-Ferrari | ''I quattro rusteghi (Intermezzo from Act II)'' | Orchestra of Santa Cecilia | Studio recording for HMV | EMI References 7243 56550629, Naxos 8.111049-50 | [87], [88] |
| February – March 1948 | Wolf-Ferrari | ''Il segreto di Susanna (overture from Act I)'' | Orchestra of Santa Cecilia | Studio recording for HMV | EMI References 7243 56550629, Naxos 8.111049-50 | [89], [90] |
Sorted by date
1930s
1930
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 11 December 1930 | Wagner | ''Tristan und Isolde (excerpts) (sung in Italian)'' | Giuseppina Cobelli (Isolde), Renato Zanelli (Tristan), Orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Pearl GEMS 0054, Symposium 1102 | , [91] |
1933
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 28 December 1933 | Stravinsky | ''Fireworks'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [92] |
| 28 December 1933 | Glazunov | ''From the Middle Ages (suite)'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [93] |
| 29-30 December 1933 | De Sabata | ''Juventus'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [94] |
| 30 December 1933 | Mosolov | ''Iron Foundry'' | RAI Symphony Orchestra, Turin | Studio recording for Parlophone, Turin | Naxos 8.110859 | [95] |
1936
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 7 June 1936 | Verdi | ''Aida (excerpts) (sung in Swedish and German)'' | Jussi Bjoerling, (Radamès), Maria Nemeth, Kerstin Thorborg, Alexander Svied, Ludwig Hofmann, Orchestra and chorus of the Vienna State Opera | Live recording, Vienna | Koch Schwann 3-1454-2 ("Edition Wiener Staatsoper Live, Volume 4") | [96], [97] |
1937
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 22 June 1937 | Verdi | ''Aida'' | Gina Cigna (Aida), Beniamino Gigli, (Radamès), Orchestra and chorus of La Scala | Live recording, Berlin | Eklipse EKR 53 | [98], [99], [100], [101] |
1938
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 1 February 1938 | Verdi | ''Otello (excerpts)'' | Maria Caniglia (Soprano), Francesco Merli (Tenor), Piero Biasini (Baritone) , Orchestra and chorus of La Scala | Live recording, Teatro alla Scala | Music and Arts 1104 | [102] |
| 14 May 1938 | Verdi | ''Aïda (excerpts)'' | Gina Cigna (Aïda), Beniamino Gigli, (Radamès), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala | Music and Arts 1104 | [103] |
1939
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| April 1939 | Brahms | ''Fourth Symphony'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Magic Master 37086, Andante 1030, Istituto Discografico Italiano IDIS 6406/07, Grammofono 2000 78686-7 | , [104], [105], [106] |
| April 1939 | Respighi | ''Feste Romane'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Istituto Discografico Italiano IDIS 6406/07 | , [107] |
| April 1939 | Wagner | ''Tristan und Isolde: Prelude and Liebestod'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Uhttp://worldcat.org/search?q=victor+de+sabata&qt=owc_searchrania 155, Magic Master 37086, Iron Needle IN 1410, Istituto Discografico Italiano IDIS 6406/07, Grammofono 2000 78686-7 | , [108], [109], [110] |
| April 1939 | Kodály | ''Dances of Galanta'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Urania 155, Istituto Discografico Italiano IDIS 6406/07, Grammofono 2000 78686-7 | , [111] |
| April 1939 | Richard Strauss | ''Death and Transfiguration'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Pearl GEMS 0054, Istituto Discografico Italiano IDIS 6406/07 | , [112], [113] |
| April 1939 | Verdi | ''Aïda (prelude)'' | Berlin Philharmonic Orchestra | Studio recording for Polydor, Alte Jacobstrasse Studio, Berlin | Istituto Discografico Italiano IDIS 6406/07 | [114] |
1940s
1940
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 12 December 1940 | Verdi | ''Requiem (excerpts)'' | Beniamino Gigli (Tenor), Ebe Stignani (Mezzo soprano), Maria Caniglia (Soprano), Tancredi Pasero (Bass), RAI Chorus and Orchestra | Live recording | Enterprise RY 77 | [115], [116] |
| 14 December 1940 | Verdi | ''Requiem (excerpts)'' | Beniamino Gigli (Tenor), Ebe Stignani (Mezzo soprano), Maria Caniglia (Soprano), Tancredi Pasero (Bass), EIAR Symphony Orchestra and Chorus, Orchestra da Camera di Roma | Live recording, Basilica di Santa Maria degli Angeli, Rome | Legato LCD 178-2, Arkadia CDMP 446 | [117], [118], [119] |
1941
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| December 1941 | Mozart | ''Requiem'' | Pia Tassinari (soprano), Ebe Stignani (mezzo soprano), Ferruccio Tagliavini (tenor), Italo Tajo (bass), Orchestra e Coro di Torino dell'EIAR | Live recording, Basilica di Santa Maria degli Angeli, Rome | Iron Needle IN 1390, Cetra 40001, Naxos 8.111064 | [120], [121],[122] |
1946
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 2-3 May 1946 | Beethoven | ''Third Symphony (Eroica)'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Istituto Discografico Italiano IDIS 6361, Iron Needle IN 1410, Arkadia 105788, Grammofono 2000 78686-7 | [123], [124], [125], [126] |
| May 1946 | Berlioz | ''Le Carnaval Romain Overture'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Magic Master 37086, Iron Needle IN 1410, Grammofono 2000 78686-7 | [127], [128] |
| May 1946 | Wagner | ''Ride of the Valkyries'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Magic Master 37086, Iron Needle IN 1410, Grammofono 2000 78686-7 | [129], [130] |
| May 1946 | Sibelius | ''Valse Triste'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Grammofono 2000 78686-7 | [131] |
| May 1946 | Sibelius | ''En Saga'' | London Philharmonic Orchestra | Studio recording for Decca, Walthamstow Assembly Halls, London | Decca LP 6BB 236/7 | [132], [133] |
1947
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 23-24 January 1947 | Respighi | ''Fountains of Rome'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Rome | Testament SBT 1108, EMI References 7243 56550629, Naxos 8.111049-50 | , [134], [135] |
| 23-25, 29 January, 3 February 1947 | Beethoven | ''Sixth Symphony (Pastoral)'' | Orchestra of Santa Cecilia | Studio recording for HMV, Teatro Argentina, Rome | Grammofono 2000 AB 78852, Naxos 8.110859, Arkadia 105788 | [136] |
| 7 February 1947 | Debussy | ''Jeux'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Rome | Testament SBT 1108, Pristine Audio PASC046 | , [137] |
| February 1947 | Verdi | ''I vespri siciliani (Overture)'' | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 AB 78852, Malibran CDRG 174, EMI References 7243 56550629, Naxos 8.111049-50 | [138], [139], [140] |
| 9 September 1947 | Stravinsky | ''Chant du Rossignol'' | Stockholm Philharmonic Orchestra | Live recording, Stockholm | Urania 155, Archipel ARPCD 0135, Nuova Era 2319 |
1948
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 1 February 1948 | Debussy | ''Nocturnes (Nuages)'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Roma | Testament SBT 1108 | |
| 24 February 1948 | Debussy | ''Nocturnes (Fetes)'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV, Teatro Argentina, Roma | Testament SBT 1108 | |
| 28 February - 1 March 1948 | Debussy | ''La Mer'' | Orchestra Stabile Accademia di Santa Cecilia, Roma | Studio recording for HMV (not issued until 1997), Teatro Argentina, Roma | Testament SBT 1108 | |
| February 1948 | Rossini | ''William Tell (overture)'' | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 AB 78852, EMI References 7243 56550629, Naxos 8.111049-50 | [141], [142] |
| February – March 1948 | Verdi | ''La Traviata (Act 1 and Act 3 Preludes)'' | Orchestra of Santa Cecilia | Studio recording for HMV | Grammofono 2000 AB 78852, EMI References 7243 56550629, Naxos 8.111049-50 | [143], [144] |
| February – March 1948 | Wolf-Ferrari | ''I quattro rusteghi (Intermezzo from Act II)'' | Orchestra of Santa Cecilia | Studio recording for HMV | EMI References 7243 56550629, Naxos 8.111049-50 | [145], [146] |
| February – March 1948 | Wolf-Ferrari | ''Il segreto di Susanna (overture from Act I)'' | Orchestra of Santa Cecilia | Studio recording for HMV | EMI References 7243 56550629, Naxos 8.111049-50 | [147], [148] |
| 14 April 1948 | Wagner | ''Tristan und Isolde (excerpts)'' | Kirsten Flagstad (Isolde), Max Lorenz (Tristan), Rosette Anday (Brangäne)Paul Schöffler (King Mark), Orchestra and chorus of La Scala ''(Note: Urania booklet notes falsely claim the performance to be from 1947 with Einar Beyron as Tristan and Elsa Calveti as Brangäne) | Live recording, Teatro alla Scala, Milan | Urania URN 22.105, Simax 1820 | , [149] |
| November/December 1948 | Richard Strauss | ''Don Quixote'' | Aldo Parisot (cello), Pittsburgh Symphony Orchestra | Live recording, Pittsburgh | Urania URN 22.105 | , [150] |
1949
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 5 February 1949 | Verdi | ''Otello (aria "Willow Song")'' | Renata Tebaldi, Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Fono Enterprise 1058 | [151] |
| 6 March 1949 | Giordano | ''Andrea Chénier (excerpts)'' | Mario del Monaco (Andrea Chénier), Renata Tebaldi (Madeleine), Paolo Silveri (Gerard), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Fono Enterprise 1058, Myto MCD 90634 | [152], [153] |
| 7 December 1949 | Puccini | ''La bohème (excerpts)'' | Gianni Pogi (Rodolfo), Margherita Carosio (Mimì), Paolo Silveri (Marcello), Alda Noni (Musetta), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Myto MCD 90634 | [154], [155] |
1950s
1950
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 5 March 1950 | Ghedini | ''Marinaresca e baccanale'' | New York Philharmonic | Live recording, Carnegie Hall, New York, 3pm | Nuova Era 2219, Archipel ARPCD 0135 | [156] |
| 5 March 1950 | Ravel | ''Boléro'' | New York Philharmonic | Live recording, Carnegie Hall, New York, 3pm | Nuova Era 2219, Archipel ARPCD 0135, | [157] |
| 5 March 1950 | Sibelius | ''First Symphony'' | New York Philharmonic | Live recording, Carnegie Hall, New York, 3pm | Nuova Era 2210, Urania 155 | , [158] |
| 12 March 1950 | Dukas | ''The Sorcerer's Apprentice'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 6350, Originals 821 | |
| 12 March 1950 | Franck | ''Symphony in D minor'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Istituto Discografico Italiano IDIS 336, Nuova Era 6350 | |
| 12 March 1950 | Rachmaninoff | ''Rhapsody on a Theme of Paganini'' | Artur Rubinstein (piano), New York Philharmonic | Live recording, Carnegie Hall, New York | Aura 252, Archipel ARPCD 0135, Originals ORI 821, Nuova Era 2232 | |
| 12 March 1950 | Respighi | ''Pines of Rome'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Urania URN 22.142, Nuova Era 2232 | |
| 16 March 1950 | Beethoven | ''Fifth Symphony'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Urania URN 22.142, Tahra TAH 449, Nuova Era 013.6316 | |
| 16 March 1950 | Brahms | ''Violin Concerto'' | Nathan Milstein (violin), New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6316, Tahra TAH 449, Archipel ARPCD 0086 | |
| 18 March 1950 | Barber | ''School for Scandal (Overture)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 2297, Archipel ARPCD 0135 | |
| 26 March 1950 | Dvořak | ''Ninth Symphony (From the New World)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Istituto Discorafico Italiano IDIS 336, Nuova Era 2297 | |
| 26 March 1950 | Ravel | ''Ma Mere l'Oye (suite)'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Archipel ARPCD 0135, Originals 821, Nuova Era 2219 |
1951
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 27 January 1951 | Verdi | ''Requiem'' | Renata Tebaldi (soprano), Nell Rankin (mezzo-soprano), Giacinto Prandelli (tenor), Nicola Rossi Lemeni (bass), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 6346/47, Urania URN 22.189, Great Opera Performances GOP 825 | [159] |
| 18 March 1951 | Beethoven | ''Eighth Symphony'' | New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6338, Istituto Discografico Italiano IDIS 6361 | |
| 18 March 1951 | Schumann | ''Piano Concerto'' | Claudio Arrau (piano), New York Philharmonic | Live recording, Carnegie Hall, New York | Aura 252, Music and Arts 1174, Archipel ARPCD 0086 | |
| 25 March 1951 | Wagner | ''Tristan und Isolde (prelude and liebestod), Götterdämmerung (immolation scene), Die Meistersinger (prelude), Parsifal (Prelude and Good Friday music)'' | Eileen Farrell (soprano), New York Philharmonic | Live recording, Carnegie Hall, New York | Nuova Era 013.6637, Arkadia/Hunt 512, Arkadia CDHP 512.1, Urania 22167 | |
| 7 June 1951 | Verdi | ''Falstaff'' | Mariano Stabile (Falstaff), Renata Tebaldi, Cloë Elmo (Quickly), Chorus and orchestra of La Scala | Live recording, Teatro alla scala, Milan | Opera d'Oro 1214, Urania 176, Nuova Era 2220/21, Premiere Opera CDNO 2932 | [160] |
| 13 December 1951 | Wagner | ''Tristan und Isolde'' | Gertrud Grob-Prandl (Isolde), Max Lorenz (Tristan), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Archipel ARPCD 0027-3 | , [161] |
1952
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 3 February 1952 | Rossini | ''Barber of Seville'' | Gino Bechi (Figaro), Dora Gatta (Rosina), Cesare Valletti (Almaviva), Melchiorre Luise (Bartolo), Nicola Rossi-Lemeni (Basilio), Chorus and orchestra of La Scala | Live recording, Teatro alla Scala, Milan | Walhall WLCD 0061 | [162] |
| 26 May 1952 | Verdi | ''Falstaff'' | Mariano Stabile (Falstaff), Renata Tebaldi (Alice), Cloë Elmo (Quickly), Orchestra and chorus of La Scala | Live recording, Teatro alla Scala, Milan | Music and Arts CD 1104, Cantus Classics 500.408 | [163], [164] |
| 7 December 1952 | Verdi | ''Macbeth'' | Maria Callas (Lady Macbeth), Enzo Mascherini (Macbeth), Italo Tajo (Banquo), Orchestra and Chorus of La Scala | Live recording, Teatro alla Scala, Milan | Nuova Era 2202/3, EMI CMS 5 66447 2, Hunt 2CDSLMH 34027, Legendary LR-CD-1003-2, Movimento Musica 051.022, Arkadia CDMP 427.2, G.O.P. 750-CD2, Canale 539003/4, Documents 221886-303 | [165], [166] |
1953
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| February 1953 | Brahms | ''Third Symphony (finale) (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200, Nuova Era 2319 | [167], [168] |
| February 1953 | Richard Strauss | ''Dance of the Seven Veils (from Salome) (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200, Nuova Era 2319, Archipel ARPCD 0135 | [169] |
| February 1953 | Rossini | ''La gazza ladra (overture) (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200 | [170] |
| February 1953 | Wagner | ''Ride of the Valkyries (rehearsal)'' | San Francisco Symphony | Live recording, San Francisco | Archiv Documents ADCD200 | [171] |
| 12 April 1953 | Puccini | ''Tosca (Aria Vissi d'arte)'' | Renata Tebaldi (soprano), Orchestra of La Scala, Milan | Live recording, Teatro alla Scala, Milan | Nuova Era 2319 | [172], |
| 1 August 1953 | Berlioz | ''Le Carnaval Romain overture'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Nuova Era 2319, Dynamic IDIS6416 | [173], |
| 1 August 1953 | Richard Strauss | ''Death and Transfiguration'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Nuova Era 2210, Dynamic IDIS6416, Archipel ARPCD 0135 | [174] |
| 1 August 1953 | Ravel | ''La valse'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Archipel ARPCD 0135, Nuova Era 2219, Dynamic IDIS6416 | [175] |
| 1 August 1953 | Verdi | ''I vespri siciliani (overture)'' | Vienna Philharmonic Orchestra | Live recording, Festspielhaus, Salzburg | Istituto Discografico Italiano IDIS 6416, Nuova Era 2319, Originals ORI 821, Dynamic IDIS6416 | [176], |
| 10-14, 16, 18-21 August 1953 | Puccini | ''Tosca'' | Maria Callas (Floria Tosca), Giuseppe di Stefano (Mario Caravadossi), Tito Gobbi (Scarpia), Chorus and orchestra of La Scala | Studio recording for HMV, Teatro alla Scala, Milan | EMI 7243 5 62890 2 4 (and many others), Naxos 8.110256-57, Regis 2065 | [177] |
1954
| 'Date' | 'Composer' | 'Work' | 'Soloists/Choir/Orchestra' | 'Type' | 'Label(s)' | 'References' |
| 18-22, 25-27 June 1954 | Verdi | ''Requiem'' | Elisabeth Schwarzkopf (soprano), Oralia Dominguez (mezzo-soprano), Giuseppe di Stefano (tenor), Cesare Siepi (bass), Chorus and orchestra of La Scala | Studio recording for HMV, Teatro alla Scala, Milan | EMI 653565 5062, EMI Refreences 7243 56550629, Naxos 8.111049-50, Opera d'Oro OPD 1314 | [178], [179], [180] |
References
# Archipel ARPCD 0027-3, booklet notes
# Nuova Era 2210, Booklet note. See also [181]
# Nuova Era 2297, Booklet note. See also [182]
# Nuova Era 2319, Booklet note. See also [183]
# Testament SBT 1108, booklet notes
# Urania URN 22.105, booklet notes
# Urania URN 22.105, booklet notes
# Urania URN 22.142, booklet notes
# Pearl GEMS 0054, booklet notes
# "Rehearsal" consists of brief remarks by de Sabata followed by a complete uninterrupted runthrough
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