VISUAL EFFECTS
'Visual effects' (or 'VFX' for short) is the term given to a sub-category of special effects in which images or film frames are created and manipulated for film and video. Visual effects usually involve the integration of live-action footage with computer generated imagery or other elements (such as pyrotechnics or model work) in order to create environments or scenarios which look realistic, but would be dangerous, costly, or simply impossible to capture on film. They have become increasingly common in big-budget films, and have also recently become accessible to the amateur filmmaker with the introduction of affordable animation and compositing software.
Visual effects are frequently integral to a movie's story and appeal. Although most visual-effects work is completed during post-production, it usually must be carefully planned and choreographed in pre-production and production. A Visual effects supervisor is usually involved with the production from an early stage to work closely with production and the Director to achieve the desired effects.
Visual effects may be divided into at least four categories:
★ Models: miniature sets and models, animatronics
★ Matte paintings and stills: digital or traditional paintings or photographs which serve as background plates for keyed or rotoscoped elements
★ Live-action effects: keying actors or models through bluescreening and greenscreening
★ Digital animation: modeling, computer graphics lighting, texturing, rigging, animating, and rendering computer generated 3D characters, particle effects, digital sets, backgrounds, etc..
★ Animal Logic (Sydney, AU and Venice, CA)
★ Boss Film Studios (Marina Del Rey, CA) - ''closed''
★ Bird Studios (London UK)
★ (Van Nuys, CA, US)
★ CA Scanline (München, DE)
★ CafeFX (Santa Maria, CA, US)
★ CBS Digital (LA, CA, US)
★ Cinesite (London/Hollywood)
★ C.O.R.E. (Toronto, ON, Canada)
★ Digital Domain (Venice, LA, CA, US)
★ Double Negative (VFX) (London, UK)
★ DreamWorks (LA, CA, US)
★ EdenFx (Hollywood, CA, US)
★ Flash Film Works (LA, CA, US)
★ Framestore CFC (London, UK)
★ Giantsteps (Venice, CA)
★ The Mill (London, UK; NY and LA, US)
★ Hydraulx (Santa Monica, LA, US)
★ Image Engine (Vancouver, BC, CA)
★ Industrial Light and Magic (San Francisco, CA, US)
★ Intelligent Creatures (Toronto, ON, CA)
★ Mac Guff (LA, CA, US; Paris, FR)
★ Moving Picture Company (Soho, London, UK)
★ OYSTERR (Chennai, India)
★ Rhythm and Hues Studios (LA, CA, US)
★ Rising Sun Pictures (Adelaide and Sydney, AU)
★ RIOT (Santa Monica, CA and Manhattan, NY, USA]]
★ Sputnik Studio (Santa Monica, CA)
★ Surreal World (Melbourne, AU)
★ Sony Pictures Imageworks (Culver City, CA, US)
★ Tippett Studio (Berkeley, CA, US)
★ Weta Digital (Wellington, NZ)
★ Zoic Studios (Culver City, CA, US)
★ Intrigue FX Canada
★ Red Chilles VFX(Bombay,India)
★ Pixelloid(Hyderabad,India)
★ Primefocus(Mumbai,India)
★ Animation
★ Computer Generated Imagery
★ 3D Computer Graphics
★ Physical Effects — another category of special effects
★ Bluescreen
★ Front projection effect
★ Rear projection effect
★ Compositing
★ Autodesk_Maya_Master_Award
★ T. Porter and T. Duff, "Compositing Digital Images", Proceedings of SIGGRAPH '84, 18 (1984).
★ The Art and Science of Digital Compositing (ISBN 0-12-133960-2)
★ Digital Storytelling: The Narrative Power of Visual Effects in Film, , Shilo T., McClean, The MIT Press, 2007, ISBN 0-262-13465-9
| Contents |
| Timing |
| Categories |
| Notable visual effects companies |
| See also |
| External links |
| Further reading |
Timing
Visual effects are frequently integral to a movie's story and appeal. Although most visual-effects work is completed during post-production, it usually must be carefully planned and choreographed in pre-production and production. A Visual effects supervisor is usually involved with the production from an early stage to work closely with production and the Director to achieve the desired effects.
Categories
Visual effects may be divided into at least four categories:
★ Models: miniature sets and models, animatronics
★ Matte paintings and stills: digital or traditional paintings or photographs which serve as background plates for keyed or rotoscoped elements
★ Live-action effects: keying actors or models through bluescreening and greenscreening
★ Digital animation: modeling, computer graphics lighting, texturing, rigging, animating, and rendering computer generated 3D characters, particle effects, digital sets, backgrounds, etc..
Notable visual effects companies
★ Animal Logic (Sydney, AU and Venice, CA)
★ Boss Film Studios (Marina Del Rey, CA) - ''closed''
★ Bird Studios (London UK)
★ (Van Nuys, CA, US)
★ CA Scanline (München, DE)
★ CafeFX (Santa Maria, CA, US)
★ CBS Digital (LA, CA, US)
★ Cinesite (London/Hollywood)
★ C.O.R.E. (Toronto, ON, Canada)
★ Digital Domain (Venice, LA, CA, US)
★ Double Negative (VFX) (London, UK)
★ DreamWorks (LA, CA, US)
★ EdenFx (Hollywood, CA, US)
★ Flash Film Works (LA, CA, US)
★ Framestore CFC (London, UK)
★ Giantsteps (Venice, CA)
★ The Mill (London, UK; NY and LA, US)
★ Hydraulx (Santa Monica, LA, US)
★ Image Engine (Vancouver, BC, CA)
★ Industrial Light and Magic (San Francisco, CA, US)
★ Intelligent Creatures (Toronto, ON, CA)
★ Mac Guff (LA, CA, US; Paris, FR)
★ Moving Picture Company (Soho, London, UK)
★ OYSTERR (Chennai, India)
★ Rhythm and Hues Studios (LA, CA, US)
★ Rising Sun Pictures (Adelaide and Sydney, AU)
★ RIOT (Santa Monica, CA and Manhattan, NY, USA]]
★ Sputnik Studio (Santa Monica, CA)
★ Surreal World (Melbourne, AU)
★ Sony Pictures Imageworks (Culver City, CA, US)
★ Tippett Studio (Berkeley, CA, US)
★ Weta Digital (Wellington, NZ)
★ Zoic Studios (Culver City, CA, US)
★ Intrigue FX Canada
★ Red Chilles VFX(Bombay,India)
★ Pixelloid(Hyderabad,India)
★ Primefocus(Mumbai,India)
See also
★ Animation
★ Computer Generated Imagery
★ 3D Computer Graphics
★ Physical Effects — another category of special effects
★ Bluescreen
★ Front projection effect
★ Rear projection effect
★ Compositing
★ Autodesk_Maya_Master_Award
External links
Further reading
★ T. Porter and T. Duff, "Compositing Digital Images", Proceedings of SIGGRAPH '84, 18 (1984).
★ The Art and Science of Digital Compositing (ISBN 0-12-133960-2)
★ Digital Storytelling: The Narrative Power of Visual Effects in Film, , Shilo T., McClean, The MIT Press, 2007, ISBN 0-262-13465-9
This article provided by Wikipedia. To edit the contents of this article, click here for original source.
psst.. try this: add to faves

العربية
中国
Français
Deutsch
Ελληνική
हिन्दी
Italiano
日本語
Português
Русский
Español



