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(Redirected from Where the Southern cross the Dog)
A 'crossroads' (the word rarely appears in singular) is a road junction, where two or more roads meet (there are three or more arms). ''Crossroads'' is also an alternate name for a hamlet located at such a junction. The term is often used metaphorically, as an abstraction of places or occasions where people meet.
In British English it is specifically defined as being where two roads cross each other (there are exactly 4 arms). Unlike the terms ''road intersection'' and ''road junction'', ''crossroads'' is used in a more figurative or poetic sense (similar to ''fork in the road'').
Another interpretation of the crossroad hinted at by some blues songs is that point at which a particular road is taken in life - similar to Robert Frost's "road not taken".
Originally the blues "Crossroads" was a literal right-angle crossing of two railroads - "where the Southern cross the Dog" - in Moorhead, Mississippi. The "Southern" was a line of the Southern Railway, sold to the Columbus and Greenville Railway in 1920, and the "Dog" was the "Yellow Dog", officially the Yazoo Delta Railroad, part of the Illinois Central Railroad system after 1897. This place is mentioned in a number of blues, including the recorded works of W. C. Handy and Bessie Smith.
In the folk magic of many cultures, the crossroads is a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there".
This is particularly pronounced in conjure, rootwork, and hoodoo, a form of African American magical spirituality. In conjure practice, it is said that in order to acquire facility at various manual and body skills, such as playing a musical instrument, throwing dice, or dancing, one may attend upon a crossroads a certain number of times, either at midnight or just before dawn,and one will meet a "black man," whom some call the Devil, who will bestow upon one the desired skills. Evidence of this practice can be found in 20th century blues songs, such as ''Sold It to the Devil'' by Black Spider Dumpling (John D. Twitty). Although many modern listeners believe that the premier song about soul-selling at a crossroads is ''Crossroads Blues'' by Robert Johnson, the song is actually a description of standing at a road crossing and trying to "flag a ride" or hitch-hike; the sense of foreboding coming from the singer's apprehension of finding himself, a young black man in the 1920s deep south, alone after dark and at the mercy of passing motorists.
In the Vodou tradition, Papa Legba is the lwa of crossroads.
Crossroads are very important both in Brazilian mythology (related to the headless mule, the devil, the Besta Fera and the Brazilian version of the werewolf) and religions (as the favourite place for the manifestation of "left-hand" entities such as Exus and where to place offerings to the Orishas).
There is also the now illegal tradition within England of burying criminals (particularly suicides) at crossroads. This may have been due to the crossroads marking the boundaries of the settlement coupled with a desire to bury those outside of the law outside the settlement, or that the many roads would confuse the dead. [1] (See also Burial)
Symbolically, the crossroads can be used as a metaphor for the afterlife.
Some professors refer to the crossroads as a turning point with an unpredictable outcome. In ancient literature some scripts have references to other dimensional worlds with their own crossroads. In these texts the crossroads seem to have four different endings, a golden age, nothing changed, apocalypse, and a bad event that varies with every different world.
In some Asian cultures further interpretations and traditions about what crossroads are diverge from the explanations given above.
★ Fork in the road (metaphor)
★ Crossroads (disambiguation) (for other meanings of Crossroads)
★ Crossroads village
★ The Crossroads in Hoodoo by catherine yronwode at luckymojo.com.
★ A photo of "where the Southern cross the Dog" at bluessource.com
A 'crossroads' (the word rarely appears in singular) is a road junction, where two or more roads meet (there are three or more arms). ''Crossroads'' is also an alternate name for a hamlet located at such a junction. The term is often used metaphorically, as an abstraction of places or occasions where people meet.
In British English it is specifically defined as being where two roads cross each other (there are exactly 4 arms). Unlike the terms ''road intersection'' and ''road junction'', ''crossroads'' is used in a more figurative or poetic sense (similar to ''fork in the road'').
| Contents |
| Blues |
| Spirituality |
| In Lore |
| Other |
| See also |
| External links |
Blues
Another interpretation of the crossroad hinted at by some blues songs is that point at which a particular road is taken in life - similar to Robert Frost's "road not taken".
Originally the blues "Crossroads" was a literal right-angle crossing of two railroads - "where the Southern cross the Dog" - in Moorhead, Mississippi. The "Southern" was a line of the Southern Railway, sold to the Columbus and Greenville Railway in 1920, and the "Dog" was the "Yellow Dog", officially the Yazoo Delta Railroad, part of the Illinois Central Railroad system after 1897. This place is mentioned in a number of blues, including the recorded works of W. C. Handy and Bessie Smith.
Spirituality
In the folk magic of many cultures, the crossroads is a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there".
This is particularly pronounced in conjure, rootwork, and hoodoo, a form of African American magical spirituality. In conjure practice, it is said that in order to acquire facility at various manual and body skills, such as playing a musical instrument, throwing dice, or dancing, one may attend upon a crossroads a certain number of times, either at midnight or just before dawn,and one will meet a "black man," whom some call the Devil, who will bestow upon one the desired skills. Evidence of this practice can be found in 20th century blues songs, such as ''Sold It to the Devil'' by Black Spider Dumpling (John D. Twitty). Although many modern listeners believe that the premier song about soul-selling at a crossroads is ''Crossroads Blues'' by Robert Johnson, the song is actually a description of standing at a road crossing and trying to "flag a ride" or hitch-hike; the sense of foreboding coming from the singer's apprehension of finding himself, a young black man in the 1920s deep south, alone after dark and at the mercy of passing motorists.
In the Vodou tradition, Papa Legba is the lwa of crossroads.
Crossroads are very important both in Brazilian mythology (related to the headless mule, the devil, the Besta Fera and the Brazilian version of the werewolf) and religions (as the favourite place for the manifestation of "left-hand" entities such as Exus and where to place offerings to the Orishas).
There is also the now illegal tradition within England of burying criminals (particularly suicides) at crossroads. This may have been due to the crossroads marking the boundaries of the settlement coupled with a desire to bury those outside of the law outside the settlement, or that the many roads would confuse the dead. [1] (See also Burial)
Symbolically, the crossroads can be used as a metaphor for the afterlife.
In Lore
Some professors refer to the crossroads as a turning point with an unpredictable outcome. In ancient literature some scripts have references to other dimensional worlds with their own crossroads. In these texts the crossroads seem to have four different endings, a golden age, nothing changed, apocalypse, and a bad event that varies with every different world.
Other
In some Asian cultures further interpretations and traditions about what crossroads are diverge from the explanations given above.
See also
★ Fork in the road (metaphor)
★ Crossroads (disambiguation) (for other meanings of Crossroads)
★ Crossroads village
External links
★ The Crossroads in Hoodoo by catherine yronwode at luckymojo.com.
★ A photo of "where the Southern cross the Dog" at bluessource.com
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