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 | FLAMENCO, walk with me! cajon Place: Rose Live Music Date:03.04.08 MARÍA BENJUMEDA (Singer/Cantaora) was born in Andalusia, Spain, and grew up in Jerez de la Frontera, land of the legendary wineries and flamenco music. She studied acting in Paris where she graduated from the Conservatoire du Xème rrondissement in 1998, and has performed in classic plays such Electra, El Barbero de Sevilla, and School of Wives. She moved to New York where she started to sing and became reacquainted with her flamenco roots. She has ... |
 | Gerard Souzay: Ganymed D , admired not only in French music but also for his command of the German repertoire, especially Schubert and Schumann. In recital, his first accompanist was Jacqueline Bonneau (who had been his contemporary at the Paris Conservatoire), but she was reluctant to travel and from 1954 onwards he formed a close partnership with the American pianist Dalton Baldwin which continued for the rest of his career. Souzay's exceptional linguistic gifts enabled him to sing convincingly in 13 ... |
 | Gerard Souzay Liebesbotschaft (Schubert Schwanengesang) , admired not only in French music but also for his command of the German repertoire, especially Schubert and Schumann. In recital, his first accompanist was Jacqueline Bonneau (who had been his contemporary at the Paris Conservatoire), but she was reluctant to travel and from 1954 onwards he formed a close partnership with the American pianist Dalton Baldwin which continued for the rest of his career. Souzay's exceptional linguistic gifts enabled him to sing convincingly in 13 ... |
 | Gerard Souzay: Abschied D.957 (Schubert's Schwanengesang) , admired not only in French music but also for his command of the German repertoire, especially Schubert and Schumann. In recital, his first accompanist was Jacqueline Bonneau (who had been his contemporary at the Paris Conservatoire), but she was reluctant to travel and from 1954 onwards he formed a close partnership with the American pianist Dalton Baldwin which continued for the rest of his career. Souzay's exceptional linguistic gifts enabled him to sing convincingly in 13 ... |
 | Grande Fantasia Triunfal Sobre o Hino Nacional Brasileiro the driving force. In a letter to his mother, for example, he wrote that "I definitely expect that in two years or perhaps less I shall be earning a living on my own." In Europe, however, Gottschalk had a rather bumpy start, as the Conservatoire in Paris rejected his application. For this reason, Gottschalk had to study privately with Karl Hallé, Camille-Marie Stamaty and Pierre Malenden (the latter teaching composition). In the years to follow, despite the initial rejection by the ... |
 | L.M.Gottschalk-Creole Eyes,for piano the new St. Charles Hotel. Only two years later at the age of 13, Gottschalk left the United States and sailed to Europe, as he and his father realized a classical training was required to fulfill his musical ambitions. The Paris Conservatoire, however, initially rejected his application on the grounds of his nationality. His examiner commented that "America is a country of steam engines". Gottschalk gradually gained access to the musical establishment through family friends. After ... |
